Beatles White Album Outtakes Best of the Best
Beatles White Album Outtakes Best of the Best
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A collection of outtakes that will impress even the most enthusiastic fans! The ultimate best album! A well-balanced collection of the John and Paul-like elements of the White Album, stillness and movement, quietness and hustle and bustle, ballads and rock, acoustic and electric. A best album of White outtakes that will make even enthusiasts swell with excitement. Those who have listened to White thoroughly will also enjoy it! A stepping stone to Revolution No. 9 Ringo's only sambar on White. With fiddle! Pay attention to the length of the ending Don't miss the sound of the piano in the background Paul is not alone Pay attention to the last ComeOn Complement to Sessions. Even though it's such a fun song, the members are fed up with Paul's many criticisms! Rare chat! A glimpse of the phantom 27-minute version A long version without the last edit A super rare version of the promo version unearthed in recent years A song that makes you feel the blooming of George's songwriting talent. Why didn't I put it in White 11, the contrast is amazing. The pinnacle of quiet acoustic! 12. Since there is no session recording, I borrowed it from Rock and Roll Circus. The best of the best, combining the best plays! 13. A very rare take. It has the flow of Sarget and Magical. 14. A rough mix. The ending is long. 15. The fade-out is slow, so you can hear Clapton's solo for a long time. There are no effects on the guitar, so you can enjoy the original sound. 16. A prototype of I Will. 17. Next is I Will. You can hear the intro without cutting. 18. The chorus pattern is different. You can feel the trial and error. 19. The key is different. 20. A rare home demo other than the Julia Escher demo that decorates the last one.
11, the contrast is amazing. The pinnacle of quiet acoustic! 12. Since there is no session recording, I borrowed it from Rock and Roll Circus. The best of the best, combining the best plays! 13. A very rare take. It has the flow of Sarget and Magical. 14. A rough mix. The ending is long. 15. The fade-out is slow, so you can hear Clapton's solo for a long time. There are no effects on the guitar, so you can enjoy the original sound. 16. A prototype of I Will. 17. Next is I Will. You can hear the intro without cutting. 18. The chorus pattern is different. You can feel the trial and error. 19. The key is different. 20. A rare home demo other than the Julia Escher demo that decorates the last one.