Allan Holdsworth/MA,USA 1986
Allan Holdsworth/MA,USA 1986
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Officially, with the release of the fourth work "Atavachron", a soundboard recording of the performance at Paradise Rock Club in Boston on April 16, 1986 was recorded. It's the perfect sound quality with a well-balanced mix of band and audience! Of the total 10 tracks, Non Brewed Condiment, Looking Glass, Funnels, Atavachron and "Atavachron" are the main ones, but "Road Games" includes Tokyo Dream, Three Sheets To The Wind, "I.O.U." includes White Line, Shallow Sea, Letters Of Marque, Popular songs such as "Metal Fatigue" to Devil Take The Hindmost are also included, making it a great set that will leave fans satisfied with no sagging from the opening to the end. At this time when "Atavachron" was released, which was composed only of instrumental music for the first time in a long time (this was also the time when syntax started to be used), Alan's masterpieces were shown in both solo and backing.・The arrangement of the version of White Line is pleasant, and I am once again impressed by his unique use of beats in the melody (especially the A melody), and his unique expressiveness by placing accents and notes behind the notes. (``FRANKFURT FEBRUARY, 1986'', which recorded professional broadcast shots of the ``Frankfurt Jazz Festival'' in February of the same year, has been released) Needless to say, the backing members also performed wonderfully, with a percussive and aggressive sound. The combination of Gary's rhythm work (the china, splash, etc. in each solo part is amazing!) and the delicate and just Jimmy's two allies continues to produce an outstanding groove, but anyway, the opening The keyboard play that suddenly bursts out during the solo part of Non Brewed Condiment is incredibly amazing throughout the entire song, featuring artists such as Art Pepper, IArt Moreira & Flora Primgroup, Al DiMeola, Miles Davis, Stanley Turrentine, etc...・A number of well-honed interplays that are a little different from those performed together are definitely a must-listen! The highlight is Devil Take The Hindmost, with its sense of rhythm, outstanding voicing sense, chording, and 32-beat solo explosion.Alan's deadly solo here is one of the best performances among the many live recordings. You can say that! ! The extraordinary ensemble of four people driving from the guitar solo to the end alone is enough to make this item worth it. A super item that allows you to enjoy Allan Holdsworth's best period in luxury with the best sound quality! Since most of the sound sources from the 1986 tour have not been released, this package will be irresistible for fans! ! Live at Paradise Rock Club, Boston, MA, USA 16th April 1986 (SBD) Disc 1 1. Non Brewed Condiment 2. Looking Glass 3. White Line 4. Band Introductions 5. Funnels 6. Atavachron 7. Improvisation 8. Devil Take The Hindmost 9. Tokyo Dream Disc 2 1. Three Sheets To The Wind 2. Letters Of Marque Allan Holdsworth - Guitar Kei Akagi – Keyboards Jimmy Johnson - Bass Gary Husband - Drums SOUNDBOARD RECORDING
Disc 1 1. Non Brewed Condiment 2. Looking Glass 3. White Line 4. Band Introductions 5. Funnels 6. Atavachron 7. Improvisation 8. Devil Take The Hindmost 9. Tokyo Dream Disc 2 1. Three Sheets To The Wind 2. Letters Of Marque Allan Holdsworth - Guitar Kei Akagi – Keyboards Jimmy Johnson - Bass Gary Husband - Drums SOUNDBOARD RECORDING