AEROSMITH in 1988 was performing the biggest comeback in the history of rock, which is full of heroes. Introducing a new excavation master who can experience the site at its finest. What is infused into this work is “August 30, 1988 Wilkes-Barre performance”. It is a powerful audience recording that conveys the whole picture. The date, place name, and title may have caught some people's attention. Yes, it is the AEROSMITH edition, which is a sister work to GUNS N' ROSES's new masterpiece "POCONO DOWNS 1988". At that time, they suddenly came back to life with "PERMANENT VACATION" and have just returned to the glory that has lasted for over 30 years. First, let's imagine Shaw's position in that journey. 1987《``PERMANENT VACATION'' released on August 25》・October 16-December 31: North America #1 (44 performances) 1988・January 16-February 28: North America #2 (29 performances) )・March 21st-May 22nd: North America #3 (36 performances)・June 17th-26th: Japan (6 performances)・July 2nd-September 15th: North America #4 (40 performances) )←★Here★ This is the whole picture of “PERMANENT VACATION Tour”. The Wilkes-Barre performance of this work was the final act of “North America #4”. This “North America #4” is known as the tour of the century that followed GUNS N' ROSES as the undercard, but not all dates were couplings. This is also a good opportunity to take a closer look at "North America #4."・A: July 2nd + 3rd: Honolulu (2 performances) ・G: July 9th + 10th: Phoenix (2 performances) *AG: July 17th - August 17th: North America #4a (21 performances)・A: August 19-22: North America #4b (3 performances) ・G: August 20: MONSTERS OF ROCK appearance *AG: August 24-September 15: North America #4c (14 performances) ←★Here★ ・G; September 17th: Irvine performance This is the detail of “North America #4”. The "A" mark is for AEROSMITH, and the "G" mark is for GUNS only, and the two groups shared the stage for 35 performances of "North America #4a + North America #4c". Among them, this work was the 5th concert of “North America #4c”. This work recorded at such a show is a clear and tight masterpiece recording, as mentioned in the GUNS edition “Zodiac 468”. Not even the slightest echo component was felt in the venue, which seemed to be outdoors, and the vivid performance sounds and vocals were directly picked up, right down to the contours. Also, the atmosphere surrounding the performance is wonderfully realistic. In the GUNS edition, there was so much bloodlust that the show was interrupted, but in the main act AEROSMITH, the show progressed rapidly as if to capture that enthusiasm. The mood, which had been so bleak, hasn't lost its intensity, but in fact has become even more healthy. The event becomes as exciting as a summer festival, with loud choruses and a sense of openness. And the driving force behind this enthusiasm is the show itself, which mixes 70's classics with the latest hits. Speaking of 1988, the standard pro shot "HOUSTON 1988" is also popular at our store, but the set has changed, probably because the legs are different. Let's compare and organize them here. 70's Classics (10 songs) - Birth of the Beast: Walking the Dog (★) / Dream On - Fly! Aerosmith: Same Old Song And Dance/Lord Of The Thighs (★)・Dark Night Heavy Rock: Walk This Way/Sweet Emotion・Rocks: Rats In The Cellar (★)/Back In The Saddle/Last Child・Draw・The Line: Draw the Line Permanent Vacation (7 songs)/Heart's Done Time (★)/Rag Doll/Hangman Jury/Permanent Vacation/Angel/I'm Down/Dude (Looks Like a Lady) *Note: "★ ” are songs that cannot be heard even in the standard pro shot “HOUSTON 1988”. ...and it looks like this. The rush of new songs is refreshing, including the valuable "Heart's Done Time", the cover "I'm Down", the controversial "Angel", and the number "PERMANENT VACATION", which was rarely played after that. On top of that, the combination with the carefully selected classics is wonderful. While heating things up at once with "Rats In The Cellar" and "Same Old Song And Dance," they rejuvenate with five new songs in a row, and once again descend into the best of classics. I mentioned earlier that the mood at the workplace suddenly improved, and this push and pull is the reason. This may be a result of the skillful timing and handling that only a veteran can achieve. This is a live album where you can fully experience the passionate performance of the revived AEROSMITH with a clear atmosphere and tight sound. There is no doubt that this work itself is an excellent musical product, but by listening to it together with the undercard GUNS edition "POCONO DOWNS 1988", it is a valuable sister work that allows you to experience the tour of the century on the spot. Strong audience recording of “August 30, 1988 Wilkes-Barre Performance”. It is a sister work by the same recording artist as the GUNS N' ROSES edition "Zodiac 468" which was the opening act, and is a clear and tight masterpiece recording as well. Not even the slightest echo component was felt in the venue, which seemed to be outdoors, and the vivid performance sounds and vocals were directly picked up, right down to the contours. The scene of the revival, with plenty of songs such as the precious "Heart's Done Time", the cover "I'm Down", the controversial "Angel", and "PERMANENT VACATION", which was rarely played after that, is recorded in the best sound. You can have the full experience. Pocono Downs Racetrack, Wilkes-Barre, PA, USA 30th August 1988 TRULY AMAZING/PERFECT SOUND Disc 1 (55:04) 1. Tune Up 2. Rats In The Cellar 3. Same Old Song And Dance 4. Heart's Done Time 5. Rag Doll 6. Hangman Jury 7. Permanent Vacation 8. Angel 9. Back In The Saddle 10. I'm Down 11. Lord Of The Thighs Disc 2 (52:11) 1. Slide Intro 2. Draw The Line 3. Guitar Intro 4. Last Child 5. Drum Solo 6. Walkin' The Dog 7. Dream On 8. Walk This Way 9. Sweet Emotion 10. Dude (Looks Like A Lady) Steven Tyler - Vocals Joe Perry - Guitar Brad Whitford - Guitar Tom Hamilton - Bass Joey Kramer - Drums
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