Aerosmith/CA,USA 1978 Jewel Version
Aerosmith/CA,USA 1978 Jewel Version
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This is truly a live experience of "LIVE! BOOTLEG". Here is a shocking video that allows you to witness the golden age show with incredible quality. This work was filmed on "July 15, 1978 Fresno performance". This is a shocking audience shot. EL&P and VAN HALEN's finest videos FRESNO 1977: THE VIDEO" and "FRESNO 1978: THE VIDEO" will also be released at the same time, but this work is also the AEROSMITH version that came out of the same collection. What is surprising is the quality that blows away the preciousness, but first of all, the position of the show. Speaking of 1978, it is a time when two tours "DRAW THE LINE TOUR" and "LIVE BOOTLEG! TOUR" intersect, so let's look back at the schedule at that time. 1977 September 28th - December 8th: North America #1a (19 shows) ('DRAW THE LINE' released December 9th) December 10th - 27th: North America #1b (6 shows)1978 January 7th: Jackson show March 8th - April 8th: North America #2 (12 shows) May 1st - 26th: North America #3 (10 shows) June 27th - August 9th: North America #4 (21 shows)←★Here★ September 27th - October 22nd: North America #5a (16 shows) ('LIVE BOOTLEG!' released October 27th) October 27th - December 12th: North America #5b (24 shows)This is the schedule for the entire year of 1978, from the release of 'DRAW THE LINE'. The so-called “LIVE BOOTLEG! TOUR” is “North America #5”, so this work is just before that. The Fresno performance of this work was the 11th performance of “North America #4”, and it was a concert just two weeks before the Texas Jam, which was also the official video. Although this show itself was not adopted in “LIVE! BOOTLEG”, it was within the production period. This work recorded at such a show was filmed on film before the spread of video. However, the quality overturns the common sense of 1970s film. As mentioned in the commentary of EL&P and VAN HALEN, what is most surprising is the length of one cut. Although film footage in the 1970s is usually cut into pieces of tens of seconds to about a minute, this work often uses cuts that are more than 5 minutes long. As expected, we can't expect a full show, but the shortage of the image is supplemented with still images, so you can enjoy each song to the fullest. Moreover, the beauty of the image is overwhelming. In the first place, film is more beautiful than early VHS, but this work is in exceptional condition. There is no distortion or noise due to damage, and the super clear view continues endlessly. Furthermore, the angle is also super spectacular. It is a little surprising that it is pitch black even when the first song "Rats in the Cellar" starts, but this is probably a lighting problem on site. After about a minute, the members are also lit, and their outlines appear on the screen. What is surprising there is the spacious view. It is a diagonal angle from the right side of the stage (Joe Perry side), but it seems to be filmed from the stands, and there is no obstruction at the same eye level as the members on stage. Although the distance is a concern only for the stands, it zooms in from there, and the brave figure of young Steven Tyler spreads across the screen. This is already groundbreaking. Before the camera work, it is surprising how close it is to zoom in to this extent with the film camera of that time. Moreover, Steven moving around on the stage continues to be captured in the center of the screen ... It was much later that the shooting technique of the audience shot was established, and it was surprising that the camera work was so good in 1978. On top of that, the sound is also superb, so I was surprised three times. This show is also known for the fact that the famous recordings of the audience are left behind, and the sound is probably synchronized with this work. However, the master freshness is also on a different level from the conventional one, and there is no dubbing deterioration that was noticeable in the existing sound source. Here, one question arises. To be honest, it is a miraculous superb clear sound that you can't think that it was recorded while shooting, but it is too miraculous that such a set of video and recording was realized by three groups of EL&P, AEROSMITH, and VAN HALEN. After all, was it by the same person, or was it a team that challenged shooting and recording... In any case, you can enjoy plenty of sights and sounds that are different in dimension from ordinary audience records. I should probably spend some time on songs that aren't on LIVE TEXXAS JAM '78, such as "Sight for Sore Eyes," "Walking the Dog," "Chip Away the Stone," "Seasons of Wither," and "The Train Kept A Rollin'," but that's not the time. The original was not permanently preserved in hopes of finding the original in the future, as it will have a watermark credit, but I want everyone to experience this footage as soon as possible. It's a shocking video that gives you a superb experience of the 1978 scene when LIVE! BOOTLEG was about to be created, over 33 minutes. This video work can only be described as a cultural heritage of rock. Live at Selland Arena, Fresno, CA, USA 15th July 1978 AMAZING SHOT!!!! (33:04) 1. Intro 2. Rats in the Cellar 3. I Wanna Know Why 4. Sight for Sore Eyes 5. Walk This Way 6. Walking the Dog 7. Chip Away the Stone 8. Seasons of Wither 9. Sweet Emotion 10. Get the Lead Out 11. Draw the Line 12. The Train Kept A Rollin' Steven Tyler - Vocals Joe Perry - Guitar Tom Hamilton - Bass Joey Kramer - Drums Brad Whitford - Guitar COLOR NTSC Approx.33min.
Live at Selland Arena, Fresno, CA, USA 15th July 1978 AMAZING SHOT!!!! (33:04) 1. Intro 2. Rats in the Cellar 3. I Wanna Know Why 4. Sight for Sore Eyes 5. Walk This Way 6. Walking the Dog 7. Chip Away the Stone 8. Seasons of Wither 9. Sweet Emotion 10. Get the Lead Out 11. Draw the Line 12. The Train Kept A Rollin' Steven Tyler - Vocals Joe Perry - Guitar Tom Hamilton - Bass Joey Kramer - Drums Brad Whitford - Guitar COLOUR NTSC Approx.33min.