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Aerosmith/CA,USA 08.27.1976

Aerosmith/CA,USA 08.27.1976

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AEROSMITH in 1976, when the masterpiece "ROCKS" reached No. 3 in the US and was at the peak of the golden 70s. Here is a treasure live album that will bring that glorious scene to your home. This work is permanently preserved as "August 27, 1976 Daily City Performance". It is the best audience recording. Speaking of "ROCKS Tour", it was the heyday when the legendary first visit to Japan was realized, and our shop has archived as many masterpieces as possible. Let's start by organizing the collection and taking a look at the schedule of the activities at that time. 1976 {February-March: Production of "ROCKS"} April 16-September 13: North America #1 (64 shows) ←★Here★ October 13-November 1: Europe #1 (12 shows ←※DEFINITIVE ZURICH 1976 November 10-December 19: North America #2 (4 shows) 1977 January 29-February 9: First visit to Japan (7 shows) ←※DEFINITIVE FUKUOKA 1977 June 21-July 8: North America #3 (11 shows) ←※HOUSTON 1977 August 13-27: Europe #2 (7 shows) September 28-December 8: North America #4a (19 shows) {December 9: "DRAW THE LINE" released December 10-27: North America #4b (6 performances) ←※LARGO 1977 This is AEROSMITH in 1976/1977. The legendary first visit to Japan was realized at the beginning of 1977, which spanned the year, but the Daily City performance of this work was about 5 months before that. It was the 56th performance of "North America #1", which was also the main leg of the tour. This work, which recorded such a show, is a superb audience with a very thick and fresh shock. It is a master brought by our own route, and was excavated very recently. Anyway, it is ferociously clear and beautiful. In terms of tone, it is not mistaken for a sound board, but the core that does not feel the distance is powerful and full of direct feeling, and the details that are clearly drawn to the subtleties of the subtleties are also very fine. That is the legendary sound board "DEFINITIVE FUKUOKA" that first came to Japan. It is comparable to "DEFINITIVE FUKUOKA 1977". And what is even more shocking is the freshness. It seems to have been digitized directly from the master cassette, and there are no dubbing marks or deterioration over time. The high notes extend straight to the end, and there is no distortion or twisting in the mid-range. The vibe of the heavy bass, which tends to be crushed, is smooth as velvet. Such a glossy master sound depicts the great performance of AEROSMITH in his prime, enjoying the spring of our world. The set is different from the first day, so let's organize it here by comparing it with the masterpiece "DEFINITIVE FUKUOKA 1977). Rocks (4 songs) Rats In The Cellar / Last Child / Sick As A Dog / Get The Lead Out Others (8 songs) Fly! Aerosmith: Lord Of The Thighs/Same Old Song And Dance/Train Kept A Rollin', Dark Night Heavy Rock: Walk This Way/Toys In The Attic, Others: Dream On/Jailhouse Rock (★)/Peter Gunn (★) *Note: The "★" mark indicates songs that were not included in "DEFINITIVE FUKUOKA 1977". ...And so on. "Jailhouse Rock" and "Peter Gunn", which are played seamlessly like a medley from "Get The Lead Out", are famous covers but are quite rare. In particular, "Jailhouse Rock" is a delicious point that has only been recorded once in 1990. It is difficult to say for sure whether this is the complete form of the show (this day was a coupling concert with Rick Derringer/SPIRIT), but dense rock blows through the approximately one hour recording time. The performance is full of confidence and response during the big hits, and the ferocious tension is even more intense than their first visit to Japan. The mood of the scene, which is getting excited (while still being overwhelmed by the performance), is truly in its prime! It makes you feel like it. The sense of scale may be higher in the revived GEFFEN era, but the heat of the scorching rock is still nothing like the 70's AEROSMITH. This work is a new masterpiece of an experiential album that allows you to feel the scene in their home country, which was at its peak even in its heyday. A masterpiece of the highest peak master direct brought by a unique route. The best audience recording of the "Daily City performance on August 27, 1976". The cassette master brought by a unique route is simply ferociously clear and beautiful. The core that does not feel the distance is powerful and full of directness, and the details that are clearly drawn even to the subtleties of the subtleties are very fine. You can experience the best of the scene in its heyday, where the precious "Jailhouse Rock" and "Peter Gunn" also pop out. Cow Palace, Daly City, CA, USA 27th August 1976 TRULY PERFECT SOUND(from Original Masters) (60:54) 1. Rats In The Cellar 2. Dream On 3. Lord Of The Thighs 4. Last Child 5. Walk This Way 6. Sick As A Dog 7. Same Old Song And Dance 8. Train Kept A Rollin' (Slow) 9. Drum Solo 10. Train Kept A Rollin' (Fast) 11. Get The Lead Out 12. Jailhouse Rock 13. Peter Gunn 14. Train Kept A Rollin' (reprise) 15. Toys In The Attic Steven Tyler - Vocals Joe Perry - Guitar Brad Whitford - Guitar Tom Hamilton - Bass Joey Kramer - Drums

Cow Palace, Daly City, CA, USA 27th August 1976 TRULY PERFECT SOUND(from Original Masters) (60:54) 1. Rats In The Cellar 2. Dream On 3. Lord Of The Thighs 4. Last Child 5. Walk This Way 6. Sick As A Dog 7. Same Old Song And Dance 8. Train Kept A Rollin' (Slow) 9. Drum Solo 10. Train Kept A Rollin' (Fast) 11. Get The Lead Out 12. Jailhouse Rock 13. Peter Gunn 14. Train Kept A Rollin' (reprise) 15. Toys In The Attic Steven Tyler - Vocals Joe Perry - Guitar Brad Whitford - Guitar Tom Hamilton - Bass Joey Kramer - Drums

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