Ace Frehley in 1995 was counting down to the original KISS reunion that would change his fate. Here is a spectacular video that lets you experience his solo live in full. This work features the "January 1, 1995 Brooklyn performance." It is an audience shot taken at the famous New York club "L'Amour." Speaking of Ace in 1995, the official "KISS UNPLUGGED" is known as a major turning point, but our shop also has a popular solo masterpiece "SAN DIEGO 1995 (Shades 1427)." First, let's look back on the history of his activities at that time and check the positional relationship of each.・January 1: Brooklyn performance ←★This work★・February 19-25: North America #1 (3 performances)・March 13-25: North America #2 (4 performances)・May 25-28: North America #3 (4 performances)・June 13: Oslo performance・June 22-August 8: North America #4 (26 performances)←※SAN DIEGO 1995《August 9: MTV appearance "KISS UNPLUGGED"》・August 11+12: North America #5 (2 performances)・September 2-30: North America #6 (9 performances)・November 1-December 16: North America #7 (24 performances)This is Ace Frehley in 1995. The main event was the summer tour "North America #4" and "SAN DIEGO 1995" was also a record of that time. The Brooklyn performance in this work was not such a tour, but a special performance of a one-time spot to celebrate the New Year. This work, which was filmed at such a site, is a spectacular image with a wonderful feeling of a special seat. It is a one-camera image captured from the left side of the stage, but it is probably a shot of a related person. Since there is no solid information, it is "probably" attached, but it can only be thought of as such. The key points are the field of view and stability. It is a spectacular view with no obstructions, but the height of the viewpoint is the key to it. It is much higher than the first floor audience seats in front of the stage, and is almost the same eye level as the members on stage. You can see what you want to see on the stage by passing over the heads of the audience. And it has a sense of stability. It seems to be using a tripod, there is no camera shake at all, and it moves beautifully even when swinging left and right. At first it seems to be a little far away, but it immediately zooms in ferociously and Ace's upper body expands to fill the screen. The screen that does not shake even if it approaches that much is very easy to see. The angle that is decided coolly is not threatened by the enthusiasm that fills the club, and it does not shake. It's a filming technique that doesn't seem right unless you're told that it was taken by someone involved who didn't need to hide the camera to promote the band. What you can experience from such a special seat is an event performance that is different from the main tour, "SAN DIEGO 1995". Carl Cochran, who would go on to write "Into the Void" for "PSYCHO CIRCUS", was on bass, but what's even more different is the set. Let's quickly organize it by comparing it with "SAN DIEGO 1995". KISS songs (11 songs + α)・Messenger from Hell: Strutter (★) / Cold Gin / Deuce (incl. Day Tripper, I Don't Need No Docter)・Cry from Hell: Strange Ways / Watchin' You / Parasite・Others: She (★) / Detroit Rock City / Shout It Out Loud (★) / Shock Me / Rocket Ride Solo and others (8 songs)・Ace Frehley: Snow Blind (★) / New York Groove / Rip It Out・FREHLEY'S COMET: Shot Full Of Rock (★) / Breakout / 2 Young 2 Die・Cover: Louie Louie (Richard Berry) / Foxy Lady (★: Jimi Hendrix) *Note: "★" marks songs not performed on "SAN DIEGO 1995". ...And so on. KISS songs are still the main focus, but there are also plenty of solo songs. It is a set that encompasses a wider career. Both the front row shot and "SAN DIEGO 1995" were amazing images, but this work from the perspective of the people involved is also a spectacular view. It is a masterpiece that you can enjoy the precious full show before KISS's return with a special seat feeling. Now that the KISS collection is exploding, I would like you to look back on Ace's solo activities. A spectacular audience shot of the "Brooklyn performance on January 1, 1995". It is a spectacular view with no obstructions, and the sense of stability that seems to be using a tripod is also tremendous. The screen that does not cause any camera shake even when Ace's upper body is zoomed in to the full screen can only be thought of as a related person's shot. You can enjoy the repertoire that you can't see even in the masterpiece "SAN DIEGO 1995" with a front row shot, such as "Strutter", "She", "Shout It Out Loud", and "Snow Blind" from a special seat. L'Amour, Brooklyn, NY, USA 1st January 1995 AMAZING SHOT!!! 1. She 2. Strutter 3. Snow Blind 4. MC / Louie Louie 5. Strange Ways 6. Shock Me 7. Shot Full Of Rock 8. Watchin' You 9. Foxy Lady 10. Breakout 11. New York Groove 12. Parasite 13. 2 Young 2 Die 14. Richie Scarle Guitar Solo 15. Cold Gin 16. Rocket Ride 17. Detroit Rock City 18. Shout It Out Loud 19. Rip It Out 20. Ace Frehley Guitar Solo 21. Deuce incl. Day Tripper, I Don't Need No Docter Ace Frehley - Guitar, Vocal Richie Scarlet - Guitar, Vocal Karl Cochran - Bass, Vocal Steve Werner - Drums COLOUR NTSC Approx.112min.
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