ACCEPT in the 90's reunited with founder Udo Dirkschneider. Two original recordings will be released at the same time that will give you the best experience of the performance in Japan. ACCEPT came to Japan twice in the 90s, and the two works released simultaneously this week are sister works that can be observed from a fixed point at the same venue and the same recording artist collection. This work is the best audience recording of the second “June 13, 1996: Nagoya Club Quattro Performance”. Although this tour is a separate tour, the taste of the sister work is also important. So let's take a look at the entire performance in Japan in the 1990s and check the position of the show. 1993 "OBJECTION OVERRULED" era ・September 6: Nakano Sunplaza ・September 7: Club Citta Kawasaki ・September 8: Amagasaki City General Cultural Center ・September 9 "NAGOYA 1993 (Club Quattro)" 1996 "PREDATOR" era - June 13th: Nagoya Club Quattro ←★This work★ - June 14th: IMP Hall - June 15th: Nakano Sunplaza This is a total of 7 performances from the 90s. Although the structure is similar based on East, Nagoya and Osaka, only Nakano and Nagoya had the same venue. “NAGOYA 1993” released at the same time and this work are sister works by the same recording artist and venue. And the sound is also very similar. Anyway, the core is thick and thick, and the details are super clear. Although the sound of the snare shows the proof of audience recording, it is just a matter of tone. The vividness and close contact are at a level that makes you wonder, "Is it intercepting IEMs? Is it a sound board directly connected to the desk?" Moreover, the sharp edges and audience-like tone create a glaring metallic luster. And its soundboard feel surpasses even its sister work “NAGOYA 1993”. In addition to the extremely thick performance, the sister work also absorbed the ferocious enthusiasm of the scene, but in this work, the enthusiasm spreads beyond the close-knit ensemble, making it strangely distant. The huge enthusiasm for "NAGOYA 1993" was also the taste that made your fists gooey, but if you want to enjoy pure soundboard-like music, this work is a few steps higher. All I can say about this is that I really like it. If you want to immerse yourself in the joy of a concert, try "NAGOYA 1993," and if you want to immerse yourself in the performance and music, try this one. Although they are complete opposites, they are sister works where you can enjoy the true pleasure of both of them. What is depicted with such a transcendental sound is the full show of the highly valuable “PREDATOR/FAREWELL Tour”. The official album "ALL AREAS - WORLDWIDE" is the standard for live performances in the 90's, so let's compare and organize them. 80's Classics (13 songs)・I'm a Rebel (★)・Breaker: Son Of A Bitch／Breaker／Burning (★)・Restless And Wild／Flash Rockin ' Man (★) / Princess Of The Dawn / Fast As A Shark ・Balls To The Wall: London Leatherboys / Balls To The Wall ・Metal Heart: Living For Tonite (★) / Metal Heart ・Russian Roulette: Monsterman (★) 90's (7 songs) ・Objection Overruled: Slaves To Metal / Bulletproof ・Death Row: Bad Habits Die Hard ・Predator: Crossroads (★) / It Ain't Over Yet (★) / Hard Attack (★)／Making Me Scream (★) *Note: Songs marked with “★” cannot be heard on the official live album “ALL AREAS - WORLDWIDE”. ...and it looks like this. “ALL AREAS – WORLDWIDE” was released until 1994, but this work also shows the subsequent “PREDATOR” number. It is a show that sums up the Udo era. By the way, there are eight songs that cannot be heard on the simultaneously released sister album "NAGOYA 1993": "I'm a Rebel," "Flash Rockin' Man," "Monsterman," "Bad Habits Die Hard," "Crossroads," and "It Ain't Over Yet." ”, “Hard Attack”, and “Making Me Scream”. Among the most delicious are ``I'm a Rebel'' and ``Monsterman.'' Although both are masterpieces from the 80's, they are repertoires that could not be heard on "STAYING A LIFE". You can enjoy it with the close contact sound of bare feet on the sound board. After this performance in Japan, ACCEPT disbanded again. In 2005, the band went on a 9-year hiatus before re-forming. This is a masterpiece of a live album that allows you to experience the full show of such a turning point. This is a piece that can be called "STAYING A LIFE of the 90's", reprinted from Omoto DAT with a rare and extremely thick sound. The best audience recording of "June 13, 1996: Nagoya Club Quattro Performance". The sound that was made into a CD from the original DAT given by the recording artist himself is thick and thick to the core, and the details are super clear. The vividness and close contact are at a level that makes you wonder, "Is it intercepting IEMs? Is it a sound board directly connected to the desk?" There are a lot of songs that can't be heard on the official album "ALL AREAS - WORLDWIDE", such as new songs from "PREDATOR", "I'm a Rebel", "Flash Rockin' Man", and "Monsterman", and "90's STAYING" which sums up the Udo era. This is a live album that should be called "A LIFE." Live at Nagoya Club Quattro, Nagoya, Japan 13th June 1996 ULTIMATE SOUND(from Original Masters) Disc 1 (49:50) 1. Intro 2. Restless and Wild 3. Son of a Bitch 4. Living for Tonite 5. London Leatherboys 6 . Monsterman 7. Flash Rockin' Man 8. Slaves to Metal 9. Breaker 10. Crossroads 11. It Ain't Over Yet 12. Princess of the Dawn Disc 2 (53:40) 1. Bad Habits Die Hard 2. Hard Attack 3. Bulletproof 4. Fast as a Shark 5. Metal Heart 6. Making Me Scream 7. I'm a Rebel 8. Burning 9. Balls to the Wall Udo Dirkschneider - Lead Vocals Wolf Hoffmann - Guitars, Backing Vocals Peter Baltes - Bass , Backing Vocals Michael Cartellone - Drums
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