ACCEPT in the 90's reunited with founder Udo Dirkschneider. Two original recordings will be released at the same time that will give you the best experience of the performance in Japan. ACCEPT came to Japan twice in the 90s, and the two works released simultaneously this week are sister works that can be observed from a fixed point at the same venue and the same recording artist collection. This work is the best audience recording of the first “September 9, 1993: Nagoya Club Quattro Performance”. Although this tour is a separate tour, the taste of the sister work is also important. So let's take a look at the entire performance in Japan in the 1990s and check the position of the show. 1993 "OBJECTION OVERRULED" era ・September 6: Nakano Sunplaza ・September 7: Club Citta Kawasaki ・September 8: Amagasaki City Cultural Center ・September 9: Nagoya Club Quattro ←★This work ★ 1996 "PREDATOR" era / June 13th "NAGOYA 1996 (Club Quattro)" / June 14th: IMP Hall / June 15th: Nakano Sunplaza This is a total of 7 performances in the 90's. Particularly in 1993, Udo's return work ``OBJECTION OVERRULED'' was so great that metal fans all over Japan were crazy about it. The Nagoya performance of this work was also the final day of such a warm welcome tour. This work recorded at such a scene is a scorching superb audience recording. Recently, the best DAT master of the Nagoya performance has been repeated, but this work is also the latest work that has come out of the same recording artist collection. When the performance starts, I am momentarily taken aback by the enthusiasm that gushes out like a geyser, but once the performance begins, I am astonished by the overwhelming feeling of overcoming the enthusiasm. There is no sense of distance, and every single note is clear and clear, from the high shout to the deep bass. The sound of the snare sounds like an audience, but other than that, there is no evidence of a guest record, and the homemade metal is poured in with a direct feel that is no different from soundboards or IEMs. ...No, it felt so thick that the brush stroked too much. Although the performance sound is certainly like a sound board, this work is an unmistakable super audience recording. The essence of this is the excitement of the audience, who are filled with joy at the revival. Explosive roars erupt from the intro of each song, the riffs are sung, and calls of "Hey! hey!!" erupt without being encouraged. There are many people in the audience who are singing along from the beginning of the song, and when the chorus hits, the chorus is filled with a tremendous wind pressure. There should be a heavy chorus by Wolf Hoffman and Peter Baltes at the scene, but it is completely drowned out. Of course, if it was just a big fuss, it would be unbearable to listen to, but there is no need to worry about that with this work. Every single member of the audience was engrossed in ACCEPT's performance, concentrating completely on each note. Their cheering and chanting were perfectly synchronized with the performance, making it feel like a special performance with a chorus of several hundred people. With such a transcendent sound that ``the performance sound is the best and the mood is scorching'', it is a delicious show called ``Golden Classics + OBJECTION OVERRULED''. Speaking of live shows in the 90's, the official album "ALL AREAS - WORLDWIDE" is famous, so let's compare and organize the sets. 80's Classics (15 songs) - Breaker: Starlight / Son Of A Bitch / Breaker / Burning (★) - Restless And Wild / Princess Of The Dawn / Neon Nights (★) / Fast As A Shark・Balls To The Wall: London Leatherboys/Balls To The Wall ・Metal Heart: Living For Tonite (★)/Screaming For A Love-Bite (★)/Too High To Get It Right/Up To The Limit ( ★)／Metal Heart Objection Overruled (4 songs)・I Don't Wanna Be Like You／Slaves To Metal／This One's For You／Bulletproof *Note: The mark "★" indicates the official live album "ALL AREAS - WORLDWIDE" ” Songs you can't listen to. ...and it looks like this. By the way, the seven songs that can't be heard on the simultaneously released sister album "NAGOYA 1996 (Shades 1387)" are "Starlight," "Neon Nights," "Screaming For A Love-Bite," "Too High To Get It Right," and "Up To The Limit." ”, “I Don’t Wanna Be Like You”, and “This One’s For You”. Although Wolf is the only guitar player, the ``OBJECTION OVERRULED'' number, which is like a revival of rich classics and the golden age, truly embodies ``that continuation''. And even more than such a collection of famous songs is the feeling of the scene exploding with joy at the revival. I've worked on countless live albums by many bands, but I don't remember hearing such loud cheers that were both so intense and controlled at the same time. He just loves music and playing, and even when he goes wild, he doesn't go crazy. It's the kind of passion that only comes from Japan and from heavy metal. It's a scorching live album where hot air blows out of the speakers and burns the whole room. "Why do I like heavy metal?" "Why does it make my heart feel so hot?" A shocking 100% live album that tells the answer more eloquently than a thousand words. The best audience recording of "September 9, 1993: Nagoya Club Quattro Performance". The sound that was made into a CD from the original DAT given by the recording artist himself is extremely thick and fiercely direct. There is no sense of distance, and each note is clear and clear, from the high shout to the deep bass. The audience's breath filled with joy over the revival was also deeply moving, and the intros of each song erupted into explosive roars, the riffs were sung, and calls of "Hey! hey!!" erupted without being provoked. There are many people in the audience who are singing along from the beginning of the song, and when the chorus hits, the chorus is filled with a tremendous wind pressure. This is a super heavy metal album that allows you to experience the best of a full show, like a special performance with a chorus of hundreds of people. Live at Nagoya Club Quattro, Nagoya, Japan 9th September 1993 TRULY PERFECT SOUND(from Original Masters) Disc 1 (69:51) 1. Intro 2. Starlight 3. Living for Tonite 4. Screaming for a Love-Bite 5. London Leatherboys 6. I Don't Wanna Be Like You 7. Restless and Wild 8. Son of a Bitch 9. Breaker 10. Princess of the Dawn 11. Neon Nights 12. Slaves to Metal Disc 2 (57:30) 1. This One's for You 2. Bulletproof 3. Too High to Get It Right 4. Up to the Limit 5. Burning 6. Metal Heart 7. Fast as a Shark 8. Balls to the Wall 9. Outro (Bound To Fail) Udo Dirkschneider - Lead Vocals Wolf Hoffmann - Guitars, Backing Vocals Peter Baltes - Bass, Backing Vocals Stefan Kaufman- Drums
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