The TV broadcast pro shot that symbolized the legendary AC/DC's first visit to Japan has been significantly upgraded. It has been decided to release the complete version. The symbolic video was shot on February 5, 1981: Nippon Seinenkan performance. This is the multi-camera pro shot. Speaking of AC/DC's Nippon Seinenkan, the broadcast soundboard of "FM Live Special" is also famous, and the newly discovered 2CD "TOKYO 1981 1ST NIGHT: DEFINITIVE MASTER (Zodiac 449)" will also appear. In order to sort out the situation, let's first look back at the schedule at the time.・February 1st: Osaka Expo Hall ・February 2nd: Aichi Labor Hall ・February 4th: Nippon Seinenkan ←※TOKYO 1981 1ST NIGHT ・February 5th: Nippon Seinenkan ←★This work & FM broadcast★ That's all 4 performances. The concert was held in the order of "2 performances in Western Japan → 2 performances in Tokyo", and the concert on the last day was broadcast on radio and TV. The TV pro shot has been known as a classic for a long time, but this work is the latest upgraded version produced by a maniac. [Complete version that utilizes FM broadcasting, etc. & vivid image quality using AI] There are two main points to upgrade, one being that it is a "complete version". In the first place, the TV broadcast was a special program called ``Dengeki Raisou!! AC/DC'' that was ``15 minutes x 4 days''. At 60 minutes in total, it was far from a full show, and the order of the songs was changed to fit the 15-minute time slot. In this work, we first created a complete version (approximately 78 minutes) of soundboard audio using incomplete "TV broadcast + FM broadcast". The TV image is then synchronized once again. Two songs that weren't broadcast on TV, "The Jack" and "High Voltage," are still images, and songs with parts cut out, such as "What Do You Do for Money Honey" and "Highway to Hell," are also " Still images + audio”. If you use the official BOX "PLUG ME IN", you should be able to increase the amount of footage, but the maniac who produced this work probably didn't use it because of the history of TV footage. I don't know if they cared). Now, another upgrade point is the visual beauty. In fact, it has been improved using artificial intelligence (AI), which is currently trending. Of course, even though it's AI, it's not magic, so it's still far from being an official master, but it's still much easier to see and more beautiful. The most important thing is the color development. It is brighter and more vivid than previous masters. Of course, you can increase highlights using traditional methods, but this will also destroy details and cause color bleeding. This work was originally air checked 40 years ago, so it cannot be said that the details are clear, but the vividization has not caused any new deterioration. It achieves clearly visible color while maintaining the highest level of conventional masters. [An amazing live performance that exudes the scent of the climax] The intense live performance feels even more intense when viewed with the vividly upgraded visual beauty. Angus had an oxygen inhaler ready on the side of the stage, the young Brian's sharp shouting voice, Phil and Cliff's rhythm section, which was praised as ``artistic'', and the world's best riff maker. Malcolm Young embodies the ideal of a rhythm guitarist. Furthermore, the hall venue is completely different from the arena venue of later years, which is refreshing. Brian often sings while shaking hands with the audience, but the person he's shaking hands with is a black-haired Japanese man, and once he shakes his hand, he doesn't let go (bitter smile). A professional shot depicts a scene that can only be seen on the legendary's first visit to Japan. Even more than such a stage, the many captions are suffocating with the sense of the times. I can't help but feel nostalgic just hearing ``This program is broadcast in stereo, including commercials,'' but the poem (?)-style band introductions that appear during the breaks are amazing. “The all-out attack of the roaring, high-voltage rock sound heavy metal army is about to begin.” “During the concert, Angus walks on stage for a distance of 10km. This is Tokyo on the Chuo Line ← →Equivalent to the distance between Shinjuku and Shinjuku” seems to still be good, but “The terrifying AC/DC earthquake with a magnitude of 10 has hit all of Japan today” is a phrase that seems to be popular in Japan after the Great East Japan Earthquake. impossible. Furthermore, while saying that ``AC/DC means alternating current and direct current'' is a good thing, they added ``at the same time, in English slang, it means to use both swords,'' and furthermore, ``AC/DC's live performances are wild and aggressive.'' "Erotic and sensual", it creates a subtle image. The result was a huge hand-drawn logo that read, ``Leather fashion, hard gay era, AC/DC, Fucking Sound.'' They themselves apparently had trouble getting requests to appear in gay bars in the early days because they misunderstood them, but they were still popular in the Far East even in the 1980s. Nowadays, when the hard-core image has become established, one can only think, "Leather? Hard gay?" (I can't believe Angus's strip is erotic either...bitter smile), but this is exactly the era when he first came to Japan. The scent is revived more vividly than ever before. ``Make it a complete version by using TV pro shots and FM sound board''...The idea is simple, but it is a record that is the realization of a maniac's dream that was difficult to realize. What's more, AI adds to the vivid visual beauty. This video work was made possible because of the passion of enthusiasts and the generous use of the latest technology. This is a new era masterpiece that you should definitely enjoy as it marks the 40th anniversary of the first visit to Japan. A multi-camera pro shot has been released that allows you to witness the legendary first visit to Japan that took place 40 years ago. This is a complete version of the video that has been revised from the standard Nippon Seinenkan performance TV and FM broadcasts, and the video has also been upgraded using AI. Live at Nippon Seinenkan, Tokyo, Japan 5th February 1981 PRO-SHOT 1. Hells Bells 2. Shot Down in Flames 3. Sin City 4. Back in Black 5. Bad Boy Boogie 6. The Jack 7. What Do You Do for Money Honey 8. Highway to Hell 9. High Voltage 10. Whole Lotta Rosie 11. Rocker 12. You Shook Me All Night Long 13. T.N.T. 14. Let There Be Rock Brian Johnson - Vocal Angus Young - Guitar Malcolm Young - Guitar & Vocal Cliff Williams - Bass & Vocal Phil Rudd - Drums PRO-SHOT COLOR NTSC Approx. 78min.
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