AC/DC version is now available from the "Stephane" collection! A live album where you can experience the ultimate experience of “THE RAZORS EDGE Tour”, which has risen to become the king of the scene with its comeback big hit, is now available. What is infused into this work is “Paris performance on September 21, 1991”. It is a transcendental audience recording. Speaking of “THE RAZORS EDGE Tour”, it was a time when there was a wealth of official live works such as the album “AC/DC LIVE”, the video work “LIVE AT DONINGTON”, and the compilation “MONSTERS IN MOSCOW”. In order to understand the circumstances around that, let's look back at the schedule at that time and check the position of the show. 1990《``THE RAZORS EDGE'' released on September 24th》 November 2nd - December 16th: North America #1 (33 performances) 1991 January 11th - February 22nd: North American #2 (27th performance) Performances) March 20th - April 27th: Europe #1 (27 performances) May 24th - July 14th: North America #3 (36 performances) August 10th - September 28th: Europe #2 (20 performances) ←★Coco★・October 14th - November 16th: Oceania (18 performances) This is AC/DC in 1990/1991. It was a magnificent world tour of about 140 performances, of which "Europe #2" toured Europe as the festival tour "MONSTERS OF ROCK Tour" (some performances were solo). Both the official live work and this work were in this "Europe #2", and "LIVE AT DONINGTON" was the third performance, "MONSTERS IN MOSCOW" was the final day, and the Paris performance of this work was the 18th concert. . This work, which is a vacuum-packed version of such a show, is of the highest quality with a "super" rating. Speaking of the "Stephane" collection, it has produced a series of shocking super famous recordings mainly in the HR/HM genre, and our store also has new names such as BLACK SABBATH's "DEFINITIVE PARIS 1992" and IRON MAIDEN's "DEFINITIVE PARIS 1993". The disc was very popular. RATT's ``GERMAN DETONATOR'' is also the work of this person. And this work is a super masterpiece that is a candidate for the best masterpiece among them. The ultra-tight core cuts through the crystal clear air and reaches your ears, and the details are super clear down to the smallest details. Of course, it is a feat of sound due to the transcendental skills of “Stephane”, but perhaps the venue is also one of the factors. After all, the venue is an outdoor stage specially set up at the Vincennes Racecourse. Since there is no roof or ceiling to reflect sound, the sound output from the PA is recorded directly. What is drawn with such super tight and direct sound is a full show that will be a ``100% AC/DC LIVE'' experience. Here, let's organize the set while comparing it with the longest two-disc live album among the official works. 70's (9 songs)・High Voltage: The Jack/High Voltage/T.N.T.・Jailbreak/Dirty Deeds Done Dirt Cheap・Rock Spirit: Hell Ain't A Bad Place To Be (★)/Whole Lotta Rosie ／Let There Be Rock・Highway to Hell 80's and later (7 songs)・Back in Black: Shoot to Thrill／Back in Black／Hells Bells・Devil's Invitation: For Those About to Rock (We Salute You)・Razor's Edge; Thunderstruck/Fire Your Guns/Moneytalks *Note: Songs marked with "★" cannot be heard on the official live album "AC/DC LIVE". ...and it looks like this. I would like to say that "Hell Ain't A Bad Place To Be", which cannot be heard on "AC/DC LIVE", is rare...but this song was also a bonus track on the Japanese version, and "LIVE AT DONINGTON" is rare. ' But I could listen to it. It's not that valuable. What's more important is the "full show experience." That's all. After all, "AC/DC LIVE" is not only made up of multiple performances, but the editing that fades between songs has been very unpopular since then. It really ruined the concert experience. On the other hand, this work is a live album that goes all at once. You can fully enjoy the ``flow'' of each song stacking up to make the audience buzz, and that enthusiasm feeding back to the stage. In that case, what is important is "the breath of the audience". As a matter of fact, the loud cheers in this work are strangely small compared to the extremely thick performance sound/vocal (probably because it was recorded towards the PA tower at the rear of the venue). However, even so, the real cheering is well-prepared, and the excitement in the front seats feels like a distant swell. In other words, you can feel like you are present at the scene of that masterpiece “LIVE AT DONINGTON”. With the re-breakout of "THE RAZORS EDGE", AC/DC has become a new level of existence. It was at this point that we reached the point where ``no matter how long the album was, it would always be a big hit.'' The reason they achieved this feat was because “THE RAZORS EDGE Tour” was so wonderful that it excited the whole world. This work is a new masterpiece of a live album that allows you to fully experience such a scene in super high quality. There is no band like AC/DC, which is said to be ``you can't appreciate its true value until you see it live'', but this work speaks more eloquently than a thousand words. A transcendental audience recording of the "September 21, 1991 Paris Performance", a new excavation that is truly a cultural heritage. This is the latest piece from the Stephane collection, which is currently a hot topic, and in addition to being as clear as usual, it also has a tighter feel than usual. The venue was an outdoor stage specially set up at the Vincennes Racecourse, and there was no roof or ceiling to reflect sound. The output sound of the PA is recorded directly. Unlike "AC/DC LIVE" where there was a fade between each song, the concert experience was wonderful, and the audience's mood was real as it was an audience recording, making it feel like you were present at the scene of that masterpiece "LIVE AT DONINGTON". This is an irresistible new excavated live album of cultural heritage quality. Hippodrome de Vincennes, Paris, France 21st September 1991 ULTIMATE SOUND Disc 1 (54:46) 1. Intro 2. Thunderstruck 3. Shoot to Thrill 4. Back in Black 5. Hell Ain't a Bad Place to Be 6. Fire Your Guns 7. guitar solo 8. Jailbreak 9. The Jack 10. Moneytalks Disc 2 (59:49) 1. Hells Bells 2. High Voltage 3. Dirty Deeds Done Dirt Cheap 4. Highway to Hell 5. Whole Lotta Rosie 6. Let There Be Rock 7. T.N.T. 8. For Those About to Rock (We Salute You) Brian Johnson - Lead Vocals Angus Young - Lead Guitar, Backing Vocals Malcolm Young - Rhythm Guitar, Backing Vocals Cliff Williams - Bass Guitar, Backing Vocals Chris Slade - Drums
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