The ABWH version is now available from the collection of the much-talked-about master "Stephane". This is the birth of a new masterpiece that allows you to experience the exquisite YES Music night on-site. What is inscribed in this work is “Paris performance on November 19, 1989”. This is the best audience recording. The greatest strength of this work is the shocking sound quality, but first of all the show position. Jeff Berlin also participated in place of Tony Levin on some dates, so let's look back at the schedule at that time, including that aspect. 1989《Senkou released on June 20》・July 29-August 28: North America #1a (25 performances)《Tony Levin → Jeff Berlin replaced》・September 4-10: North America #1b (7 performances) ← *Official “Tony Levin Return” October 20th to 29th: UK (7 performances) November 2nd to 23rd: Europe (17 performances) ←★Here★ 1990・February 21st-23rd: Spain (3 performances) March 1st-8th; Japan (6 performances) March 12th-23rd: North America #2 (10 performances) This is “AN EVENING OF YES MUSIC” PLUS Tour" overall picture. Levin had to leave due to food poisoning during the 7th performance of North America #1, but returned safely on the re-started European tour. The Paris performance of this work was the 14th concert of the continental European version, which is the second half. The existence of a recording of this show has been known for a long time, but it is only a “B” class recording. This work is a superb new excavation master that is different from that. What's more, it was created by Stephane, who is currently a hot topic. Very recently, he has been shocking HR/HM collectors with his series of superb masters such as BLACK SABBATH and IRON MAIDEN, but in reality, he was not a taper specializing in metal. This work is proof of the sound that is wonderful even in the progressive rock genre. In fact, the sound is beautiful, direct, and super delicate. You can't mistake it for a sound board as it realistically captures the atmosphere of the venue where the lively applause erupts, but the vividness of each note, the sharp outline of each note, and the strength of the core that reaches straight like a laser beam, are like a sound board. It's set up like a radio broadcast... no, the crystal clear atmosphere and the glittering sound of the hall shines brighter than the FM broadcasts around here. To be honest, I'm not the type who touts "zero distance, close contact!", but that's why the feeling of rain is so beautiful. I have always repeated that ``YES's symphonic sound suits audience recording'', and this work is a beautiful recording that is like a sample that makes the most of that beauty. It is such a shocking masterpiece recording, but this work updates its highest peak. In fact, in the original sound that appeared on the Internet, there was a recording omission in John Anderson's solo corner, and it stopped in the middle of "Time and a Word". It even jumps to Steve Howe's "Clap." Therefore, this work compensates for the missing parts with conventional recording. You can also enjoy “Owner of a Lonely Heart” and “Teakbois.” This new master is so wonderful that it doesn't feel strange at all, but the careful mastering has eliminated the difference in sound quality to the maximum. What is depicted with such crystal sound is a full show only by ABWH, who revived the progressive aesthetic sense of the 90's. I would like to say that the stable ensemble and set are familiar from the official work “AN EVENING OF YES MUSIC PLUS”, but they are not exactly the same. The biggest point is probably the last song "Sweet Dreams" that is performed after the finale of "Starship Trooper". The "North America #1" and "Europe" legs at the beginning of the tour were limited edition songs that were only played at limited shows, and the sound records can be counted on one hand. In this work, you can enjoy such valuable numbers with the best sound of brilliance. ABWH brought Bill Bruford back to the world of symphonic rock and updated their aesthetic sound. This is a new masterpiece that allows you to experience the full show up to "Sweet Dreams" at its finest. What kind of progressive rock masterpieces will pop out from the "Stephane" collection? This is a live album of brilliance that will make you even more excited. The best audience recording of "November 19, 1989 Paris Performance". It's from the "Stephane" collection, which is currently a hot topic, and is beautiful and super delicate. The vividness of each note's sharp outline, and the strength of the core that reaches straight like a laser beam, is just like a radio broadcast... No, it has a crystal clear atmosphere and sparkles. The sound of the hall pouring out was brighter than the FM broadcasts in the area. I have always repeated that ``YES's symphonic sound suits audience recording'', and this work is a beautiful recording that is like a sample that makes the most of that beauty. This is a 3-disc set that allows you to experience the best of a valuable full show, including ``Sweet Dreams'', of which there are only a few recordings left. Palais Omnisports de Paris-Bercy, Paris, France 19th November 1989 ULTIMATE SOUND Disc 1(61:11) 1. Young Person's Guide to the Orchestra 2. Time and a Word/Owner of a Lonely Heart/Teakbois 3. Clap 4. Mood for a Day 5. Wakeman Solo 6. Long Distance Runaround 7. Bruford Solo 8. Birthright 9. And You and I 10. I've Seen All Good People Disc 2(51:41) 1. MC 2. Close to the Edge 3. Themes 4. Levin/Bruford Jam 5. Brother of Mine 6. The Meeting Disc 3(51:08) 1. MC 2. Heart of the Sunrise 3. Order of the Universe 4. Roundabout 5. Starship Trooper 6. Sweet Dreams Jon Anderson - Vocals Bill Bruford - Drums Steve Howe - Guitars Rick Wakeman - Keyboards Julian Colbeck - Keyboards Tony Levin - Bass Milton Mcdonald - Guitars
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