The best footage of the "BIG GENERATOR TOUR 1987-1988", which was at the peak of general popularity, is here. Although there is little footage of "90125 YES" despite the time when the charts were full of hit songs, this work is a masterpiece that will give you the best experience. This work was filmed at the "January 24, 1988 Hollywood performance". The best thing about it is the angle. It is a shot looking down from the second floor seats on the right side of the stage (Trevor Rabin side), but the arms and heads of the audience are not reflected at all, probably because they were in the front row. The entire field of vision is occupied by "90125 YES". And the sense of stability is outstanding. As expected, it is a hidden shot (if you pull it back as much as you can, you can see the shadow of a hidden hole at the edge of the screen), so you can't expect the same stability as a tripod, but it is amazingly unshakable for a freehand shot. Moreover, the zoom is bold and quick to match each member's phrase, but even when the camera pushes the limits of the equipment, the sense of stability remains the same. The image quality is also wonderful, conveying the efforts and sense of the photographer to the present day. Since it was 1988, it was naturally shot on analog video, but the image beauty digitized from 1gen master VHS has minimal deterioration. Although it was only once, there is a very slight distortion and softness of the outline at the edge of the screen because it has been analog dubbed, but there is no noise and the image quality is beautiful and glossy. The sound is also outstandingly fresh. The view is clear with zero obstructions, and the sound is clear and the outline of each instrument is clear. There is a beautiful chorus (that never changes) that spreads to every corner of the venue. It is wonderful to experience the "BIG GENERATOR TOUR" with such quality. We also introduced the definitive pro shot "PHILADELPHIA 1987 1ST NIGHT" from this tour, but unlike the Philadelphia performance in 1987, which was the early part of the tour, this work is in the middle of the tour in 1988. "Rhythm Of Love" and "Big Generator", which were not seen in the pro shot, have been added, and the mood of the "great success period" is even more intense. If you think so, you can enjoy a show rich in accents, such as "Nous Sommes Du Solei" from "Tales of Ocean Topography". And these classics are also very exciting, so the popularity of YES at that time is real. There was a scene in the pro shot "PHILADELPHIA 1987 1ST NIGHT" where John Anderson was choked with a big cheer, which can be enjoyed in this work. After the exquisite "Heart Of The Sunrise" sprints, a vortex of generous applause from the large crowd. John looks over the audience with his eyes closed on this day as well. However, the quality of the emotion projected there is a little different. In "PHILADELPHIA 1987 1ST NIGHT", the freshness of the beginning of the tour made me feel "shocked" at the thought of "why is that...", but in this work, I would say it's more like "Oh, even in Hollywood...". John would have been showered with hospitality every night, every night, at every destination. In terms of freshness, there is no surprise as much as in the Philadelphia performance, but because this work is 100% real footage, the emotion of being present at the scene is close to my heart. The pro shot is also a different kind of "being there". It is a masterpiece video that allows you to enjoy the real pleasure of the audience shot with the finest field of view, image quality and sound quality. In terms of tasting the true value of "90125 YES", it is also the best one to meet them who are savoring the two letters of "success". Live at Hollywood Sportatorium, Hollywood, Florida, USA 24th January 1988 AMAZING SHOT (121:29) 1. Rhythm Of Love 2. Hold On 3. Heart Of The Sunrise 4. Big Generator 5. Changes 6. Shoot High Aim Low 7. Holy Lamb 8. Si / Solly's Beard 9. Make It Easy / Owner Of A Lonely Heart 10. Yours Is No Disgrace 11. us Sommes Du Solei 12. Amazing Grace 13. And You And I 14. Wurm 15. Love Will Find A Way 16. I've Seen All Good People 17. Roundabout Jon Anderson - Vocals Trevor Rabin - Guitars, Vocal Chris Squire - Bass, Vocal Tony Kaye - Keyboards Alan White - Drums COLOUR NTSC Approx.122min.
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