Following the large-scale 1978 tour accompanying "TORMATO", the North American tour started again in April 1979. On the 9th day, April 18, Canada's Quebec performance was recorded for 2 hours and 21 minutes in full with an official super high quality stereo soundboard recording, and this super title is a must-have for all Yes fans, no, all rock fans. It is a familiar sound source for a long time, such as the "Dynamite Studio" board, and is a famous sound source that has produced several types of existing boards, but the quality of this board surpasses all the Quebec sound sources that have existed in the past! The true master quality version that appeared in recent years is used directly. The difference in the texture of the sound is clear from the opening "CEOTK" SE, and you will intuitively think "This sound source is amazing!" from the superb sound wall panning from right to left in stereo. This is a truly gem of a master sound source that we would like those who have already released it to listen to. It seems that analog reel tape is the master for this era, but the sound is as clear as if it was recorded with a recent digital recording machine on the mixing desk, and it is truly overwhelming! The sound balance is perfect, and you can enjoy the whole picture of the show with one of the best sound quality on the tour. The amazing thing about this sound source is that there are no cut parts, and even the cheers waiting for the encore after the end of I've Seen All Good People are recorded uncut. The super performance of Yes at this time, played with a crystal clear sound ensemble, is the best word, and it is a line recording that makes all the musical notes understandable as if they were in the hands, and it is only in the heyday that they can play so perfectly, and it is no exaggeration to say that the brilliance of the last sound of the 1970s of Yes, who lived through the 1970s intensely, is here. You can enjoy an unprecedented live performance that can be said to be the final settlement of the Yes sound. Because it is a line recording, Rick's keyboard is recorded directly, and you can hear many of the fine tones and plays that are difficult to grasp from the PA out. At the same time, you can enjoy a performance that will make you admire Rick's sense of rhythm and time once again, while making fresh discoveries. The only problem is the big medley Soon, where Rick's synthesizer pitch goes out of sync, and you can vividly hear him checking the keyboard after the show. Howe's solos and backing can be heard ultra-clear at all points, so this is also very interesting to listen to. In any case, it is a great pleasure for fans that after 31 years, the master quality version of this sound source has appeared in the world in the best form without deterioration, and the exceptional sound and spectacular performance contained in this board will continue to fascinate and impress many music fans. A must-have for fans, this is the best stereo line recording of Yes's ultra-high quality live performance from 1979. Live at The Quebec Coliseum, Quebec City, Quebec, Canada 18th April 1979 STEREO SBD(PERFECT SOUND) Disc 1 1. Close Encounters Of The Third Kind 2. Siberian Khatru 3. Heart Of The Sunrise 4. Future Times 5. Rejoice 6. Circus Of Heaven 7. Time And A Word 8. Long Distance Runaround 9. The Fish (Schindleria Praematurus)/Survival 1 0. Perpetual Change 11. The Gates Of Delirium 12. Soon 13. Don't Kille The Whale 14. Clap Disc 2 1. Starship Trooper 2. On The Silent Wings Of Freedom 3. Wakeman Solo 4. Awaken 5. Tour Song 6. I've Seen All Good People 7. Roundabout STEREO SOUNDBOARD RECORDING Jon Anderson - Vocals Steve Howe - Guitars Chris Squire - Bass Rick Wakeman – Keyboards Alan White – Drums
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