Have you noticed? Recent Floyd titles date back to 1977 and 1975. Naturally, the next release will be the 1974 tour. This was the last period when Floyd retained his floating sound, and Gilmore maintained his relaxed singing voice. Under such circumstances, the 1974 sound source is highly popular among enthusiasts all over the world as a live tour of "Ome" that was playing new songs released on the later two albums. The secret of Floyd's popularity is that this was the last time, including 1975, when he toured with a creative structure of "new song set," "madness set," and "Echoes." What's interesting about Floyd in 1974 is that he carefully handled the new songs he finally released after the mega-hit of "Madness." After all, fans were hungry for new songs and a new album since the same album, but Floyd, especially Roger Waters, said he would produce a follow-up to his "crazy" hit that far exceeded their expectations. You have to accept the proposition. However, like all great artists and groups throughout the ages, Floyd went on tour with new songs that had a completely different sound and atmosphere from ``Madness'' and were ``raw'' in the best sense of the word. I will. They were good at introducing new songs before they were recorded and performing them live, but the big difference between them was that they had released a big hit album before that, and this group of new songs at the time was even more impressive. I get the impression that the live sound source was carefully handled. Among these new songs, “Shine On You Crazy Diamond” was the first to show significant growth. The song, which was performed on the French tour in June, was played wonderfully on every day, and it was clear that the band was trying to perfect this song first. During the next so-called "British Winter Tour," another new song, "Raving and Drooling," was played live and worked out, while another new song, "You Gotta Be Crazy," was introduced, and the tour entered a creative phase. It has been reflected. Although the sound source released this time will be from the same tour, our store has been producing items with emphasis on performances at Wembley Empire Pool until now. "WHO GOTTA BE CRAZY" on November 15th and "DECLINE AND FALL OF THE BRITISH EMPIRE" on the 17th not only received high praise from enthusiasts for their performance content that surpassed the radio broadcast on the 16th, but also the sound quality. It also has a reputation for its quality. “CREATIVE INTELLIGENCE” was a recording of the live performance after these Wembley performances. This was recorded at the end of the “British Winter Tour”, the Manchester performance on December 9th. It has been a long time since it has already been sold out as the definitive version of the same sound source, which captured the masterpiece that has evolved further from Wembley with an audience recording of great sound quality. Naturally, we received comments such as ``When will it be reissued?'' and ``I would love to hear that great performance,'' but given that it is such a great performance and a great sound source, I would like to avoid a hasty reissue... Several years have passed since our store staff had such thoughts. In fact, "CREATIVE INTELLIGENCE" was rated as Manchester's definitive edition in terms of sound quality, but although it used the low generation sound source available at the time, it is not known whether it was a clear copy generation beyond that. It was. However, a new sound source upgrade that has recently appeared with the information that it is a genuine "1st gen cassette" has finally become possible to release a CD that surpasses "CREATIVE INTELLIGENCE"! An added attraction of the "British Winter Tour" is that Floyd, who had already climbed to Earl's Court in 1973, was once again performing new songs at a concert hall or an even smaller venue. Masu. This also reminds us of their cautious attitude and their days at Rainbow in early 1972. Therefore, Wembley is the largest venue on this tour, and in Manchester, you can hear it at first glance, and it is full of box-likeness, and the realism that is different from Wembley is captured with outstanding freshness and clearness. That must be a big attraction. And in this "1st gen cassette" with a pedigree, the sound quality has been raised to the ultimate level. You'll be enchanted by both the performance and the sound quality, a feeling that can only be found in Manchester. In particular, the difference with "CREATIVE INTELLIGENCE" is noticeable when it comes to clearness. This is the true "1st gen cassette" sound, Manchester's definitive version is finally here. Thank you for waiting! Live at The Palace Theatre, Manchester, UK 9th December 1974 TRULY PERFECT SOUND(UPGRADE) Disc 1(54:02) 1. Raving And Drooling 2. You've Got To Be Crazy 3. Shine On You Crazy Diamond Disc 2(58 :16) The Dark Side Of The Moon 1. Speak To Me 2. Breathe 3. On The Run 4. Time 5. Breathe(Reprise) 6. The Great Gig In The Sky 7. Money 8. Us And Them 9. Any Color You Like 10. Brain Damage 11. Eclipse Disc 3(27:10) 1. Audience 2. Echoes
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