A sound source trader is a maniac who collects sound sources circulating on the Internet, but further maniacs go on to the step of collecting the sound sources themselves, that is, the original cassettes and reel tapes. There is such a core collector in our country, and he provided us with a reel tape of an audience recording capturing the pattern of the 1972 US tour. It contained the Charlotte performance on June 9th. Speaking of Charlotte in 1972, it is famous as a good audience for the first half of the tour, and "LIVE IN CHARLOTTE 1972", released more than 10 years ago, reigned as the definitive version. Since Charlotte has a feeling of being perfected with the same title, is there really an advantage to this reel? Even the maniacs who provided it were skeptical. If you actually listen to it, the dropout that occurs around 6:35 in "That's The Way" does not change. In the first place, the sound quality of the first half of the live is the same. Thus, while listening to only the first half, it is no different from "LIVE IN CHARLOTTE 1972" (hereinafter referred to as "previously released"). Rather, from "Stairway To Heaven" to the beginning of "Going To California", there is sound distortion due to tape deterioration. It is true that such problems can be solved by converting to mono, but this time, we have not made any changes to respect the condition of the reel tape. In any case, the first half is no different from the previously released version. However, the sound quality is clearly better from the second reel starting with "Dazed And Confused". In addition, in this song, a cut occurs at the beginning of Jimmy's bowing, and the previously released version was processed by crossfading to make it less noticeable. However, this reel does not pick up the cut and remains as it is, and as a result, the recording is slightly longer than the previously released version. This is why the difference in sound quality from the previously released version becomes more noticeable as the live progresses with "What Is And What Should Never Be" and then "Whole Lotta Love". Compared to this reel, the previously released versions of those songs seem to be covered with a veil. I never thought that such an upper feeling would be lurking in this reel. Not only has the sound quality improved, but the naturalness has also been clearly improved, and it can be said that this is a new upper version that has appeared more than 10 years after the release of the previously released version. Since the first half was in the previous state, this was a surprise. In the first place, Charlotte has been popular with enthusiasts as a standard sound source for the early part of the 1972 US tour. There is no sense of being out of control like in Tucson and the LA Forum at the end of the tour, which will be released at the same time, and it is clear that they are relaxing in the countryside and taking on the stage, but there is no sense of cutting corners. Rather, the clarity of Robert's screaming voice at the end of the tour is incredible. The fact that the engine was at full throttle while including such a margin led to the performance of "Celebration Day", which was extremely rare on this tour. In addition, this performance is very high tension. On the other hand, the band started playing "Knees up Mother Brown", a favorite song in pubs for British people, after Jimmy encouraged them, and at the end Robert started singing along to it, which was a very idyllic scene that seems to have happened on this day. The party show after the second day in Seattle, where the best version of "SIZZLES IN SEATTLE" is still fresh in our memory, is also attractive, but I think Charlotte is a great performance and a great sound source from America in 1972, which was created in a place that is not as lively as a big city. And the best scene in Charlotte is "Whole Lotta Love". It was a surprising development that the oldies medley, which was common in this era, ended without any part. It may have been a replacement, but it was also valuable to hear a very rare development where one of the members slammed the piano keys when the first song part ended and they entered into improvisation. There is no confirmation because there is no video, but it is likely that Jonesy, or perhaps Robert, played the piano that was prepared at the venue. Including these unusual developments, the 1972 Charlotte has been popular as a famous sound source filled with highlights unique to the early part of the tour. The new upper version will be released from a reel tape that is not available on the Internet and will surprise enthusiasts around the world. This is surprising! Recorded from two reel tapes that were obtained independently. The sound is better than the previous release, and the content is also good. The second half is especially amazing. ★Miraculous excavation upper version. Live at Charlotte Coliseum, Charlotte, NC, USA 9th June 1972 PERFECT SOUND(UPGRADE) Disc 1 (63:53) 1. Immigrant Song 2. Heartbreaker 3. Celebration Day 4. Black Dog 5. Since I've Been Loving You 6. Stairway To Heaven 7. Going To California 8. That's The Way 9. Tangerine 10. Bron-Y-Aur Stomp Disc 2 (68:02) 1. Dazed And Confused 2. What Is And What Should Never Be 3. Moby Dick 4. Whole Lotta Love 5. Rock And Roll 6. Communication Breakdown
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