JUDAS PRIEST took Japan by storm with their spectacular farewell tour, engulfing fans in a storm of excitement and emotion. Introducing the famous recording of the home performance of “PAINKILLER WORLD TOUR”, which was a major milestone in its long and glorious history! A complete recording of the Sheffield City Hall performance on March 26th from the 1991 UK tour with a roaring ultra-high quality audience recording. This is the same master that was released about 10 years ago, but this time, it has been remastered to a higher level than the original cassette master tape, and the sound, which was originally the highest level recorded at this time, has been brought to a higher level. It has been reborn as a sublimated decision board. This is a perfect album that is definitely a must-have for fans. Although it's Farewell, even in 2012, the dignity of the metal gods has not diminished in the slightest, but it was in 1990-1991 that they brought down the world not with their "presence" but with their "forceful sound." “PAINKILLER WORLD TOUR” may have been the last. In the late 1980s, they were criticized for being a symbol of metal, including being held responsible for a fan's suicide attempt. In terms of music, albums such as ``TURBO'' and ``RAM IT DOWN'' clearly showed a sense of inability to keep up with the times. ``PAINKILLER'' is a masterpiece in which Rob uses his ``reverse anger'' logic in the midst of adversity, even talking about ``retirement.'' Even on the following tour, the ``reverse anger'' did not seem to subside, and they performed intense metal that was as if to say, ``Don't be silly!'' in all parts of the world, where people thought that ``PRIEST's career was going downhill.'' Even in the “PAINKILLER WORLD TOUR”, the UK performance has a particularly high “degree of sharpness”. Surprisingly, the country that underestimates JUDAS PRIEST the most is his home country, the UK. When a new album comes out, it shows up on the charts, but over the course of his long career, he has never had an album that could be called a big hit, and he has never even earned a gold disc. Therefore, the home performance since the mid-1980s is a triumphant return for PRIEST, which has dominated the world, and is filled with the spirit of ``Mother Britain, wake up!''. Among PRIEST's long career and vast live collection, this work contains the "live sounds" of such a special time and place. Press the play button and the S.E. begins. From the sound of a Harley engine, metal recording master Crazy S. shows off! The next song, “Hell Bent For Leather,” has a vivid contrast between the heavy punch of the bass and the biting highs! There is a tape change and slight deterioration in the last song, "You've Got Another Thing Comin'," but a solid musical tone is maintained throughout almost the entire volume. Furthermore, the moderate cheers like DEEP PURPLE's "MADE IN JAPAN" and the wide range of digitally remastered finishes are sure to make it a pleasant listen even for sound board fans who are picky about sound quality. It clearly revives the PRIEST sound that woke up from the "nightmare of the 80's" drowning in delay. Another major point in PRIEST's rebirth was Scott Travis, a new member at the time. The gritty feel of each hit announces the arrival of a new era, while ``Hell Bent For Leather'', which requires a lot of steps, brings back traces of Les Binks. The drumming, which is both an upgrade from the 90s and a new take on the past from the 70s, seems to symbolize PRIEST at the time, which absorbed both the passionate "Painkiller" and the lyrical "A Touch Of Evil." Although “A Touch Of Evil” was not played this night, the lyrical “Beyond The Realm Of Death”, which is full of tears with just the intro arpeggio, is perfect. In addition, the heavy metal songs "The Sentinel" and "Night Crawler", the intense "Painkiller" and "All Guns Blazing" that breathe new life, and the heavy drums that dispel the sweetness of "Metal Gods" and "Living After Midnight" are used as Scott's greetings. "Riding On The Wind", "Ripper" and "Victim Of Changes" where Rob howls in his homeland... What a wonderful show it was, with old and new core songs, breaking away from the hesitations of “TURBO” and “RAM IT DOWN”! Here is the sound that is closest to the word "heavy metal." History knows that Rob Halford left immediately after performing such a fulfilling metal show, and it became a major turning point. It has been over 20 years since then, and looking back, I had not even reached the halfway point in my career. Although the circumstances are different, the current JUDAS PRIEST also recently arrived in Japan, marking a major milestone called "Farewell." Now that you've seen them in the present, why not take a look back at what they looked like in the past with this work? Believe in PRIEST and our future, which may still continue. The world's strongest and highest sound quality edition of ``PAINKILLER WORLD TOUR'', which even surpasses that 1991 Japan concert edition ``UNDER DEADLY WHEELS'', will be released! Live at City Hall, Sheffield, UK 26th March 1991 PERFECT SOUND(from Original Masters) Disc 1 (45:33) 1. Opening 2. Hell Bent For Leather 3. Grinder 4. The Hellion 5. Electric Eye 6. All Guns Blazing 7. The Sentinel 8. Metal Gods 9. Night Crawler 10. Ripper 11. Beyond The Realm Of Death Disc 2 (45:02) 1. Introduction Of Scott Travis 2. Riding On The Wind 3. Drum Solo 4. Victim Of Changes 5. Painkiller 6. Green Manalishi 7. Breaking The Law 8. Living After Midnight 9. You've Got Another Thing Comin' Rob Halford - Vocals K.K Downing - Guitar Glenn Tipton - Guitar Ian Hill – Bass Scott Travis – Drums
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