There are 5 fully recorded soundboards/pro shots from the Blaze Bayley era. This work is a “special one” among them. This is a full professional shot of Blaze MAIDEN's last concert recorded with multiple cameras. Blaze MAIDEN's last performance is the final performance of "VIRTUAL XI WORLD TOUR 1998", "December 12, 1998 Buenos Aires performance". This live was broadcast on TV at the time and has long been known as one of the staples of the Blaze era. This work is the best version of such a classic pro shot, using a master that has been released in recent years. Of course, it cannot be called "official grade" because it was broadcast in South America in the 1990s, but you can fully enjoy the visual beauty of a different dimension from previous releases that were full of noise and deterioration. Blaze's final performance depicted with that quality is just so hot. It's incredibly hot. The period from 1995 to 1998, when Blaze was a member, was a period of great historical reversal for heavy metal. It was a time when even Rob Halford was saying, ``Metal is dead,'' and moving on to other music, and Lars Ulrich was joking, ``Maybe Rock Rica would be good.'' That was right in the middle of a new wave whirlwind that exceeded even before their debut. In such a situation, it was IRON MAIDEN that continued to maintain the ``heavy metal'' concept, and Blaze was the front band. That kind of belief is burning in the live performance packed into this work. Looking back now, Blaze's appearance of singing songs from the Bruce Dickinson era at the last minute tends to be ridiculed, but on the other hand, it is also a ``passion that boldly attacks despite the last minute''. Even if the melody is physically impossible for him, he doesn't throw it at the audience, doesn't try to fake it, and keeps his fighting spirit firmly gripping the microphone. This is also what we once felt about Gary Burden, but Blaze has done it with other people's songs. Moreover, there is no sense of sadness in his passionate fight. I don't feel like I'm being made to sing or I'm trying my best, and I'm just thinking about entertaining the audience by pitching as hard as I can for every inning. Immediately after his return to IRON MAIDEN, Dickinson said, ``Blaze is amazing. It's impossible for me to sing so many other people's songs, and to sing them with all my might every night.'' This is probably his true opinion as a member of the same industry. . For some reason, his fighting spirit and "effort and guts" even to the point of muddying feel refreshing. Such a full show spreads across the screen. What's more, this work is also based in South America. During the aforementioned era of great metal adversity, South America, along with Japan, continued to support metal bands as the lifeblood. The enthusiasm of South America that has restored confidence in many bands is also swirling in this work, and the enthusiastic performance witnessed it. Blaze was also seen taking pictures of the audience with a handheld camera, probably because he was so happy with the excitement. The huge crowd hits back at the full-throttle pitches of Blaze, the fiery man. Even in the face of great historical adversity, heavy metal continued to shine. This work is solid proof of that. "It doesn't matter if it sells worldwide. There's no need for anyone to know. We just need to know." It's a happy scene where these thoughts intersect across the stage. Dickinson's move to return begins after the tour ends, and at this point neither Steve Harris nor Blaze expected it to be the final performance. ``The tour ends tonight. Let's meet again,'' Blaze says, grinning with satisfaction. The album ends with the confidence and joy of having completed the tour, albeit with some regrets. After that, the 6-member band IRON MAIDEN was born due to a major change. And, let alone the throne of the scene, it has even revived "heavy metal" itself. Indeed, that historic feat would have been impossible for the Blades. However, in 1993, when Dickinson left the group, it was Blaze who dissuaded Steve Harris from thinking about disbanding, and who allowed them to survive five years of great metal adversity. His charm and accomplishments cannot be measured by his singing ability. “The heat of a live performance.” This is a professional shot of the final performance that will make you feel the greatest brilliance with your eyes and ears. Live at Velez Sarsfield Stadium, Buenos Aires, Argentina 12th December 1998 PRO-SHOT (1:51:49) 1. Dance Of The Knights 2. Futureal 3. The Angel And The Gambler 4. Man On The Edge 5. Lightning Strikes Twice 6. Heaven Can Wait 7. The Clansman 8. When Two Worlds Collide 9. 2 Minutes To Midnight 10. Sign Of The Cross 11. Afraid To Shoot Strangers 12. Hallowed Be Thy Name 13. The Evil That Men Do 14. Fear Of The Dark 15. Iron Maiden 16. The Number Of The Beast 17. The Trooper 18. Sanctuary Blaze Bayley - Vocal Steve Harris - Bass Dave Murray - Guitar Janick Gers - Guitar Nicko McBrain - Drums PRO-SHOT COLOUR NTSC Approx.112min.
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