``Dazzling Broadway'' is the pinnacle of Peter Gabriel's era GENESIS and a monumental work of British progressive rock. The famous recording, which was also called “the last fully reproduced sound board”, is now available in the highest quality. Contained in this work is “December 17, 1974 Rochester performance”. This “THE LAMB LIES DOWN ON BROADWAY TOUR” started in November 1974, and this Rocha Star performance is the North American date at the beginning of the tour. Even though it is the beginning of the tour, what is the “last remaining sound board”? Before explaining that, let’s look back at the sound board situation of “Dazzling Broadway” complete live. ・December 16, 1974 Toronto “MAPLE LEAF LAMB” ・December 17, 1974 Rochester [This work] ・January 10, 1975 Florida “DEFINITIVE FLORIDA LAMB” ・January 11, 1975 Lakeland “ULTIMATE LAMB” ” January 24, 1975 Los Angeles “LAMB MASTER IN LOS ANGELES” January 28, 1975 Phoenix “THE LAMB LIES DOWN IN PHOENIX” April 19, 1975 Liverpool “THE LAMB LIES DOWN ON EMPIRE” Above There are other sound boards, but these are the ones that contain the entire view of the show. All of them are spectacular with titles that have been very popular, but the Rochester performance of this work is the only one that has not been made into a title. That is the meaning of “last left”. So why wasn't it released? The reason was quality. The original master of this work first appeared in 2008. Many of you may remember that there was a boom in excavation at that time. Among them, great names such as "ULTIMATE LAMB", which took the world by storm with its ultimate quality, "LAMB MASTER IN LOS ANGELES", the original sound source of the official "ARCHIVE #1", and "THE LAMB LIES DOWN ON EMPIRE", the only full sound board in its home country. Before the recording, I had to say that the Rochester performance was a little bad. Eight years have passed since then. “The Last Soundboard” also reached a turning point. One overseas core enthusiast declared, ``The performance of editing equipment has improved significantly over the past few years.Now is the time to make the impossible possible.'' Struggled with the original master whose pitch was randomly distorted, removed the noise, repaired the deterioration, and connected the chipped "Anyway" at the Phoenix performance...The story of that struggle has become a hot topic on the Internet. By the way. This work is based on the restoration master filled with the passion of such a maniac. In fact, when I first heard the quality that had improved dramatically from the original sound source eight years ago, it was so wonderful that I could see the difficulty of the work. But it still wasn't perfect. When I checked it in detail, I found that there were some pitch and noise corrections left unresolved. Even the pitch of the repaired parts was not perfectly correct. Although I have all my respect for the passion of overseas enthusiasts, I want to make it perfect because I want to remember their hard work. This work was born after undergoing a modest but last-minute restoration. The Rochester performance that was reborn in this way has joined the group of sound board masterpieces that are lined up splendidly. What is surprising is that even though it must have undergone intense mastering, the sound has not lost its freshness. As expected, you can feel that "Anyway" has been patched, but other than that, there is no feeling of processing, and it sounds as if it was a master with no scratches from the beginning. The sound boasts a freshness that is directly connected to the desk rather than an official polish, and it literally feels like it's in your ears. In particular, Gabriel's singing voice and the MC who tells the story seem to be able to hear his breathing into the microphone, and even the noise of the on-site amplifier that leaks out when it's quiet is extremely realistic. Now, the live performance resonates in my head, not just in my ears, but as if I were plugging it into my ear and mixing it in my head. A new ``dazzling Broadway'' created by the love, passion, and tenacity of Gabriel's era GENESIS and the advancement of modern technology. It is the pinnacle of an epic story that will never be repeated, carving its brilliance in rock history on a par with PINK FLOYD's "THE WALL." The last soundboard has finally been reborn. Experience the historic feat of turning a rock concert into a performing art with the finest sound. Live at Auditorium Theater, Rochester, New York, USA 17th December 1974 STEREO SBD Disc 1 (50:04) 01. The Lamb Lies Down On Broadway 02. Fly On A Windshield 03. Broadway Melody Of 1974 04. Cuckoo Cocoon 05. In The Cage 06. The Grand Parade Of Lifeless Packaging 07. Story Of Rael (Part 1) 08. Back In N.Y.C. 09. Hairless Heart 10. Counting Out Time 11. The Carpet Crawlers 12. The Chamber Of 32 Doors Disc 2 (67: 00) 01. Story Of Rael (Part 2) 02. Lilywhite Lilith 03. The Waiting Room 04. Anyway * 05. Here Comes The Supernatural Anaesthetist 06. Interlude 07. The Lamia 08. Silent Sorrow In Empty Boats 09. The Arrival 10 . The Colony Of Slippermen 11. Ravine 12. The Light Dies Down On Broadway 13. Riding The Scree 14. In The Rapids 15. It 16. The Musical Box *Civic Plaza Assembly Hall, Phoenix, AZ. USA 28th January 1975 STEREO SOUNDBOARD RECORDING
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