DEEP PURPLE in 1971 was about to make a big change from the strongest improvisation group to a diverse musical direction. A legendary recording that allows you to experience the best of this season of change has been brushed up. It is now available on 2CDs with sounds polished by "GRAF ZEPPELIN" meticulous mastering. This work is engraved with the "September 29, 1971 Bournemouth performance". It is a superb audience recording. The new masterpiece "DANISH YODEL: REEL TO REEL" will be released at the same time, but although this work is the same 1971, the meaning is completely different due to the difference of a few months. In order to explain the meaning, let's start by introducing the schedule at that time.・January 1st + 2nd: Netherlands (2 shows) {February single "Strange Kind of Woman" released} ・January 29th - March 8th: UK (21 shows) ・April 7th - June 25th; Europe #1 (29 shows) ←※DANISH YODEL {July 9th "FIREBALL" released} ・July 2nd - August 12th: North America #1 (25 shows) ・September 4th - October 11th: Europe #2 (15 shows) ←★Here★ ・October 22nd - 24th: North America #2 (3 shows) {Tour interrupted due to Guillain's hepatitis → December "MACHINE HEAD" produced} This is DEEP PURPLE in 1971. The simultaneously released "DANISH YODEL: REEL TO REEL" was before the release of "Fireball", but the Bournemouth performance of this work was after the release. It was the 10th concert of "Europe #2". And this difference is a big part of the show. As mentioned in the commentary on "DANISH YODEL," 1971 was the time when "DEEP PURPLE, the improvisation machine" was at its peak. On the other hand, their talent as a "composing group" was also about to blossom. Before the release of "Fireball," the new song was only "Strange Kind Of Woman," and the set was basically similar to the "IN ROCK Tour." In contrast, this work not only features "Fireball" numbers, but also "Highway Star" and "Lazy." It was the moment when the great representative songs of the 1970s that continue to be played to this day were born all at once. Their overflowing creativity is obvious when comparing the sets of "DANISH YODEL: REEL TO REEL" and this work. Let's organize them here. Fireball (4 songs) Strange Kind Of Woman / No No No (★) / The Mule (★) / Fireball (★) Others (5 songs) In Rock: Child In Time / Speed King Machine Head: Highway Star (★) / Lazy (★) Cover: Lucille *Note: ★ indicates songs that were not performed at the time of "DANISH YODEL: REEL TO REEL". ...And so, more than half of the set has changed. Starting with "Highway Star" with temporary lyrics, and "Lazy" is also an early version, the original form of "MADE IN JAPAN" is already complete, and the show has transformed into a colorful one in one go. Moreover, this rush of new songs has also produced a secondary effect. As the number of song parts has increased, the improvisation has become more compact than before (although it is still often in the 10-minute range), but at that time it was also the peak of his improvisational ability. That potential has been transformed into concentration. The free mood, which is not like the expected flow of later years, remains strong, and delicious inspirational phrases are filled in a short time. Although the immersive feeling that took a long time has faded, it is also a tremendous concentration. Although the introduction is long, this work is a representative sound source that allows you to experience such a turning point in the best way. It is the highest peak update. It is a famous recording known for the famous Bondage Music label's masterpiece "AUTUMN OF 1971", but the base of this work is the upgrade master familiar from our "BOURNEMOUTH 1971". It is a masterpiece that "GRAF ZEPPELIN" has polished up. If you have paid attention to this article, you will know the accuracy of "GRAF ZEPPELIN" mastering, but the biggest thing about this work is the noise processing. Not only is the petit noise carefully removed one by one, but the high-frequency hiss and low-frequency hum noise are also beautifully processed. Of course, nowadays it is possible to process it in one shot with the application's functions, but that is too rough and it may distort the performance sound. It is necessary to do the "stopping processing" just enough to not affect the sound of the performance. What's more, the "stopping line" of vintage recordings keeps changing randomly... Just this one point alone can give you an idea of the extraordinary amount of work that went into mastering. From "IN ROCK" mode to "MACHINE HEAD" mode. Although the change is a gradation, there was also a "point" where it changed decisively. This work is a live album that allows you to experience such a turning point on site. "Autumn 1971" where the extreme improvisation ability and rich compositional ability were compatible and switched. Remastering notes ★ High frequency noise removal around 15khz ★ Hum noise removal ★ EQ correction of some areas where the frequency band is down. The best audience recording of "Bournemouth performance on September 29, 1971". This is the highest peak of the legendary recording, and is a masterpiece that "GRAF ZEPPELIN" has polished up the upgrade master familiar from "BOURNEMOUTH 1971". The sound, with its beautifully processed high-frequency hiss and low-frequency hum, is the best it's ever been, and you can experience a delicious full show with the newly added "No No No", "Fireball", and "The Mule", as well as the unfinished early versions "Highway Star" and "Lazy". Live at Winter Gardens, Bournemouth, UK 29th September 1971 PERFECT SOUND (UPGRADE) Disc 1 (47:33) 1. Intro. 2. Highway Star (tentative lyrics) *-Premiere? 3. Strange Kind Of Woman 4. No No No 5. Child In Time Disc 2 (48:54) 1. MC 2. The Mule incl. Drums Solo 3. Lazy 4. Fireball 5. Speed King 6. Lucille Ian Gillan - Vocal Ritchie Blackmore - Guitar Roger Glover - Bass Jon Lord - Keyboards Ian Paice - Drums
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