Introducing a famous video that has been hailed by Sabbath enthusiasts around the world as "one of the inevitable" and "the lost five-year tetralogy." People would be confused if someone suddenly said that they were "lost," but this was back in the day when the members changed all the time for each work. In terms of studio albums, this is the period from ``BORN AGAIN'' to ``THE ETERNAL IDOL'' (5 years from 1983 to 1987). There are full soundboard albums and professional shots from the Ozzy Osbourne era and Ronnie James Dio era, and even from the Cozy Powell era onward, but in these "lost five years" There is not even a full sound board, and the audience shot is only barely left in the video. It's a good opportunity to take a look at the footage of those "lost five years" so let's sort it out. ●Ian Gillan era = "MONTREAL 1983" - August 21, 1983 Helsinki performance (4 songs only) - October 21, 1983 Montreal performance (Canada) - Glenn Hughes era = "GLENN'S 2ND GIG" - 1986 March 22nd, Detroit performance (USA) ●Ray Gillan era = “RAY’S 3RD GIG”・April 1, 1986, Montreal performance (Canada) ●Tony Martin era (before Cozy) = [This work]・November 22, 1987, Essen performance (West Germany)……These are 4 works. There are many masterpiece videos from the “HEADLESS CROSS TOUR” including the professional shot “HEADLESS IN RUSSIA DEFINITIVE EDITON”, but from “1983-1987” there is only one full video representing each era. do not have. This work is the final piece of the video. This is why it is called the “Lost Five Years Quadrlogy.” The quality of this work, which is extremely valuable, is a truly vintage audience shot. When you write this, you might imagine "a roaring, mushy video with no discernible music," but that's not the case. As expected, the sound cannot be called “just like a sound board”, and it cannot be called “tour No. 1” because there is a historical masterpiece live album “SAKUNTALA” of the Bremen performance. However, it is just a dimension that cannot be said to be the “top”, and it is a wonderfully clear sound at that time. And even more powerful than the sound is the sight. The shooting position was on the second floor, to the right of the stage (closer to Tony Iommi), and from an angle with no obstructions, the entire stage could be seen clearly. What's more, the angles are amazing and unbecoming of the ``1987'' era, when home video was just becoming popular. The view is a little slanted, so it can be confusing, but it's extremely stable with no camera shake (probably due to the use of a tripod) and is overwhelmingly easy to see. What is depicted with that quality is the real life of “THE ETERNAL IDOL TOUR 1987”, which boasts the highest level of rarity in Sabbath history. Above all, “Born To Lose” and “Glory Ride”, which are exclusive to this tour, are extremely rare, but the nuances of the Riosm team that persist even in standard songs are rare. The bass player is Joe Bart, who also participated in Freddie Mercury's solo album ``MR. IDOL TOUR 1987” exclusive. To be honest, it's so simple that it makes you want to say, "You don't know the original, do you?", but that's precisely why the rareness that stands out gives it a ferocious historical scent. And even more intense than that is Tony Martin. His true talent as a musician has been since ``HEADLESS CROSS'', for which he wrote the melody, but when it comes to ``voicing'', there is nothing better than this tour. Still calling herself "Kat," her youthful voice had a beautiful high that rivaled Ray Gillan's, and she handled Ronnie's difficult songs with ease. There is no doubt that the Bremen performance press 2CD "SAKUNTALA" is Martin's career high, but this work comes three days before that and lets you hear the finest singing voice. This is a full video of "THE ETERNAL IDOL TOUR", which goes beyond being merely "precious" and will only be one of a kind before or after. In this photo, "Martin in the white muffler", who has only been seen in promotional photos, moves and sings "Born To Lose" and "Glory Ride" exquisitely. A historical video masterpiece that is the final piece of the "Lost Five Years Tetralogy", along with "MONTREAL 1983" from Ian's era, "GLENN'S 2ND GIG" from Glenn's era, and "RAY'S 3RD GIG" from Ray's era. The best and highest version. Live at Pink Palace, Essen, Germany 22nd November 1987 (85:23) 1. Supertzar 2. Neon Knights 3. Children Of The Sea 4. Die Young 5. Drum Solo 6. Iron Man 7. War Pigs 8. Born To Lose 9. Black Sabbath 10. Glory Ride 11. Heaven And Hell 12. Children Of The Grave 13. The Shining 14. Paranoid Tony Iommi - Guitar Tony Martin - Vocal Jo Burt - Bass Terry Chimes - Drums Geoff Nicholls - Keyboards COLOR NTSC Approx.85min.
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