{"title":"ALL","description":"","products":[{"product_id":"queen-adam-lambert-tokyo-japan-2-14-2024-complete-iem-matrix-edition-more","title":"Queen Adam Lambert Tokyo,Japan 2.14.2024 Complete IEM Matrix Edition \u0026 more","description":"“Tadaima, Tokio!” The moving rhapsody tour is back! From QUEEN + Adam Lambert's 2024 dome tour in Japan, the highlight stage of the second day of the Tokyo Dome performance is completely recorded with amazing high quality sound. Multi-stereo IEM matrix recording by the familiar XAVEL label, which released the definitive sound source on the previous 2019 Japan tour.The stereo IEM sources used by each member on stage have different mix balances, and are mixed in an exquisitely balanced stereo manner, producing a sound with a clear outline that cannot be achieved with a mere audience sound source, making it one of the best of the best. You can enjoy a gem live performance that can be described as \"the best\". The bonus track includes \"Killer Queen\" from the Nagoya performance, which was the opening stage of this Japan Tour 2024.You can enjoy high-quality popular songs that unfortunately were not available in sets in Osaka, Sapporo, and Tokyo. The definitive title that truly sums up the Rhapsody Tour Japan performance 2024! Also included is a Blu-ray disc containing original audience footage of the second half of that day's live performance. The extremely stable video is combined with the best-sounding audio created from the same master as the CD, making it a very rewarding content to watch. Recorded content = 2024\/2\/14, Tokyo Dome performance Sound source = Multi-stereo IEM matrix recording RECORDED LIVE AT TOKYO DOME, TOKYO, JAPAN 14TH FEBRUARY 2024 (ORIGINAL MASTER : MULTIPLE STEREO IEM MATRIX RECORDING)","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":48977028022575,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/CDN-124801.jpg?v=1711068459"},{"product_id":"billy-joel-tokyo-japan-2024-complete-iem-matrix-edition-sc","title":"Billy Joel Tokyo,Japan 2024 Complete IEM Matrix Edition \u0026 SC","description":"“The Greatest Showman” limited set! Billy Joel's first Japan tour in 16 years, the final definitive sound source of the one-night Tokyo Dome performance is finally here! Multi-stereo IEM matrix recording by a familiar label. This is an amazing title that captures all the gorgeous sounds produced by a large band, centering on One and Only's Billy's vocals and piano play, with perfect stereo separation and localization (some songs have clicks) there is).The pre-release title (“At Tokyo Dome 24th January 2024”) was a must-listen live sound source for fans that boasted an excellent sound balance, but this work far exceeds that with amazing ultra sound quality. items. From the theme of the best opening SE \"The Natural\" that emotionally conveys the good old days of America, this is literally the final definitive edition that captures everything from the extremely moving stage that unfolded that day.With amazing sound quality that even surpasses stereo soundboard sound sources, you can enjoy to your heart's content an impressive one-night-only live performance in which many famous songs are generously performed.In addition, this \"limited set\" includes (1) an original BR that records the main part of the live performance with multi-camera audience shots (this is a special video work that uses the same multi-IEM matrix sound source as the CD for the audio part), and (2) There are 2 CDR bonus discs containing the sound check rehearsal that took place before the venue opened on that day (stereo IEM sound source, the content is coveted by enthusiasts, including \"All For Leyna\" which was not played in the main part of the live performance). Comes with it.What is Victor of Leningrad doing? Tonight, let's reflect on the peace of humanity while listening to a gem of a live show that sums up a career spanning more than half a century, which has been accompanied by the turbulent world situation. Contents = Tokyo Dome performance, January 24, 2024 Sound source = Multi-stereo IEM matrix recording Video = Multi-camera audience shot Bonus CD = Sound check rehearsal Tokyo Dome, Tokyo, Japan 24th January 2024 [ORIGINAL MASTER : Multiple Stereo IEM Sources Matrix Recording]","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":48977115906351,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/CDN-12436-1.jpg?v=1711069955"},{"product_id":"beatles-live-at-the-hollywood-bowl-ca-usa-1964-remastered-blu-ray-version","title":"Beatles Live at the Hollywood Bowl CA,USA 1964 Remastered Blu-Ray Version","description":"Following “SHEA 2023 REMASTER” and “LIVE CONCERT HISTORY”, the third video work planned and produced by a famous mania is waiting to be released! The footage of the Hollywood Bowl performance on August 23, 1964, which was the recording performance for \"AT THE HOLLYWOOD BOWL\", known as the Beatles' only official live album, was created using HD digital telecine from the first 16mm film master. The original has been reconstructed as an HD remastered version along with the latest AI remix sound source.It is a high-definition HD opera that you can see even the grain of the film in each frame, and includes the 1964 Hollywood performance bowl! Also, as a bonus track, all 8 film camera reels are archived! Includes all four types of footage from the '65 performance! Overall, there are a lot of camera images, so a version including image stabilization is also included!Hollywood Bowl is a music venue located in Los Angeles, USA. The Beatles performed here three times, once in 1964 and twice in 1965. These three concerts were officially recorded live in anticipation of the production of the Beatles' first \"live album.\" However, this recording was not released as a live album during the Beatles' career, and was only released in 1977 after the Beatles disbanded. Also, this live album had not been released on CD for a long time, but it is still fresh in my memory that a digital remix version was released on CD in 2016 along with the release of the movie \"Aid Days a Week\".Now, the \"Hollywood Bowl performance\", known as the Beatles' only official live album sound source, has become very famous for its sound, but the video was not officially filmed. However, the first concert in 1964 in particular was a hot topic as it was the first time a Beatles concert was recorded, and many news photographers were at the venue to take footage. It is known that at least eight cameramen were filming the footage. Therefore, by joining the images from these eight cameras, you can enjoy the image of approximately one concert performance.This \"2014 HD Remaster\" version is based on digital telecine of two of these eight films from the original 16mm film to HD specifications, and the remaining six are 8mm film copy versions, etc. Using a younger generation source, it has been rebuilt as a digital HD remastered version suitable for 2024. In the analog boot video era, the sound was good, but the picture quality was crumpled and blown out, which was notorious in a bad way, but we have recorded it as HD video that allows you to see every grain of the film in each frame. This is an HD remastered version suitable for viewing in 2024..!Hollywood Bowl - 2024 HD Remaster","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":48977135862063,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/BDN-00298-1.jpg?v=1711070101"},{"product_id":"queen-adam-lambert-tokyo-japan-2-13-2024-complete-iem-matrix-edition-more","title":"Queen Adam Lambert Tokyo,Japan 2.13.2024 Complete IEM Matrix Edition \u0026 more","description":"\u003cspan data-mce-fragment=\"1\"\u003e“Tadaima, Tokio!” The moving rhapsody tour is back! From QUEEN + Adam Lambert's 2024 dome tour in Japan, the highlight stage of the first day of the Tokyo Dome performance is completely recorded with amazing high quality sound. Multi-stereo IEM matrix recording by the familiar XAVEL label, which released the definitive sound source on the previous 2019 Japan tour.The stereo IEM sources used by each member on stage have different mix balances, and are mixed in an exquisitely balanced stereo manner, producing a sound with a clear outline that cannot be achieved with a mere audience sound source, making it one of the best of the best. You can enjoy a gem live performance that can be described as \"the best\". The bonus track includes \"Killer Queen\" from the Nagoya performance, which was the opening stage of this Japan Tour 2024You can enjoy high-quality popular songs that unfortunately were not available in sets in Osaka, Sapporo, and Tokyo. The definitive title that truly sums up the Rhapsody Tour Japan performance 2024! Also included is a Blu-ray disc containing original audience footage of the first half of the next day's live performance. The extremely stable video is combined with high-quality audio created from the same master as the CD, making it a very rewarding content to watch. Recorded content = 2024\/2\/13, Tokyo Dome performance Sound source = Multi-stereo IEM matrix recording RECORDED LIVE AT TOKYO DOME, TOKYO, JAPAN 13TH FEBRUARY 2024 ORIGINAL MASTER : MULTIPLE STEREO IEM MATRIX RECORDING\u003c\/span\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":48977152114991,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/CDN-12479-1.jpg?v=1711070220"},{"product_id":"queen-adam-lambert-sapporo-japan-2024","title":"Queen Adam Lambert Sapporo,Japan 2024","description":"\u003cspan data-mce-fragment=\"1\"\u003eThe Sapporo Dome performance on February 10th, the 3rd day of 5 performances in Japan of the 2nd \"THE RHAPSODY Tour\" in 2024, will be filmed with 2 patterns of high quality audience shots, each lasting approximately 2 hours and 2 minutes. Full recording. First of all, DISC: 1 was shot from the arena seats on the left side of the stage, and the angle was such that the stage fit perfectly, including the giant screen, and there were no obstacles. Also, because the digital camera was the latest equipment, the zoom angle was accurate to see the members. The images remain clear, and the close-up footage looks like a professional one-camera shot.And DISC: 2 is symmetrical from the arena on the right side of the stage, and because it is in a very close position about 3rd row from Hanamichi, Adam and Brian in particular can be seen up close even without zooming, and there are few people in front of them, so it is difficult to see. The feeling of being right there when Briann appeared in front of me gave me goosebumps.The set composition is almost the same as the last time he came to Japan, and although the five performances this time are completely the same except for the first day, \"Radio Ga Ga\" will be played separately for the opening and encore, and \"Fat Bottomed Girls\" will be performed as a new repertoire. ”, “Is This The World We Created...?”, and “A Kind Of Magic” are three new songs, and the key point is that the development is different from the previous one.Anyway, I'm happy to be able to see Brian and Roger in such good spirits again, but it's also said that this visit to Japan will be their last, so as a fan, I want to remember all 5 performances. Memorial item.\u003c\/span\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":48977173446959,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/DVD-03757-1.jpg?v=1711070337"},{"product_id":"sample","title":"sample","description":"fashion sample","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":49243126169903,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/25072767.jpg?v=1712886105"},{"product_id":"cedar-walton-trio-cedar-walton-austria-1999","title":"Cedar Walton Trio Cedar Walton\/Austria 1999","description":"\u003cp\u003eFrom an unreleased live performance by the Cedar Walton Trio, a pianist representing modern jazz, live performance at Mariahilferplatz in Graz, Austria on July 22, 1999 is available as the first recording with the finest stereo soundboard sound source. The patterns of the second set are included in a 2-disc set. The piano, which gave jazz a vivid color by expressing delicate sounds, is still alive and well and shines with outstanding brilliance. You can fully enjoy the thrill of a live performance in a relaxed atmosphere. Stereo Soundboard Recording\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":49750557065519,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/cdj-928-1.jpg?v=1716098256"},{"product_id":"art-blakey-and-the-jazz-messengers-art-blakey-pa-usa-1986","title":"Art Blakey and the Jazz Messengers Art Blakey\/PA,USA 1986","description":"\u003cp\u003eArt Blakey \u0026amp; The Jazz Messengers' unreleased live performance from the early and late show at the Chestnut Cabaret night club in Philadelphia on October 2, 1986 in superb stereo. ・Recorded in a 2-disc set with soundboard sound source. It is a seven-piece performance consisting of the front four of Kenny Garrett, Jean Toussaint, Warren Rooney, and Tim Williams, as well as Donald Brown, Peter Washington, and Art Blakey. You can fully enjoy the soulful play of Art Blakey, then 68 years old, who never loses to the young members. DISC 1 - Early Show - 01. Introduction (02:04) 02. Feeling Good (15:24) 03. Obsession (11:54) 04. unknown tune \/ I Love You \/ St. Thomas \/ unknown tune (13:57 ) 05. Scenic Route (16:46) 06. The Theme (fade out) (07:06) DISC 2 - Late Show - 01. Introduction (00:49) 02. Second Thoughts (17:12) 03. Uranus ( 13:51) 04. You're My Everything (09:00) 05. Caravan (12:43) 06. The Theme (06:29) Live at Chestnut Cabaret, Philadelphia, PA, USA, October 2nd 1986 Kenny Garrett - alto sax \/Jean Toussaint - tenor sax \/Wallace Roney - trumpet \/Tim Williams - trombone \/Donald Brown - piano \/Peter Washington - bass \/Art Blakey - drums Stereo Soundboard Recording\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":49791194530095,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/1_f52bb295-bd67-49e4-8b8a-d666601b21f0.jpg?v=1716265237"},{"product_id":"johnny-griffin-johnny-griffin-austria-1998","title":"Johnny Griffin Johnny Griffin\/Austria 1998","description":"\u003cp\u003eFirst and second sets of popular tenor saxophonist Johnny Griffin's unreleased live performance from July 23, 1998 at Mariahilferplatz in Graz, Austria, with the finest stereo soundboard sound source. Included in a 2-disc set. Johnny Griffin, the hard bopper who still captures the hearts of many fans, has a wonderful one-horn live performance, and pianist Mulgrew Miller, who is known for his power and precision, makes you swell. You can enjoy a live performance by a quartet with the strong sound and heartbeat of bassist Ray Drummond, and the powerful backing of hard bop drummer Kenny Washington from Brooklyn, New York. Stereo Soundboard Recording\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":49791600754991,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/cdj-931-1.jpg?v=1716267260"},{"product_id":"keith-jarrett-trio-keith-jarrett-germany-1972","title":"Keith Jarrett Trio Keith Jarrett\/Germany 1972","description":"\u003cp\u003eThe first set of the public live show held at NDR Studio in Hamburg, Germany on June 14, 1972 is recorded as a stereo soundboard recording with the latest 24-bit digital remastering of the broadcast sound source. The official release in November was a live performance of the second set on the same day, and the set list was completely different, and when combined with this product, it becomes a complete version. His ECM, which was a new label at the time, planned the first European tour with a trio with Charlie Haden and Paul Motian, and you can enjoy the public live performance in Hamburg that was held as part of that tour. Stereo Soundboard Recording\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":49791795101999,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/cdj-932-1.jpg?v=1716268145"},{"product_id":"paul-motian-quartet-paul-motian-germany-1994-more","title":"Paul Motian Quartet Paul Motian\/Germany 1994 \u0026 more","description":"\u003cp\u003eFrom the official unreleased live performance by the quartet led by famous drummer Paul Motian of the Bill Evans Trio, recorded on November 14, 1994 in Bremen, Germany, with the finest stereo soundboard sound source. Bonus tracks include ``Suicide Is Painless'' and ``But Beautiful'', which are not included in the official edition Paris Concert 1 \u0026amp; 2, from the Bill Evans Trio's live performance in Paris, France on November 26, 1979. Additional songs included. The Paris concert will be a complete version with the addition of these two songs. Since the 1990s, tenor player Joe Lovano, who has released numerous leader works on Blue Note, and one of the best jazz guitarists of today, Bill Frisell, are members of the trio that released on ECM. The quartet, which includes Bill Evans Trio bassist Mark Johnson, will be performing a total of six songs called \"The Music of Bill Evans.\" You can fully enjoy the performance dedicated to Bill Evans at the Jazz Festival held in Bremen with the finest sound. 1. T.T.T. (Twelve Tone Tune) (13:13) 2. Turn Out The Stars (09:42) 3. My Man's Gone Now (10:42) 4. Walkin' Up (09:12) 5. I Wish I Knew (09:44) 6. Five (07:51) Live in Bremen, Germany , November 14th 1994 Paul Motian - drums Joe Lovano - tenor saxophone Bill Frisell - guitar Marc Johnson - bass BONUS TRACK 7. Suicide Is Painless (04: 19) 8. But Beautiful (04:40) Live at Espace Cardin, Paris, France, November 26th 1979 Bill Evans - piano Marc Johnson - bass Joe LaBarbera – drums\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":49792465633583,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/cdj-934-1.jpg?v=1716271276"},{"product_id":"ron-carter-golden-striker-trio-ron-carter-germany-2017","title":"Ron Carter Golden Striker Trio Ron Carter\/Germany 2017","description":"\u003cp\u003eFrom the official unreleased live performance of Ron Carter's popular unit, The Golden Striker Trio, on November 16, 2017 in Neuburg, Germany, the live performance at 7. Birdland Radio Jazz Festival 2017 is available in superb stereo. ・Recorded with sound board sound source. The live performance was heated with a sense of unity and exquisite performance by Russell Malone, a guitar player known for accompanying Diana Krall and others, and Donald Vega, who has been the trio's regular pianist since 2012, replacing the late Mulgrew Miller. It becomes. You can also enjoy it as a sequel to the latest live album \"Golden Striker (Live at Theaterstübchen Kassel)\" released last year. 1. Love For Sale (10:14) 2. Candle Light (13:00) 3. You Are My Sunshine (09:31) 4. Soft Winds (08:22) 5. There Will Never Be Another You (07: 45) 6. Eddie's Theme (08:25) 7. Birdland Radio Jazz Festival LIve at Stadttheater, Neuburg, Germany, November 16th 2017 Ron Carter – bass Donald Vega – piano Russell Malone – guitar Stereo Soundboard Recording\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":49792533496111,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/cdj-935-1.jpg?v=1716271565"},{"product_id":"miles-davis-miles-davis-studio-sessions-vol-1","title":"Miles Davis Miles Davis\/Studio Sessions Vol.1","description":"\u003cp\u003eContains the unreleased official studio sessions of Miles Davis' jazz masterpieces '56's 'Round About Midnight' and '58's 'Milestones' in the finest stereo soundboard sound source. The ``'Round About Midnight'' session on Disc 1\u0026amp;2 includes ``Ah-Leu-Cha'' and ``Billy Boy'' on October 26, 1955, and ``Dear Old Stochholm'' and ``Tadd's Delight'' on July 5, 1956. '', and also includes ``'Round About Midnight'' on September 10th, the last day of recording. Disc 3 includes three songs from the ``Milestones'' session in 1958: ``Sid's Ahead,'' ``Little Melonae,'' and ``Dr. Jekyll.'' A must-listen documentary CD for fans all over the world who can't call themselves a Miles fan without listening to this take, Miles' re-do scenes, instructions and conversations to the band members, etc. that can only be heard here where a masterpiece that will remain in jazz history was born. is. DISC1 Sessions Of 'Round About Midnight　Columbia Studio D, New York, NY, October 26th 1955 1. Sessions Of Ah-Leu-Cha 2. Sessions Of Billy Boy Columbia 30th Street Studio, New York, September 10th 1956 3. Sessions Of ' Round About Midnight DISC 2 Columbia 30th Street Studio, New York, June 5th 1956 1. Sessions Of Dear Old Stochholm 2. Sessions Of Tadd's Delight Miles Davis – trumpet \/John Coltrane - tenor saxophone \/Red Garland - piano \/Paul Chambers - bass DISC 3 Sessions Of Milestones Columbia 30th Street Studio, New York, March 4th 1958 1. Sid's Ahead 2. Little Melonae 3. Dr. Jekyll Miles Davis - trumpet \/Cannonball Adderley - alto saxophone \/John Coltrane - tenor saxophone \/ Red Garland - piano \/ Paul Chambers - bass \/ Philly Joe Jones - drums Stereo Soundboard Recording\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":49793279885615,"sku":"","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/cdj-936-1.jpg?v=1716273925"},{"product_id":"miles-davis-miles-davis-studio-sessions-vol-2","title":"Miles Davis Miles Davis\/Studio Sessions Vol.2","description":"\u003cp\u003eRecorded in the finest stereo soundboard sound source of the official unreleased studio session of Miles Davis' jazz history masterpiece '59's \"Kind of Blue\" and '63's \"Seven Steps\". Disc 1 includes all 5 uncut songs of the \"Kind Of Blue\" sessions held on March 2nd and April 22nd, 1959, including OK takes and alternate takes. Disc 2 includes recordings from the \"Seven Steps To Heaven\" sessions, \"So Near, So Far\" and \"Joshua\" on April 16, 1963, and \"Seven Steps To Heaven\" on the 17th at Columbia Studio in Los Angeles. , and Disc 3 includes a session held on May 14th for three songs, \"Seven Steps To Heaven,\" \"So Near, So Far,\" and \"Joshua\" at Columbia 30th Street Studio in New York. A must-listen documentary CD for fans all over the world who can't call themselves a Miles fan without listening to this take, Miles' re-do scenes, instructions and conversations to the band members, etc. that can only be heard here where a masterpiece that will remain in jazz history was born. is. DISC 1 Sessions Of Kind Of Blue Columbia 30th Street Studio, New York, March 2nd 1959 1. Track 1 Miles Davis - trumpet \/ Cannonball Adderley - alto saxophone \/ John Coltrane - tenor saxophone \/ Wynton Kelly - piano (only Freddie Freeloader) \/ Bill Evans - piano \/Paul Chambers - bass \/Jimmy Cobb - drums Columbia 30th Street Studio, New York, April 22nd 1959 2. Track 2 Miles Davis - trumpet \/ Cannonball Adderley - alto saxophone \/John Coltrane - tenor saxophone \/ Bill Evans - piano \/ Paul Chambers - bass \/ Jimmy Cobb - drums DISC 2 Los Angels Sessions Of Seven Steps Columbia Studio, Hollywood, CA, April 16th 1963 1. So Near, So Far 2. Joshua Columbia Studio, Hollywood, CA, April 17th 1963 3. Seven Steps To Heaven Miles Davis - trumpet \/ George Coleman - tenor saxophone \/Victor Feldman - piano \/Ron Carter - bass \/Frank Butler - drums DISC 3 New York Sessions Of Seven Steps Columbia 30th Street Studio, New York, May 14th 1963 1. Seven Steps To Heaven \/2. So Near, So Far \/3. Joshua Miles Davis - trumpet \/George Coleman - tenor saxophone \/Herbie Hancock - piano \/Ron Carter - bass \/ Tonny Williams - drums Stereo Soundboard Recording\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":49793541833007,"sku":"","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/cdj-937-1.jpg?v=1716274375"},{"product_id":"tommy-flanagan-trio-tommy-flanagan-holland-1983","title":"Tommy Flanagan Trio Tommy Flanagan\/Holland 1983","description":"\u003cp\u003eFrom Tommy Flanagan's unreleased live performance at ``International Jazz Festival 1983,'' he performed on August 11th with Herb Ellis and Emily Remler, recorded in the finest stereo soundboard sound source. A young female guitarist, Emily Remler, joins Tommy Flanagan's brilliant playing and the master Herb Ellis. Stereo Soundboard Recording\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":49815997448495,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/cdj-938-1_d2668298-6662-44e1-a93f-ba6375601b80.jpg?v=1716361828"},{"product_id":"benny-green-sextet-benny-green-switerland-2015","title":"Benny Green Sextet Benny Green\/Switerland 2015","description":"\u003cp\u003eThe latest live performance \"Tribute To Art Blakey\" by Benny Green's sextet, who was also a member of the Jazz Messengers, is recorded with the finest stereo soundboard sound source. It's a great live show where you can fully enjoy the wonderful play of the front members Eddie Henderson, Donald Harrison, and Javon Jackson, as well as the brilliant play of the rhythm section Benny Green Trio. This is one of the live performances of This Is Jazz, which is the best part of jazz. Stereo Soundboard Recording\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":49816137793839,"sku":"","price":59.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/cdj-939-1.jpg?v=1716362483"},{"product_id":"saga-caribbean-brilliance-of-the-seas-2018","title":"Saga\/Caribbean Brilliance of the Seas 2018","description":"\u003cp\u003e音楽CDThe third installment of the super high quality series is here. The main character this time is the famous band SAGA, whose demise is imminent. Yes, together with RUSH, they are heroes who have led Canadian progressive rock since the 70s. SAGA celebrated their 40th anniversary this year, but in January 2017, they announced their disbandment. This year they have been doing the \"FINAL CHAPTER\" TOUR. That tour has already ended, and there have been only two live performances in 2018. The \"CRUISE TO THE EDGE\" performance on February 7, 2018, which is included in this work, and the last concert scheduled for February 24. SAGA is about to reach its \"end\", but speaking of \"CRUISE TO THE EDGE 2018\" in which they participated, the YES version released the other day has been very well received, and this week the Steve Hackett version will also be released. Both were super-excellent recordings by the same recording artist, and this is the third installment of the series. After all, they are sister works by the same recording artist and the same equipment. In fact, there were not only three bands that participated in this \"CRUISE TO THE EDGE 2018\". The main ones are MARILLION, Neal Morse, GONG, CARL PALMER'S ELP LEGACY, Martin Barre, FOCUS, GLASS HAMMER, ADRIAN BELEW POWER TRIO, STICKMEN WITH DAVID CROSS, etc. It was a huge progressive paradise with a total of 28 new and old bands \/ artists participating. I would like to hear all of them, but it is almost impossible for one recorder to record all the shows. This time, this master chose YES, Hackett, and SAGA. And the sound is phenomenal. The ultra-high quality sound proven by YES \/ Hackett penetrates this work, with a solid core like a sound board, a direct feeling with zero distance, and thoroughly clear and delicate details. And yet the faintly\/slightly wrapped sound of the venue makes the sound even more beautiful, the high notes that reach endlessly clear through the chest, and the deep bass vibes that shake the floor of the venue shake the five organs. Even if you try your best to find an flaw, there is no room for complaint. This thorough high-quality sound is common to YES\/Hackett, but this work feels even more amazing. The difference is the sound of the band. Compared to the royal symphonic YES and Hackett, SAGA is much closer to hard rock. The powerful beat and clear ensemble make it feel even more robust and vivid. In fact, it is an audience recording, but there is no point in classifying the recording method anymore. The technology of 2018, the technology of mankind has made it possible to record so beautifully... that fact alone is enough to shock you with an amazing sound world. The quality depicts the passionate performance of SAGA, which condenses their 40-year history. Although the time limit is short because it is an event, it is packed with the great representative songs that have colored their history. The best songs are selected from their heyday from their debut to \"BEHAVIOUR\", but \"The 13th Generation\" and \"The Learning Tree\" from their first total work \"GENERATION 13\" and \"On The Air\" from \"NETWORK\" are inserted, subtly exuding their long history. And above all, the powerful and lively performance is wonderful. It is a performance that is savored because they are in the final countdown to the end, but on the other hand, it is hard to believe that this is a band that is about to break up. Mike Sadler's singing voice is still heroic, and his combination with Ian and Jim Crichton is ironclad. Jim Gilmore's endlessly dramatic synths are the same as in the golden age. SAGA produced a miraculous masterpiece just before the end. The show condenses the glorious journey into 75 minutes, so it is perfectly OK even if this is your first SAGA experience. The sound, which easily surpasses the limits of audience recording, will impress even those who have never heard an audience recording before. This is a record that will remind you of the meaning of living while loving progressive rock and live recordings. This is the birth of a masterpiece that everyone should experience, not just the maniacs who have been following them for many years. Live at Pacifica Theater, Royal Caribbean Brilliance of The Seas 7th February 2018 ULTIMATE SOUND (74:35) 1. Take A Chance 2. On the Loose 3. How Long 4. The 13th Generation 5. The Learning Tree 6. Scratching the Surface 7. Humble Stance 8. You're Not Alone 9. On The Air 10. Drum solo 11. Don't Be Late (Chapter 2) 12. Careful Where You Step 13. Wind Him Up Michael Sadler - vocals Ian Crichton - guitar Jim Crichton – bass Jim Gilmour - keyboards, vocals Mike Thorne - drums, vocals\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":49958344786223,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/cdpr-1682-1.jpg?v=1717291766"},{"product_id":"steve-hackett-nj-usa-2018","title":"Steve Hackett\/NJ,USA 2018","description":"\u003cp\u003eSteve Hackett, the guitarist of the golden age of Genesis, who is scheduled to perform in Japan in April, will be performing at the Scottish Rite Auditorium in Collingswood, New Jersey on February 17th, as part of his Genesis Revisited, Solo Gems \u0026amp; GTR 2018 Tour. This is a complete recording of a live performance at the Scottish Rite Auditorium in Collingswood, New Jersey, on February 17th, with a superb level of ultra-high quality audience recording. This is a wonderful collection of Genesis from 1971 to 1977, GTR formed with Steve Howe in 1986, and solo numbers, as well as a best-of live performance celebrating his 40th anniversary. The Genesis numbers, such as the epic \"Supper's Ready\", \"The Fountain Of Salmacis\", \"One For The Vine\", and \"Inside And Out\", which was only recorded on a single, are impressive. The sound quality is also excellent, with a clear and direct stereo feeling, and you can experience it with the best sound of the top class audience recording. This is also a great item to prepare for the tour, as it is scheduled to perform in Japan. DISC 1 1. Please Don't Touch 2. Every Day 3. Behind The Smoke 4. The Steppes 5. In The Skeleton Gallery 6. When The Heart Rules The Mind 7. Icarus Ascending 8. Shadow Of The Hierophant 9. Dancing With The Moonlit Knight 10. One For The Vine DISC 2 1. Inside And Out 2. The Fountain Of Salmacis 3. Firth Of Fifth 4. The Musical Box 5. Supper's Ready 6. Dance On A Volcano Live at Scottish Rite Auditorium, Collingswood, NJ, USA, February 17th 2018 Steve Hackett - vocals, guitar Rob Townsend - sax, woodwinds, keyboards, percussion, vocals Jonas Reingold - bass, guitar, vocals Roger King - keyboards, vocals Nad Sylvan - vocals Gary O'Toole - drums, vocals\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":49958355763503,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/cdpr-1683-1.jpg?v=1717292462"},{"product_id":"mahavishnu-orchestra-ma-usa-1973","title":"Mahavishnu Orchestra\/MA,USA 1973","description":"\u003cp\u003eA live performance by the first Mahavishnu Orchestra led by John McLaughlin on February 25, 1973 at Dartmouth College in Massachusetts, recorded with a high-quality tabletop mix soundboard sound source. A live performance just before the release of the monumental jazz-rock album \"Firebird\" with the divine performance of Jan Hammer, Billy Cobham, Jerry Goodman, and Rick Laird. A wonderful performance with a set list including two songs from \"Firebird\", \"Open Country Joy\" and \"Hope\", three songs from the first album \"Hidden Flame\", and \"Dream\" also included in the live album \"Flight from Nothingness\". You can enjoy the live performance by the superb technician members with superb sound that still sounds fresh even today. DISC 1 1. Meeting Of The Spirits 2. Open Country Joy 3. Dream DISC 2 1. Dawn 2. Hope 3. Awakening Live at Southern Massachusetts University, SMU Gymnasium, North Dartmouth, MA, USA, February 25th 1973 John McLaughlin – guitar Billy Cobham – drums Jerry Goodman – violin Jan Hammer – keyboards Rick Laird - bass\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":49958387548463,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/cdpr-1682-1_b252fa2e-b35d-42ec-a312-8fabb9520110.jpg?v=1717293051"},{"product_id":"david-bowie-ny-usa-10-16-2002","title":"David Bowie\/NY,USA 10.16.2002","description":"\u003cp\u003eNew York, the city that gave birth to many legends with the \"HEATHEN TOUR\". Introducing a newly excavated live album of the so-called \"NEW YORK MARATHON TOUR\" that decorated the final stage. This work contains the \"Queens College performance on October 16, 2002\". It is a superb audience recording that recorded the final stage of the world tour. How special is New York for the \"HEATHEN TOUR\"? To introduce it, let's first review the overview of the activities at that time. {June 11th release of \"HEATHEN\"} ・June 11th + 15th: Warm-up (2 shows in NY) ・June 29th: London ・July 1st-18th: Europe #1 (9 shows) ・July 28th-August 16th: North America #1 (12 shows) ・September 22nd-October 2nd: Europe #2 (6 shows) ・October 11th-23rd: North America #2 (7 shows) ←★Here★ This is the whole picture of the \"HEATHEN TOUR\". In the first place, the album \"HEATHEN\" itself was produced in New York, but \"LOW\" and \"HEATHEN\" were performed at the warm-up show to coincide with the release date. It became a signal for \"Bowie's revival!\" and spread the shock all over the world. After that, he departed for a world tour, but both \"North America #1\" and \"North America #2\" had shows in New York State. Moreover, although \"North America #2\" only had 7 shows, 5 of them were in New York City. Titled \"NEW YORK MARATHON TOUR\", they toured all at different venues. The Queens College performance in this work was the third concert of the marathon tour. This work, which contains such a show, is a truly exquisite audience sound. This show has been known to be recorded for a long time, but this work is a new master released very recently by the recorder himself. The sound of the snare has an audience-like feel, but the rest is far from the common sense of customer records. The core of the musical sound is extremely on, and the vividness of the details is detailed like a broadcast sound source. The bass, which tends to be crushed in audience recordings, is so beautiful and lustrous that the waveform of the vibe comes to mind. Furthermore, the cheers do not seem to be audience-like. The breathing at the scene is extremely real, but it is awfully small. Even though it is clear that it is drowned out by the bold musical sound during the performance, the applause is drowned out by Bowie's MC even between songs. Normally, even with the best sound sources, you remember \"After all, it's the audience\" when you get between songs, but this work makes you think \"Is it a broadcast sound source?\" That said, the breathing engraved there is also delicious. The show's composition is typical of \"HEATHEN TOUR\", and it's not particularly an album reproduction part or an abnormally long show. However, the atmosphere full of intimacy is special. Bowie was in a good mood and talked to me friendly from start to finish, talking about his memories and episodes of New York one after another. Of course, the storytelling was full of humor, and the audience responded with laughter, each one giving a voice to Bowie. This atmosphere is like a wedding or a home party hosted by a part. The show is full of a warm and relaxed mood, and the masterpieces connect such an atmosphere. A scene that symbolizes such a carefree show is the first encore song \"White Light White Heat\". Of course, it is Bowie's specialty and not particularly unusual, but it was hardly played on \"HEATHEN TOUR\". However, the Marathon Tour presents New Yorkers with the masterpieces of their local heroes. In fact, there are scenes where the sound changes towards the end, so it was not possible to preserve it permanently. This is undoubtedly the best recording that represents the \"NEW YORK MARATHON TOUR\". With its exquisite sound, this is a private live album that allows you to be present at a warm and intimate scene. Please experience the memories of New York that were special in \"Bowie's 2002\" with this work. Live at Colden Hall at Queens College, New York, NY. USA 16th October 2002 TRULY PERFECT SOUND Disc 1(66:30) 1. Sunday 2. Cactus(The Pixies) 3. Breaking Glass 4. Fame 5. Ashes To Ashes 6. Slip Away 7. China Girl 8. 5.15 The Angels Have Come 9. Band Introductions 10. Starman 11. Changes 12. Absolute Beginners 13. I've Been Waiting For You 14. Afraid Disc 2(56:04) 1. Fashion 2. Be My Wife 3. Sound \u0026amp; Vision 4. Rebel Rebel 5. I'm Afraid Of Americans 6. Life On Mars? 7. Heroes 8. Heathen(The Rays) 9. White Light White Heat 10. Let's Dance 11. Hallo Spaceboy 12. Ziggy Stardust David Bowie - vocals, guitar, saxophone, harmonica, stylophone Earl Slick – guitar Gerry Leonard - guitar, keyboards, backing vocals Mark Plati - guitar, bass guitar, keyboards, backing vocals Gail Ann Dorsey - bass guitar, guitar, backing vocals Sterling Campbell - drums, percussion Mike Garson – keyboards Catherine Russell - keyboards, percussion, backing vocals\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":49958398722351,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/cdr-3080-1.jpg?v=1717293305"},{"product_id":"david-bowie-ny-usa-2004-iem-matrix-ver","title":"David Bowie\/NY,USA 2004 IEM Matrix Ver.","description":"\u003cp\u003eThe Buffalo performance on May 25th during the second leg of the North American tour of \"A REALITY TOUR 2003-2004\", the longest tour of his career and the last tour of his life, was recorded in 131 minutes in a matrix of in-ear monitor (IEM) sources, which were rare at the time, and audience sound sources. First of all, the sound sources of this performance have been distributed as soundboard sound sources until now, but the IEM sources at that time had quality problems, and the source used here in particular was for Jerry Leonard, so the balance was such that only the guitar was on the front, making it quite difficult to listen to compared to modern IEM sources. This time, the high-quality audience sources were also selected as the best masters, and the balance was adjusted for the matrix, making it a wonderful live album in total, so the sound is almost at the official level. The balance is well-balanced throughout the album, except for the voice count and click sounds (such as \"The Loneliest Guy\", \"The Motel\", \"Sunday\", and \"Battle For Britain\"). The sound of the guitar itself is particularly amazing, and it gives you goosebumps. As for the live performance, the official live album \"A REALITY TOUR\" was released at the beginning of the 2003 tour, so the set is different from this final album, and you can hear songs that you can't hear on the official version, such as \"Looking For Water,\" \"Station To Station,\" \"Quicksand,\" \"Modern Love,\" \"The Bewlay Brothers,\" \"Queen Bitch,\" and \"Suffragette City.\" In particular, \"The Bewlay Brothers\" and \"Queen Bitch\" are being performed for the first time on this tour, making this a must-listen collector's edition for fans. Disc 1 : 1. Rebel Rebel 2. Cactus 3. Sister Midnight 4. New Killer Star 5. Looking for Water 6. All The Young Dudes 7. China Girl 08. The Loneliest Guy 09. The Man Who Sold the World 10. The Motel 11. Battle for Britain (The Letter) 12. Sunday 13. Heathen 14. Hallo Spaceboy Disc.2 : 01. Band Introductions 02. Under Pressure 03. Reality 04. Station to Station 05. Ashes to Ashes 06. Quicksand 07. Modern Love 08. I'm Afraid of Americans 09. \"Heroes\" 10. The Bewlay Brothers 11. Queen Bitch 12. Suffragette City 13. Ziggy Stardust [Live at Shea's Performing Arts Center, Buffalo, NY. USA 25th May 2004 : Audience \/ IEM Matrix] David Bowie - vocals, guitar, stylophone, harmonica \/ Earl Slick – guitar \/ Gerry Leonard - guitar, backing vocals \/ Gail Ann Dorsey - bass guitar, vocals \/ Sterling Campbell – drums \/ Mike Garson - keyboards, piano \/ Catherine Russell - keyboards, percussion, guitar, backing vocals\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":49958791741743,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/cdr-3081-1.jpg?v=1717299043"},{"product_id":"who-the-who-sweden-1997","title":"Who,The Who\/Sweden 1997","description":"\u003cp\u003eFrom the 1997 \"Quadrophenia\" complete reproduction tour, the Stockholm performance on April 25th is recorded in complete with audience recording from a high-quality DAT master. After the complete reproduction of \"Quadrophenia\", the band also performed hit numbers such as \"The Heartless World\", \"Behind Blue Eyes\", and \"Who Are You\", and fans who can enjoy a new style at live performances can enjoy this interesting tour, which is released in the best quality from the original master source! (Disc 1): 01.I Am The Sea \/ 02.The Real Me \/ 03.Quadrophenia \/ 04.Cut My Hair \/ 05.The Punk And The Godfather \/ 06.I Am One \/ 07.The Dirty Jobs \/ 08.Helpless Dancer \/ 09.Is It In My Head \/ 10.I've Had Enough \/ 11.5:15 \/ 12.Sea And Sand \/ 13.Drowned \/ 14.Bell Boy (Disc 2): 01.Doctor Jimmy \/ 02.The Rock \/ 03.Love Reign O'er Me \/ 04.I'm The Face \/ 05.Won't Get Fooled Again \/ 06.Behind Blue Eyes \/ 07.Substitute \/ 08.Naked Eye \/ 09.Who Are You -Recorded Live at Globe Arena, Stockholm, Sweden 25th April 1997-\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":49960472477999,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/cdr-3081-1_34460269-8c18-460d-a0ac-e53b649cb9b3.jpg?v=1717312394"},{"product_id":"yngwie-malmsteen-tokyo-japan-2024-complete","title":"Yngwie Malmsteen\/Tokyo,Japan 2024 Complete","description":"\u003cp\u003eThe live performance at Zepp DiverCity in Tokyo on May 11th, the final day of their 2024 Japan tour, which was their first solo performance in nine years, was recorded in full for 1 hour and 45 minutes from the digital audience master released by the taper. The sound, which is close to the live house scale, is so close that it seems like a sound board at first listen. This time, the set is based on the album `` RISING FORCE '' as a commemorative live performance for the 40th anniversary of the album, and the live performances in Japan for all three shows are almost fixed, with `` Hiroshima Mon Amour '', `` Brothers '' and `` I'll See The Light Tonight '' set only for this day, and `` Overture-Arpeggios From Hell '' was also played as a daily number, and the number of songs has increased from the previous two shows, and the band's performance is also the best and the final night, which was decorated with a beautiful ending, is the best quality. Live at Zepp DiverCity, Tokyo, Japan 11th May 2024 Disc 1 : 1. Intro 2. Rising Force 3. Top Down, Foot Down \/ No Rest For The Wicked 4. Soldier 5. Into Valhalla \/ Baroque \u0026amp; Roll 6. Like An Angel (For April) 7. Relentless Fury 8. Now Your Ships Are Burned 9. Wolves At The Door 10. Hiroshima Mon Amour 11. (Si Vis Pacem) Parabellum 12. Badinerie 13. Paganini's 4th 14. Adagio 15. Far Beyond The Sun 16. Seventh Sign 17. Overture \/ Arpeggios From Hell 18. Evil Eye 19. Smoke On The Water Disc 2 : 1. MC 2. Trilogy (Vengeance) 3. Guitar Solo 4. Brothers 5. Fugue 6. Drum Solo 7. You Don't Remember, I'll Never Forget 8. Black Star 9. I'll See The Light Tonight Yngwie Malmsteen – Guitar, Vocals \/ Nick Z. Marino – Keyboards, Vocals \/ Emilio Martinez – Bass, Vocals \/ Kevin Klingenschmid – Drums\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":49960619999535,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/CDN-12784-1.jpg?v=1717315487"},{"product_id":"bruce-dickinson-england-uk-2024-complete","title":"Bruce Dickinson\/England,UK 2024 Complete","description":"\u003cp\u003eBruce Dickinson has returned to his home base of Europe and has been touring in earnest. Here is a front-row shot that allows you to fully experience the latest stage. This work was filmed on May 16, 2024 in Wolverhampton. This is a transcendent audience shot. The first video \"SANTA ANA 2024\" released the other day has been very popular, but that is the North American version. Today, Bruce has crossed the ocean and returned to his home country of England. First of all, let's review the outline of such activities and check the position of this work. Solo \"THE MANDRAKE PROJECT\" released on March 1, April 12-15: USA (3 performances) ← * SANTA ANA 2024, April 18 - May 4: Latin America (9 performances), May 16 - July 21: Europe (35 performances) ← ★ Coco ★ IRON MAIDEN, September 1-16: Oceania (8 performances), September 22-29: Japan (5 performances), October 4-December 7: North America\/South America (31 performances) This is the 2024 Bruce Dickinson that has been announced to date.I plan to go solo until the summer and switch to touring with IRON MAIDEN in the fall. He is currently working on the main leg of his solo tour, \"Europe\", and the Wolverhampton concert of this album was the first concert of that tour. This work, which vacuum-packed such a stage, is a shocking front-row shot!　Although it is an oblique angle from the right side of the stage, the view without the front row is (naturally) superb. The stage, where there is no audience at all, let alone cover, is like a rehearsal, and you can fully enjoy the \"feeling of self-exclusivity\" as if it were a live performance just for you. Moreover, this work has a great sense of stability, and although you won't be setting up a tripod in the front row, the screen that doesn't blur is super easy to see. The first report, \"SANTA ANA 2024,\" was powerful, but there were some scenes where the screen was a little violent, but this work remained stable from beginning to end even when approached with ultra-zoom. It boasts an easy viewing experience that makes it look like a pro shot.What you can enjoy from such a super-special seat is a full show that is a little different from the previous work \"SANTA ANA 2024\". BLUES' SOLOS ARE DIFFERENT FROM IRON MAIDEN, AND THEY CHANGE DAILY. Let's take a look at how it compares to its predecessor. Mandrake Project (4 tracks), Afterglow Of Ragnarok, Many Doors To Hell, Resurrection Man, Rain On The Graves Chemical Wedding (5 tracks) Chemical Wedding\/Gates Of Urizen(★)\/The Alchemist\/Book Of Thel\/The Tower Others (8 tracks) ・Accident Of Birth\/Darkside Of Aquarius・Tyranie Of Souls:Abduction\/Navigate The Seas Of The Sun・Other:Faith(★★)\/Frankenstein\/Tears Of The Dragon\/All The Young Dudes（★★）*Note: ★ Songs marked with \"\" were not seen at \"SANTA ANA 2024\". In particular, \"★★\" is a limited edition song only for this day. …… And it looks like this. \"SANTA ANA 2024\" followed the rare songs as bonus tracks, but ★ by combining this album with the songs \"SANTA ANA 2024\" that were still not seen, you can get the full repertoire that is being played on this tour. Of the three songs, \"Faith\" and \"All The Young Dudes\" are particularly important. The former is part of the repertoire of \"SKUNKWORKS\" and the latter is \"TATTOOED MILLIONAIRE\", and it is a limited edition song that is only performed on this day (on this tour). I think I tried it because it was the first day of the \"European\" leg, but as a result, it was the only full show that was chosen from all of his solo albums.It is a front-row shot that boasts a superb view and a sense of stability that surpasses even \"SANTA ANA 2024\", which was the masterpiece of the \"North America\/Latin America\" leg. Not only can you fully experience it from a super special seat, but you can also enjoy an absolute video that is inevitable in the collection with rare songs only on this day. A front-row audience shot of the May 16, 2024 Wolverhampton performance. Not only is it easy to watch, but it also has a great sense of monopoly that other spectators cannot see. You can also experience a delicious full show of \"Faith\" by \"SKUNKWORKS\" and David Bowie's cover of \"All The Young Dudes\", which are only performed on this day.Civic Hall, Wolverhampton, England 16th May 2024 AMAZING SHOT!!! 1. Toltec 7 Arrival 2. Accident Of Birth 3. Abduction 4. Faith Song of the ★ Day 5. Afterglow Of Ragnarok 6. Chemical Wedding 7. Many Doors To Hell 8. Gates Of Urizen ★ Songs Not in the Previous 9. Resurrection Men 10. Rain On The Graves 11. Frankenstein 12. The Alchemist 13. Tears Of The Dragon 14. Darkside Of Aquarius 15. Navigate The Seas Of The Sun 16. All The Young Dudes　★ Songs for this day only 17. Book Of Thel 18. The Tower COLOUR NTSC Approx.106min. – Vocals, Percussion, Theremin Chris Declercq – Guitar Philip Naslund – Guitar Mistheria – Keyboards Tanya O'Callaghan – Bass Dave Moreno – Drums\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":50009810829615,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/DVD-03996-1.jpg?v=1718071432"},{"product_id":"heart-cheap-trick-md-usa-2024-complete","title":"Heart Cheap Trick \/MD,USA 2024 Complete","description":"\u003cp\u003eWhile embarking on a reunion tour with CHEAP TRICK, HEART also received news of Ann Wilson's poor health. Here is the latest video that allows you to fully experience the two heroes before the tour was suspended. This work was filmed at the \"Baltimore performance on May 13, 2024\". It is a superb audience shot that vacuum-packs the whole story. HEART's reunion tour was scheduled until the end of the year, but at the end of May, they announced that \"I need to get started right away, but I need to get regular medical treatment.\" Although the condition of the illness has not been revealed at all, some dates have been canceled. To find out what is going on with them, let's start with a bird's-eye view of their activities that have been revealed so far.2023 (September 29th: Ann's \"ANOTHER DOOR\" released) December 27th - 31st: North America #1 (3 performances) ← *NEW YEAR'S EVE 2023 2024 (January 1st: Appearance at NHL Winter Classic) April 20th - May 24th: North America #2 (17 performances) ← ★Here★ (Ann Wilson begins treatment) × June 20th - July 12th: Europe (14 performances: canceled) × July 30th - August 28th: ​​North America #3 (17 performances) September 17th - October 21st: North America #4 (17 performances) November 13th - December 15th: North America #5 (17 performances)This is the currently planned schedule for the reunited HEART. The first report of the reunion, \"NEWYEAR'S EVE 2023,\" was \"North America #1,\" but this was not a tour but a special performance that also served as a reunion unveiling. After that, the tour began in earnest after several TV appearances and event participation.The start of Ann's treatment was announced immediately after the opening \"North America #2\". At present, only the \"Europe\" tour has been canceled, and she is scheduled to return from \"North America #3\" in August. In the midst of such a journey, the Baltimore performance of this work was the 11th performance of \"North America #2\". The work filmed at the scene is a little strange and superb view. After all, the shooting position is completely unknown. From the angle, it is clear that it is to the left of the stage, but other than that, it is completely unknown. With a fierce zoom, everyone except the members is framed out of the screen, and even the front customers in front of the stage are not reflected. The strange high image quality of the latest equipment is sometimes not blurred even with zoom, so it is not clear how far it is from the stage. Another point is the height of the viewpoint. It is almost the same as the members on stage, and you can stare at it with a gaze that seems to meet your eyes. It seems to me that a drone is flying in front of the members to take a picture, but there is no way that can be done. Overall, I think that it is shot with a bold zoom from the stand seats, but that is also within the realm of speculation.After all, we have no choice but to introduce it as a \"mysterious superb view\". The beautiful visuals of such a different dimension are depicted as a full show of two heroes, including the classic songs of the past + α. In order to let you experience the special richness, let's organize the two sets here. CHEAP TRICK・Pale Highway: Hello There\/Hot Love\/Downed\/I Want You To Want Me・Dream Police: Need Your Love\/I Know What I Want\/Dream Police・Other: Just Got Back\/Ain't That A Shame\/Boys \u0026amp; Girls \u0026amp; Rock N Roll\/The Flame\/Surrender\/Goodnight HEART・Dreamboat Annie: Crazy On You\/Dreamboat Annie (★)\/Magic Man・Little Queen: Love Alive\/Little Queen\/Barracuda・Dog \u0026amp; Butterfly: Straight On (Let's Dance)\/Dog \u0026amp; Butterfly (★)\/Mistral Wind・80's: Bebe le Strange\/Never\/These Dreams\/Alone (What About Love)・Solo\/Cover: This Is Now (Ann Wilson)\/Going To California (★: LEDZEPPELIN)\/4 Edward (★: Nancy Wilson)\/The Ocean (LED ZEPPELIN) *Note: The \"★\" mark indicates songs that were not seen in the first video of the reunion, \"NEW YEAR'S EVE 2023.\" ... and so on.CHEAPTRICK performed a condensed version of their greatest hits. Although they also featured \"Boys \u0026amp; Girls \u0026amp; Rock N Roll\" from their latest album \"IN ANOTHER WORLD\" and \"The Flame\" from \"LAP OF LUXURY\", the rest were numbers from before \"ALL SHOOK UP\". On the other hand, HEART has a wide range of careers, but their four works, \"DREAMBOATANNIE\", \"LITTLE QUEEN\", \"DOG \u0026amp; BUTTERFLY\" and \"HEART (1985)\", are the axis. On this day, the new song \"Roll The Dice\" that is the topic of discussion was not performed, and Anne and Nancy's solo songs and fun LED ZEPPELIN numbers were scattered. HEART and CHEAP TRICK reached their peak in the late 70s and made a comeback together in the late 80s. The two heroes will share the stage in 2024. This work is a video masterpiece that allows you to fully experience such a latest tour. I'm worried about Anne's health at 73 years old, but there is not a trace of that in this work. A luxurious set that will captivate you with an evening of masterpieces with a super-spectacular view that is beyond the audience's common sense. A super-spectacular audience shot of the \"May 13, 2024 Baltimore performance\". With a fierce zoom, everyone except the members is framed out of the screen, and it seems that you will meet the eyes of the members on stage at the same height. Even the front customers in front of the stage are not reflected, and it is a different dimension shot where you can't tell the shooting position, so you can fully experience the latest coupling tour of the two heroes that condenses the classic songs of the past. CFG Bank Arena, Baltimore, MD, USA 13th May 2024 AMAZING SHOT!!! Disc 1 CHEAP TRICK 1. Intro 2. Hello There 3. Just Got Back 4. Hot Love 5. Ain't That A Shame 6. Boys \u0026amp; Girls \u0026amp; Rock N Roll 7. Need Your Love 8. Downed 9. Bass Solo 10. I Know What I Want 11. The Flame 12. I Want You To Want Me 13. Dream Police 14. Surrender 15. Goodnight Robin Zander - Vocal, Guitar Rick Nielsen - Guitar, Vocal Tom Petersson - Bass, Vocal Daxx Nielsen - Drums Robin Taylor Zander - Guitar, Vocal COLOUR NTSC Approx.59min. Disc 2 HEART 1. A Montage Of Images 1973-2024 2. Bebe Le Strange 3. Never 4. Love Alive 5. Little Queen 6. This Is Now 7. Straight On \/ Let's Dance 8. These Dreams 9. Crazy On You 10. Dog \u0026amp; Butterfly 11. Dreamboat Annie 12. Going To California 13. 4 Edward 14. Drum Solo 15. Mistral Wind 16. Alone \/ What About Love 17. Magic Man 18. The Ocean 19. Barracuda Ann Wilson - Vocals Nancy Wilson - Guitar, Vocals Ryan Waters - Guitar, Backing Vocals Ryan Wariner - Guitar, Backing Vocals Paul Moak - Keyboards, Guitar, Backing Vocals Tony Lucido - Bass Sean Lane - Drums COLOUR NTSC Approx.92min. COLOUR NTSC Approx.151min.(Total)\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":50010068582703,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/DVD-03995-1.jpg?v=1718078457"},{"product_id":"genesis-genesis-austria-1978-16mm-hd-edition-more","title":"Genesis Genesis\/Austria 1978 16mm HD Edition \u0026 more","description":"\u003cp\u003eAnd the three remaining members of the \"AND THEN THERE WERE THREE Tour\". The best professional shot master has been newly excavated! It has been decided to release it urgently. This work contains two multi-camera professional shots. The main focus is on the newly excavated 16mm film of the \"August 28, 1978 Vienna performance\", with the bonus \"June 24, 1978 Knebworth Park performance\" added. What position did each video take on the tour? Let's take a look at the overall activity at that time and see for ourselves.・March 28-31: North America #1a (4 performances) {\"...AND THEN THERE WERE THREE...\" released on March 31st}・April 1-17: North America #1b (13 performances)・May 14-June 24: Europe #1 (26 performances) ←★Second half of this work★・July 10-31: North America #2 (17 performances)・August 26-September 9: Europe #2 (9 performances) ←★First half of this work★・September 29-October 22: North America #3 (15 performances)・November 27-December 3: First visit to Japan (6 performances) First half: Newly excavated 16mm film boasting theatrical film-class visual beauty This is GENESIS in 1978, when they became three people. The structure was centered around \"North America x 3 tours\", with \"Europe x 2 tours\" and the legendary \"first visit to Japan\" sprinkled in between. Among them, the main performance in Vienna was the second concert of \"Europe #2\", three months before the first visit to Japan. Such a show is also known for being broadcast on TV, but what was unearthed this time was not the air check, but the original 16mm film. It was directly digitized from the actual thing. There is one thing to note here. When it comes to excavated films from the 1970s, \"8mm\" is familiar in our shop, but this work is a completely different \"16mm film\". \"16mm\" is a standard used for TV dramas, news programs, and sometimes movies, and is a completely different dimension from 8mm in both length and image quality. Even with the eyes of today's digital heyday, it is a completely beautiful, completely official grade... no, it is far more beautiful than the official footage of the 1980s, when there was a lot of video shooting. Moreover, this work is a direct transfer from the original film. Since it does not go through video, the image quality does not deteriorate, and of course there can be no dubbing marks. Furthermore, the film is in perfect condition, and there is no fine dust or dirt at all. Although it is a 15-minute video digested from four songs because it is a video for a TV program, the beauty of the video is exactly theatrical movie class. It is the most beautiful video master among the existing 1970s professional shots. Second half: The best master of the classic \"A MIDSUMMER NIGHT'S DREAM\" Although it is such a transcendent newly excavated 16mm film, about 15 minutes is not enough. Therefore, in this work, we also recorded the standard Knebworth video of the same period. This is also a professional shot for television broadcast. In the first place, this show is not a GENESIS solo performance but a festival titled \"A MIDSUMMER NIGHT'S DREAM\". The documentary was broadcast on the BBC 1 program \"Nationwide\", and this work contains only the performance scenes of \"Many Too Many\" and \"The Lady Lies\". \"The Lady Lies\" is a live performance, but \"Many Too Many\" is a PV taken at the rehearsal on the day. Phil is a mime who plays two roles, vocals and drums. Of course, the quality of this is also completely official. If I were to express the difference, I would say that the 16mm of the first half of the Vienna performance is \"theatrical release class\" and the second half of Knebworth is \"official DVD class\". In any case, the visual beauty of the first half of the Vienna performance is amazing. It's amazing. I never thought I would be able to witness the moving GENESIS of the 1970s with theatrical film class quality. It's a breathtaking piece that once again shows the depth of the 1970s archive. A multi-camera pro shot of the \"August 28, 1978 Vienna performance \/ June 24 Knebworth Park performance\". The main Vienna footage is a newly excavated 16mm film, with a transcendent visual beauty of \"theatrical release class\" that exceeds the official grade. The bonus Knebworth footage is also completely official grade, making it a masterpiece that allows you to enjoy the \"And Three Remained\" era in the finest quality. Wiener Stadthalle, Vienna, Austria 28th August 1978 PRO-SHOT 1. The Lamb Lies Down On Broadway 2. The Musical Box 3. In The Cage 4. The Cinema Show 5. Afterglow Knebworth Park, Stevenage, UK 24th June 1978 6. Many Too Many 7. The Lady Lies Phil Collins - Vocals, Drums \u0026amp; Percussion Mike Rutherford - Bass \u0026amp; Guitar Tony Banks - Keyboards Chester Thompson - Drums \u0026amp; Percussion Daryl Steurmer - Guitar PRO-SHOT COLOUR NTSC Approx.25min.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":50010149060911,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/DVD-03994-1.jpg?v=1718080345"},{"product_id":"santana-netherlands-2004-complete","title":"Santana \/Netherlands 2004 Complete","description":"\u003cp\u003eSANTANA in 2004, who had achieved the feat of consecutive US No. 1s with \"SUPERNATURAL\" and \"SHAMAN,\" was savoring the afterglow of their historic comeback. Here is the absolute footage. This work was filmed at the \"July 9, 2004 Hague performance.\" It is a multi-camera pro shot from their appearance at the famous Dutch festival \"NORTH SEA JAZZ.\" Speaking of live footage from 2004, the official work \"HYMNS FOR PEACE: LIVE AT MONTREUX 2004\" is the most symbolic, but of course this work is a different performance. In order to explain the situation around there, let's first take a bird's-eye view of the activities at that time.・January 9: Las Vegas performance・April 30 + May 1: New Orleans (2 performances)・June 22-24: San Francisco (3 performances)・July 2-25: Europe (17 performances)←★Here★・September 30-October 2: Los Angeles (3 performances)・December 6 + 8: North America (2 performances)The latest distribution master that stands alongside the official MONTREUX 2004This is SANTANA in 2004. The full-scale \"SHAMAN Tour\" ended in 2003, and from 2004, individual event appearances became the main focus. The only mini-tour format among them was \"Europe\", which toured the European summer festivals. The \"NORTH SEA JAZZ\" appearance in this work was the sixth performance. The official \"LIVE AT MONTREUX 2004\" is also in the same \"Europe\", and is six days after this work (four performances after). Such a stage is a famous festival, so professional shots have become the norm. This work is also a famous video, but it is actually the highest peak updated version that is currently a hot topic. Its true identity is official. It was released by the official channel of the original \"NORTH SEA JAZZ\". The quality is, of course, completely official. The image beauty and sound are not inferior to the official DVD \"LIVE AT MONTREUX 2004\". Moreover, it is not just high quality and high sound quality, but the aesthetics of \"NORTH SEA JAZZ\" can be felt in the shooting technique and editing sense. Utilizing close-ups and active cuts, coupled with the lighting sense, it is really \"hot\". It is not a conversion mistake of \"hot\". Even if you turn off the sound, the mood of a Latin summer festival will blow out. Another point is that it is a complete version. The first broadcast of this video was only 30 minutes long, and the second rebroadcast was also incomplete. However, this time the full set is distributed all at once. All of the songs that were cut from the broadcast, \"Jin-Go-Lo-Ba\", \"Jin-Go-Lo-Ba\", \"Evil Ways\" and \"A Love Supreme\", are included. A full show with a high level of purity completely different from the official work It is of a quality that is on par with the official \"LIVE AT MONTREUX 2004\", but the show content depicted by the beautiful images is completely different. After all, the only songs that overlap are \"Jin-Go-Lo-Ba\" at the beginning and \"A Love Supreme\" at the end. All the rest are repertoires that could not be seen at \"LIVE AT MONTREUX 2004\". And the performance itself is interesting... no, the purpose is different. The official \"LIVE AT MONTREUX 2004\" featured a variety of guests, and the prestige of SANTANA, the leader of the scene, was dazzling, but the guest of this work is only Michael Franti, who appears in \"A Love Supreme\". It is a show with a style closer to the usual style. Although it is a few days different from the official \"LIVE AT MONTREUX 2004\", it is a completely official professional shot with completely different songs and performances. This is a multi-camera professional shot of the official master \"July 9, 2004 NORTH SEA JAZZ performance\" which is a treasure that you should collect together with \"LIVE AT MONTREUX 2004\". This is the official master that was recently released by the official channel of the original \"NORTH SEA JAZZ\". The official work \"LIVE AT MONTREUX 2004\" overlaps with the selection of songs \"Jingo\" and \"A Love Supreme\", and although they are the same time \/ quality, they are completely different. This is an absolute treasure that you should collect alongside the official work. Statenhal, The Hague, Netherlands 9th July 2004 PRO-SHOT 1. Jin-Go-Lo-Ba (Jingo) 2. Spread Love (Da tu amor) 3. Put Your Lights On 4. Aye Aye Aye 5. Concierto De Aranjuez \/ Maria Maria 6. Foo Foo 7. Roule' 8. Taboo \/ (Da le) Yaleo 9. Apache \/ Smooth \/ Dame Tu Amor 10. Evil Ways 11. A Love Supreme Carlos Santana - guitar, percussion, vocal Chester Thompson - keyboards, vocal Myron Dove - rhythm guitar Benny Rietveld - bass Dennis Chambers - drums Karl Perazzo - percussion, vocal Raul Rekow - percussion, vocal Jeff Cressman - trombone William Ortiz - trumpet Andy Vargas - vocal PRO-SHOT COLOUR NTSC Approx.67min.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":50010185957679,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/DVD-03993-1.jpg?v=1718081279"},{"product_id":"paul-weller-netherlands-2006-complete","title":"Paul Weller\/Netherlands 2006 Complete","description":"\u003cp\u003ePaul Weller in 2006, who sent out the masterpiece \"AS IS NOW\" of the 2000s and won the Brit Awards Achievement Award. The symbolic video has been upgraded. The much-talked-about superb master is now available for urgent release. This work was shot at the \"Rotterdam performance on July 16, 2006\". It is a multi-camera pro shot from the performance at the famous Dutch festival \"NORTH SEA JAZZ\". Currently, in the collector's world, \"NORTH SEA JAZZ\" is a trend. In fact, the official channel of the festival has recently announced one after another of the past masterpiece pro shots. All of them are masters who have updated the longest and highest peaks in the past, as they are the originals. The SANTANA edition \"NORTH SEA JAZZ 2004 HD\" was very well received the other day, and this work is the Paul Weller edition. The quality of this work can only be called \"completely official class\". It is natural that it cannot be compared to the air check at that time, but it is super beautiful even when viewed by modern standards in the heyday of digital. It is nothing but master quality with zero degradation. More important than such ultimate quality is the content itself. Speaking of the \"AS IS NOW\" era, the traditional \"CATCH-FLAME!\" and \"BBC Electric Proms 2006\", which was made official with \"AT THE BBC\", are also standard, so let's start by taking a bird's-eye view of the activities at that time and understanding their respective positions. 2005 ・February 17th - March 11th: UK #1 (8 performances) {March \"AS IS NOW\" production} ・July 14th - 20th \/ September 8th: UK #2 (6 performances) ・September 14th - 25th: North America (7 performances) ・October 13th - December 15th: Europe #1 (35 performances) ← *Official CATCH-FLAME! 2006 ・February 13th: London performance ・March 29th - April 3rd: Japan (4 performances) ・April 20th - 26th: States #2 (4 performances) ・June 1st - September 16th: Europe #3 (17 performances) ←★Here★ ・October 25th - December 7th: UK #3 (11 performances) ← *Official ELECTRIC PROMS This is Paul Weller in 2005\/2006. The fact that the performance in Japan was realized is also a memorable thing, but the appearance of this work's \"NORTH SEA JAZZ\" was about three months later. It was the 10th concert of \"Europe # 3\". As mentioned above, this show was broadcast on TV \/ radio from that time, but both are incomplete. This latest master is overwhelmingly longer than either, and (probably) is the full set of the day. So, which songs are the increased amount? Let's organize it by comparing it with the FM broadcast version, which was long at the time. Stanley Road (4 songs + α) Porcelain Gods (Walk On Gilded Splinters) \/ You Do Something To Me \/ Broken Stones \/ The Changingman (★) As Is Now (5 songs) Roll Along Summer (★★) \/ All On A Misty Morning (★★) \/ The Start Of Forever (★★) \/ I Wanna Make It Alright \/ Here's The Good News Others (6 songs) 90's: Wild Wood (★) \/ Up In Suze's Room (★) \/ Above The Clouds \/ Amongst Butterflies \/ Science Studio 150: Wishing On A Star (★) *Note: The \"★\" mark indicates songs that were not available on the FM broadcast version at the time. In particular, the \"★★\" mark indicates songs that were not even on the official work \"CATCH-FLAME!\" ... and so on. Simply put, the FM broadcast version was only the second half of the show. This work also includes the first half of the show and the last \"The Changingman\" that were not there. And in the first half, the new \"AS IS NOW\" numbers from that time are heaped. In particular, the three songs \"Roll Along Summer\", \"All On A Misty Morning\" and \"The Start Of Forever\" are repertoires that were not included in the official live album \"CATCH-FLAME!\", and it is an even stronger \"AS IS NOW\" color stage. It is not only the highest quality in the past, but also a superb professional shot with a significantly updated length. It is one of the best in the popular \"NORTH SEA JAZZ\" series, and is a semi-official new standard. Multi-camera professional shot of \"July 16, 2006 \"NORTH SEA JAZZ\". The latest version distributed on the festival's official channel, the longest and highest quality update master in the past is directly made into a DVD. The first half of the show, which was not FM broadcast at the time, is also fully recorded with completely official quality. It is a new standard where you can enjoy a lot of precious \"AS IS NOW\" numbers. Ahoy, Rotterdam, Netherlands 16th July 2006 PRO-SHOT 1. Roll Along Summer 2. All On A Misty Morning 3. The Start Of Forever 4. Wishing On A Star 5. Wild Wood 6. Up In Suze's Room 7. Above The Clouds 8. I Wanna Make It Alright 9. Amongst Butterflies 10. Science 11. Porcelain Gods \/ Walk On Gilded Splinters 12. Here's The Good News 13. You Do Something To Me 14. Broken Stones 15. The Changingman Paul Weller - vocals, electric guitar, piano Steve Cradrock - vocals, guitar Jacko Peake - soprano sax, tenor sax Damon Minchella - bass Steve White - drums Benjamin Herman - alto sax, baritone sax Jan van Duikeren - flugelhorn, trumpet Louk Boudesteijn - trombone PRO-SHOT COLOUR NTSC Approx.77min.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":50010218332463,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/DVD-03992-1.jpg?v=1718081837"},{"product_id":"billy-joel-ny-usa-3-28-2024-complete","title":"Billy Joel\/NY,USA 3.28.2024 Complete","description":"\u003cp\u003eThe 100th performance at Madison Square Garden in New York since 2014 will take place on May 28, 2024, exactly two months after the Tokyo Dome, and the performance will be aired on cable TV in the United States. This title is the best quality, professional shot video made into a DVD, but not everything from the day was aired, and it is an edited version of 14 of the 25 songs performed, among which \"Half a Mile Away\" and the duo with Sting \"Every Little Thing She Does Is Magic\" were cut, but the other co-starring song \"Big Man On Mulberry Street\" was firmly recorded. In addition, this title is not the real-time on-air version, but the re-aired video is used as the master, so the program does not end in the middle of the finale \"Piano Man\", and the sense of dramatic cut division is also excellent, and this area seems to have been newly edited. In addition, there are other planned events unique to the 100th anniversary, and it is a must-see for fans who visited the Tokyo Dome that year, a total of 90 minutes. Live at Madison Square Garden, NYC, NY, USA 28th March 2024 : PRO-SHOT COLOUR NTSC Approx.89min 1. Intro 2. Miami 2017 (Seen The Lights Go Out On Broadway) 3. My Life 4. Vienna 5. Intermission: Supported Stuff 6. Movin' Out (Anthony's Song) 7. Billy Joel MSG Live 100th Ceremony (with Jerry Seinfeld) 8. New York State Of Mind 9. Intermission:Guest Artists 10. Big Man On Mulberry Street (with Sting) 11. An Innocent Man 12. Intermission:New Song Reaction 13. Turn The Lights Back On 14. The River Of Dreams 15. River Deep Mountain High 16. The River Of Dreams (reprise) 17. Scenes From An Italian Restaurant 18. Intermission:Band Members 19. It's Still Rock And Roll To Me 20. Only The Good Die Young 21. You May Be Right 22. Piano Man 23. End Credit\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":50010246971695,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/DVD-03991-1.jpg?v=1718082558"},{"product_id":"elvis-costello-steve-nieve-tokyo-japan-2024-complete-jewel-version","title":"Elvis Costello Steve Nieve\/Tokyo,Japan 2024 Complete Jewel Version","description":"\u003cp\u003eCostello's Japan tour ended with great success every day. As if to show how exciting it was, an additional performance in Asakusa was realized. The final day of the tour, which was realized in an unexpected place, was also a typical development for this Japan tour. Above all, the setlist changes that were unpredictable every day were possible only because of the light formation of Costello and Steve Nieve, and it exploded again on this day. From the opening, \"Shot With His Own Gun\" was included between \"Watching The Detectives\", and then it returned to \"Watching The~\". Until then, the songs were played alone, but suddenly this unexpected development. A video that fully captured the final day of the tour, which seemed to guarantee a different setlist from the other days just from this opening, has appeared on YouTube. The shooting position seems to have been at the back of the venue, so the angle was a bit low from start to finish. However, they did their best to close the show at various points, making it an amazing complete live video that you will never get tired of watching. A similar angle in past Costello live footage is the one-camera footage captured by the venue's camera at the 1989 CW Post College, which is familiar to enthusiasts, but this one is not as monotonous or distant as that one, and thanks to modern technology, it is easy to see even from a distant angle, and the image quality is clear. Of course, if you get too close up, Costello's figure will be blazing (lol), which is unavoidable because it is shot from a position that exceeds the limits of the camera's function, but I am grateful that they were able to produce such a clear video overall from this Japan tour. The opening alone was enough to shock us, but this day was a bit of a ``BLOOD \u0026amp; CHOCOLATE'' album night, with ``Battered Old Bird,'' ``Tokyo Storm Warning,'' and ``I Want You.'' In particular, the fresh arrangement of ``Tokyo Storm,'' which is appropriate for singing in this place, with Naive providing backing vocals, was impressive, and the scene where he worked hard on the chorus was also captured clearly. Although it was a live performance where filming was originally allowed, it is truly appreciated that a video of the entire live performance exists like this. In fact, I'm sure there were many people who witnessed the live performance that day from an angle like this. Asakusa Kokaido, Tokyo, Japan 12th April 2024 1. Magnificent Hurt (chelmico Remix) 2. Watching The Detectives \/ Shot With His Own Gun 3. Radio Radio 4. Clubland 5. That Blue Look 6. So Like Candy 7. Magnificent Hurt 8. Battered Old Bird 9. Unwanted Number 10. New Amsterdam \/ You've Got To Hide Your Love Away 11. Tokyo Storm Warning 12. Everybody's Crying Mercy 13. Look Up Again 14. I Still Have That Other Girl 15. She 16. The Man You Love To Hate 17. More Than Rain\/I Want You 18. (What's So Funny 'Bout) Peace, Love And Understanding 19. The Whirlwind 20. Farewell, OK 21. Alison 22. Outro\/Donald Where's Your Troosers COLOUR NTSC Approx. 115 min.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":50010285211951,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/DVD-03990-1.jpg?v=1718083237"},{"product_id":"eric-clapton-france-2024-jewel-version","title":"Eric Clapton\/France 2024 Jewel Version","description":"\u003cp\u003eThe best audience shot footage from the latest European tour, Nimes, France! Eric Clapton's latest 2024 European tour has finally begun, and we have decided to release a wonderful audience shot footage from the Nimes, France performance that took place on May 31st! You can enjoy it as the perfect video to follow the release of the Royal Albert Hall 2024, 4DAYS2 title this week. Nimes is a historic city that has existed since ancient Roman times in the Gard department in the south of France, and this is the stage where the festival was held at the Roman amphitheater Nimes Arena, one of the famous places here. The angle is shot from the arena seats, slightly forward to the left towards the stage, and the angle centered on Clapton and Doyle Bramhall is very easy to see. The image quality is also beautiful, and above all, Clapton, who appeared late in the afternoon, is wearing a thick coat because the local climate is cold, and from the second song, he is on stage with a very unusual look with a cap on, worrying about the strong wind. As the stage progresses, the sun sets, and by the end of the show, the performance is in the dark. The outdoor festival situation is rare, so you can enjoy watching it with Clapton's looks. However, for some reason, the cameraman of the main part did not shoot the acoustic set in the middle, but only shot the electric set in the first and second half, so it is not a complete recording. Therefore, we have joined another video that recorded the acoustic set. This angle is a large close-up image from the front of the arena seats, and it is a wonderful video that even shows Clapton's facial expression. However, this part is not a complete recording of each song, but a digest connected, but by being able to insert this part, you can enjoy the natural progression of the concert. In addition, the encore, Sunshine Of Your Love, was not included in the main part, but this was also supplemented by our shop from another video source. The angle of the video of this song is from a position slightly to the left of the main cameraman, and it is almost the same direction as the main part, so there is no sense of incongruity at all. The image quality is also beautiful. Clapton, from the beginning of the day, played the Stratocaster painted in the colors of the Palestinian flag, which he used at the \"SAVE A CHILD Concert (For GAZA Children)\" (the video has already been released on DVD at our store), a charity concert in support of Gaza in December last year. The big attraction of this tour is that the set list has been significantly changed from the previous tour, and several rare numbers are set in, from newly written songs. Fans will be very happy just to be able to watch the latest stage with this high-quality video. The only change in the band members is that the keyboard has been replaced by Paul Carrack, who has been replaced by Tim Carmon, a familiar member of the Clapton band, and the rest is the same as last year's tour. Therefore, the encore number has changed from High Time We Went, which featured Carrack in recent years! Surrounded by reliable and talented members who perform solid performances, Clapton is showing a very fulfilling performance, including a surprise. Please take a look. The unexpected set list, which is different from last year's tour, is attractive! As for this work, since the acoustic set has not been recorded, we can only highlight the highlights of the electric set, but even so, rare songs are included on this day. First of all, the opening of the instrumental song Blue Dust, dedicated to the late Jeff Beck, shows that the playing is getting smoother with each passing day. The new song Prayer of a Child, which decorates the end of the first half of the electric set. This song was released with new lyrics added to the instrumental song \"Voice Of A Child\" that was played at the beginning of the aforementioned \"SAVE A CHILD Concert (For GAZA Children)\". It is likely that Clapton included it in the set list as soon as possible, as it is a song that contains a strong message from Clapton to children suffering from the ravages of war. The first song in the second half of the electric set is the powerful Dominos number, Got to Get Better in a Little While. It was also featured for the first time in a long time in the aforementioned \"SAVE A CHILD Concert (For GAZA Children)\", and Clapton was able to enjoy a dynamic play for the first time in a long time, so it is thought that it was included in the set. Sonny Emory's outstanding stick handling in the drum solo in the middle is also wonderful. From here, Clapton plays a dark blue Stratocaster. And the biggest surprise of the day was That's All Right, which was played after this. This number was played as an encore at the previous Liverpool performance, but it was special that it was played in this position on this day. After that, I thought there would be no more surprises, but as a special production for the second half of this tour, Nathan East played a song called Close To Home by Lyle Mays as a prologue before Cocaine. And there was one more surprise at the very end. The encore was Sunshine of Your Love, which was the first of its kind on this tour! Listening to this, you can see that the artist Clapton put together a set list thinking of many things and many people. Of course, it's natural that he wants to play at the root of it all, but it seems that he wants to show it with his own feelings. His lost best friend, a world of constant war, his admired bluesman, his career so far. This set list and this live performance are the result of various thoughts that came to Clapton's mind. And he shows his careful consideration by changing the set every day. That's why I want to check out all the performances. Arènes de Nîmes, Nîmes, France 31st May 2024 AMAZING SHOT!!! 1.Blue Dust 2.Key to the Highway 3.I'm Your Hoochie Coochie Man 4.Badge 5.Prayer of a Child 6.Back Home 7.Nobody Knows You When You're Down and Out 8.Golden Ring 9.Tears in Heaven 10.Got to Get Better in a Little While 11.That's All Right 12.Crossroads 13.Little Queen of Spades 14.Close to Home (Cocaine introduction played by Nathan East) 15.Cocaine 16.Sunshine of Your Love Eric Clapton – guitar \/ vocals Doyle Bramhall II – guitar \/ vocals Chris Stainton – piano \/ keyboards Tim Carmon – Hammond \/ keyboards Nathan East – bass \/ vocals Sonny Emory – drums Katie Kissoon – backing vocals Sharon White – backing vocals COLOUR NTSC Approx.82min.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":50010341835055,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/DVD-03989-1.jpg?v=1718083833"},{"product_id":"rolling-stones-njh-usa-5-23-2024-complete-multi-cam-edition","title":"Rolling Stones\/NJH,USA 5.23.2024 Complete Multi-cam Edition","description":"\u003cp\u003eThe \"HACKNEY DIAMONDS Tour\" is getting more and more exciting with the announcement of additional performances. The latest report of the superb footage has arrived. It has been decided to release it urgently. This work was filmed at the \"May 23, 2024 East Rutherford Performance\". It is a superb audience shot that vacuum-packs the whole story. It has been a month since the start of the \"HACKNEY DIAMONDS Tour\", and the number of video works has increased. Each one is unique, but they can be divided into \"one-camera continuous shooting work\" and \"multi-camera edited work\". This work is the former, so let's narrow it down to continuous shooting works and organize the collection here. *April 28th \"HOUSTON 2024: THE VIDEO\" *May 2nd \"NEW ORLEANS JAZZ \u0026amp; HERITAGE FESTIVAL 2024\" *May 7th \"GLENDALE 2024: THE VIDEO\" *May 11th \"LAS VEGAS 2024: FRONT ROW\" *May 15th \"SEATTLE 2024: THE VIDEO\" *May 23rd: East Rutherford performance ←★This work★ ・May 26th: East Rutherford performance \u0026gt;\u0026gt;Now\u0026lt;\u0026lt; ・May 30th-July 17th (13 performances) This is the current \"HACKNEY DIAMONDS Tour\". \"One-camera continuous shooting\" does not require editing time, so it can be released quickly, and it also has an excellent experience of watching the show from one seat. And this work is the latest work that makes the most of that flavor. It is the latest video at the moment, and the quality is also outstanding. What's amazing is the intense and spectacular view. It is a type that looks directly at an oblique angle from the stand seats on the left side of the stage, but from there, it zooms in and out, occupying the screen with a close-up shot like a professional shot. Moreover, the viewpoint is high. It passes far above the heads of the arena seats...or rather, it is almost the same eye level as the members on stage. With that field of vision, it approaches with a bold zoom, so the audience seats are completely out of the frame. Not only is there no shadow of the front seats, but the arena seats are also pushed out of the screen, and only the stage is displayed with zero obstructions. With such intense zooming, it seems like the screen will go wild, but there is no need to worry about that with this work. It is very stable, and it is very easy to watch even if you shake the camera left and right while keeping Mick in the center of the screen. It is not a smooth anti-shake function, but a sense of stability like a tripod. The left and right movements when shifting the gaze from Mick to Keith and Ron, and the zoom that approaches with a focus are also quick. The image quality is super high quality for 2024, but the camera work exudes an indescribable nostalgia. Such a masterful photography technique depicts a full show that has been getting better and better. Here, let's organize the sets that you are interested in. Fixed songs (12 songs) ・ Early stage: Start Me Up \/ Angry ・ Mid-stage and later: Tumbling Dice \/ You Can't Always Get What You Want \/ Little T \u0026amp; A \/ Sympathy for the Devil \/ Honky Tonk Women \/ Gimme Shelter \/ Paint it Black \/ Jumpin' Jack Flash \/ Sweet Sounds of Heaven \/ Satisfaction Daily songs (7 songs) ・ First appearance on the tour: Shattered ・ Others: Get Off of My Cloud \/ It's Only Rock 'n Roll \/ Wild Horses \/ Mess It Up \/ You Got the Silver \/ Miss You ... and so on. The tour's debut song was \"Shattered,\" and the set was full of songs that could be considered semi-regular (this was probably in consideration of the two consecutive performances at the same venue. Although they couldn't make it this week, the May 26th performance turned around and brought out a mountain of debut songs). And because it was a rich set, the performance's good performance stood out. It's not a matter of there being no mistakes or being safe, but the groove that pulls you along has improved dramatically, and the contrast between pushing and pulling is also free. It's a full show that doesn't surprise you with the song selection, but fascinates you with its good condition. The performance of the latest equipment, the photographer's technique, and the position without a projected object. While faithful to the basics of audience shots, all of them are high-level masterpieces. A video work that allows you to fully experience the 6th day of the \"HACKNEY DIAMONDS Tour\" has been released. With the zoom of a professional shot and the photography technique of a master with a tremendous sense of stability, you can experience a full show in full swing on the spot. MetLife Stadium. East Rutherford, NJ, USA 23rd May 2024 AMAZING SHOT!!!! 1. Intro 2. Start Me Up 3. Get Off of My Cloud 4. Shattered 5. Angry 6. It's Only Rock 'n Roll 7. Wild Horses 8. Mess It Up 9. Tumbling Dice 10. You Can't Always Get What You Want 11. Band Introductions 12. You Got the Silver 13. Little T\u0026amp;A 14. Sympathy for the Devil 15. Honky Tonk Women 16. Miss You 17. Gimme Shelter 18. Paint It Black 19. Jumping Jack Flash 20. Sweet Sounds of Heaven 21. Satisfaction COLOUR NTSC Approx.111min.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":50010378273071,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/DVD-03988-1.jpg?v=1718084634"},{"product_id":"rolling-stones-nv-usa-2024-complete-multi-cam-edition-jewel-version","title":"Rolling Stones\/NV,USA 2024 Complete Multi-cam Edition Jewel Version","description":"\u003cp\u003eAmong the \"HACKNEY DIAMONDS Tour\" reports that are released almost every day, the multi-camera edited audience footage is particularly popular. The latest two works will be released at the same time! We deliver various types of footage, and some even introduce several types of footage from one performance. However, multi-camera editing requires an extraordinary amount of effort and passion, so there are not as many as one-shots. First, let's take a look at our multi-camera collection in light of the current state of the \"HACKNEY DIAMONDS Tour\". *April 28th \"HOUSTON 2024: MULTICAM\" ・May 2nd: New Orleans performance ・May 7th: Glendale performance *May 11th: Las Vegas performance ←★This work★ *May 15th \"SEATTLE 2024: MULTICAM\" ・May 23rd: East Rutherford performance ・May 26th: East Rutherford performance \u0026gt;\u0026gt;Now here\u0026lt;\u0026lt; ・May 30th-July 21st (13 performances) *Note: Only the titles of the multi-camera edited videos. This is the current \"HACKNEY DIAMONDS Tour\". All live performances up to the sixth performance have been filmed, but the multi-camera edited videos are the first day \"HOUSTON 2024: MULTICAM\" and this two-part series, a total of three. The first day's \"HOUSTON 2024: MULTICAM\" was a huge hit due to its incredible quality, but this work is no less impressive. While making full use of the front row shots that were also a hot topic in the through video work \"LAS VEGAS 2024: FRONT ROW\", it also makes use of another angle that is just as intense. In addition, a wide variety of close-ups are played out one after another, including screen shots containing professional shots projected behind. As expected, we can't expect soundboard-class sound, but the best recording of the day is extremely thick and does not feel the distance. It is a professional shot-class sight that is far from the word \"audience shot\". In addition, this work has been upgraded uniquely by our shop. The former master who appeared on the net stopped the video for a moment at the beginning of \"Angry\", and the sound was cut off in the MC before the next song \"Like A Rolling Stone\". This work basically makes use of the editing of the former master, while correcting such obvious mistakes. It is finished so that you can enjoy the full show seamlessly. The full show that has been steadily improving with the number of events was assembled with such powerful editing techniques. Let's organize the set here as well. Fixed songs (12 songs) ・ Early: Start Me Up \/ Angry ・ Mid-stage onwards: Tumbling Dice \/ You Can't Always Get What You Want \/ Little T \u0026amp; A \/ Sympathy for the Devil \/ Honky Tonk Women \/ Gimme Shelter \/ Paint it Black \/ Jumpin' Jack Flash \/ Sweet Sounds of Heaven \/ Satisfaction Daily songs (7 songs) ・ Tour debut: Let's Spend The Night Together \/ Like A Rolling Stone (★) \/ You Got Me Rocking (★) \/ You Got The Silver ・ Others: Get Off Of My Cloud \/ Mess It Up \/ Miss You *Note: The \"★\" mark indicates a song that cannot be seen in other multi-camera works \"HOUSTON 2024: MULTICAM\" and \"SEATTLE 2024: MULTICAM\". ... and so on. This day was also a hot topic for the heap of tour debut songs, and with \"You Got the Silver\" included in the set, Keith Corner increased the number of songs to two. As mentioned above, there are currently three multi-camera works, but \"Like A Rolling Stone\" and \"You Got Me Rocking\" are numbers that cannot be seen in the other two works. This is a multi-camera edited work that was made possible in this day and age when anyone can shoot. This is one of the most cutting-edge works. Many people aim to complete the footage of all the performances of the \"HACKNEY DIAMONDS Tour\", but this is a must-see and must-have multi-camera series for those who can't do that. Multi-camera edited footage of the \"HACKNEY DIAMONDS Tour\" has been released. The beauty of the footage, which makes extensive use of front-row shots, is like a professional shot. This is the highest peak updated version, with the stillness and sound cuts in the original master corrected. Allegiant Stadium, Las Vegas, NV, USA 11th May 2024 AMAZING SHOT!!!! 1. Intro 2. Start Me Up 3. Get Off Of My Cloud 4. Let's Spend The Night Together 5. Angry 6. Like A Rolling Stone 7. You Got Me Rocking 8. Mess It Up 9. Tumbling Dice 10. You Can't Always Get What You Want 11. Band Introductions 12. You Got The Silver 13. Little T\u0026amp;A 14. Sympathy For The Devil 15. Honky Tonk Women 16. Miss You 17. Gimme Shelter 18. Paint It Black 19. Jumping Jack Flash 20. Sweet Sounds Of Heaven 21. Satisfaction COLOUR NTSC Approx.110min.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":50010399473967,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/DVD-03987-1.jpg?v=1718085202"},{"product_id":"rolling-stones-wa-usa-2024-complete-multi-cam-edition-jewel-version","title":"Rolling Stones\/WA,USA 2024 Complete Multi-cam Edition Jewel Version","description":"\u003cp\u003eAmong the \"HACKNEY DIAMONDS Tour\" reports that are released every day, the multi-camera edited audience video work is especially popular. The latest two works will be released at the same time! This work contains the \"Seattle performance on May 15, 2024\". This is a multi-camera edited audience shot. Speaking of the Stones' latest tour, the video works are very popular, but the multi-camera ones are especially popular. Even if it is difficult to watch all the videos, some people will complete only the multi-camera edited works. For those people, let's narrow down to multi-camera works and organize our collection. *April 28th \"HOUSTON 2024: MULTICAM\" ・May 2nd: New Orleans performance ・May 7th: Glendale performance *May 11th \"LAS VEGAS 2024: MULTICAM\" *May 15th: Seattle performance ←★This work★ ・May 23rd: East Rutherford performance ・May 26th: East Rutherford performance \u0026gt;\u0026gt;Now here\u0026gt; ・May 30th-July 21st (13 performances) *Note: Only multi-camera edited video titles. Multi-camera editing requires effort and passion, but no matter how long you wait, it is possible that the footage needed for editing will not be available. There is a possibility that edits of the New Orleans and Glendale performances will appear in the future, but at this point, there are a total of three works listed above. Of these three works, the Seattle performance may be the show where a multi-camera work was most desired. After all, the quality of the full footage of this show was not so good. Of course, there were front row and screen shots that could be mistaken for professional shots on a song-by-song basis, but most of the full footage was from a medium to long distance. Even the video work \"SEATTLE 2024: THE VIDEO\" was a type that comprehensively enjoyed the show, and it was not a close-up that made you want to reach out and touch Mick. So, multi-camera. Even small pieces of song-by-song footage can be used, and the combination makes the diverse distant views shine even more. In fact, this work is full of such multi-camera charm. To be honest, there are not as many close-up shots as the other two works \"HOUSTON 2024: MULTICAM\" and \"LAS VEGAS 2024: MULTICAM\", but the various angles are still on a different level from a single medium-to-long distance shot. Perhaps because it uses a lot of song-by-song footage, the atmosphere changes rapidly with each song, making it very colorful. Also, it is the sound that runs through such a diverse video. Even if you say \"multi-camera video\" in a word, the editing quality varies, and some of them connect the video with the sound. If that happens, even within a single song, the sound image will change every time the viewpoint changes, making it very unsettling. However, this work is different. It is a method of patching video into a long, extremely high-end audience recording, so you can enjoy the music and performance carefully, while the various scenes spice it up and keep you from getting bored. Such a beautiful image depicts a full show, which can be said to be the basic form of the \"HACKNEY DIAMONDS Tour\". In order to explain its meaning, let's organize the set list here. Fixed songs (12 songs) ・ Beginning: Start Me Up \/ Angry ・ Middle and end: Tumbling Dice \/ You Can't Always Get What You Want \/ Little T\u0026amp;amp;A \/ Sympathy for the Devil \/ Honky Tonk Women \/ Gimme Shelter \/ Paint it Black \/ Jumpin' Jack Flash \/ Sweet Sounds of Heaven \/ Satisfaction Daily songs (7 songs \/ First appearance on tour: Wild Horses (★) ・ Others: Get Off Of My Cloud \/ Let's Spend The Night Together \/ It's Only Rock 'n' Roll (★) \/ Whole Wide World (★) \/ You Got The Silver \/ Miss You *Note: Songs marked with \"★\" cannot be seen in other multi-camera works, \"HOUSTON 2024: MULTICAM\" and \"LAS VEGAS 2024: MULTICAM\". ... and so on. There are 7 daily songs, and all of them are semi-regular selections. At the time, \"Wild The first appearance of \"Horses\" was also a hot topic, but both were played at the two East Rutherford shows afterwards, and as a result, there were no more \"rare songs for this day only\". On the other hand, it can be said to be the most standard set, and it is also a show that makes the color of the \"HACKNEY DIAMONDS Tour\" easy to understand. Even before the show started, there was also an image video that made you excited for the show (elaborate) and it was a full show without getting bored with various perspectives. Of course, the carefully selected video material is wonderful, but more than that, it is a piece that leaves other edited works behind with its editing sense and skill. A multi-camera series of the \"HACKNEY DIAMONDS Tour\" that has been enriched. A multi-camera edited video of the \"HACKNEY DIAMONDS Tour\" has been released. The editing sense and technology that freely put together various angles are excellent. You can enjoy the full show, which can be said to be the basic form of the HACKNEY DIAMONDS Tour. Lumen Field, Seattle, WA, USA 15th May 2024 AMAZING SHOT!!!! 1. Washington State: Seattle 2. Intro 3. Start Me Up 4. Get Off Of My Cloud 5. Let's Spend The Night Together 6. Angry 7. It's Only Rock 'n' Roll 8. Wild Horses 9. Whole Wide World 10. Tumbling Dice 11. You Can't Always Get What You Want 12. Band Introductions 13. You Got The Silver 14. Little T\u0026amp;amp;A 15. Sympathy For The Devil 16. Honky Tonk Women 17. Miss You 18. Gimme Shelter 19. Paint It Black 20. Jumping Jack Flash 21. Sweet Sounds Of Heaven 22. Satisfaction COLOUR NTSC Approx.120min\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":50010420707631,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/DVD-03986-1.jpg?v=1718085687"},{"product_id":"red-hot-chili-peppers-tokyo-japan-5-20-2024-complete","title":"Red Hot Chili Peppers \/Tokyo,Japan 5.20.2024 Complete","description":"\u003cp\u003eLast year, the Red Hot Chili Peppers came back to Japan with a schedule of one performance each in Tokyo and Osaka, but this time they performed twice at the Tokyo Dome. The super shot video \"TOKYO DOME 2024 1ST NIGHT: THE VIDEO\" was released on the first day, which was shot at an extreme angle, but the ultra-angle footage released by the same photographer this time is amazing! On the first day at the Tokyo Dome, the camera was captured from a super position of \"the very center of the front row,\" but this time, the front row was still alive and well, but the position was slightly to the right. As a result, while the first day was closer to Anthony, the angle is even closer to John. In addition, while the sound on the first day was \"soundboard-class, other-dimensional quality,\" this time, especially in the first half of the live performance, John's guitar sound was loud and powerful, and the balance was overwhelming. The overwhelming sound pressure was also \"soundboard-class\" without any exaggeration. You can hear the inflection of his guitar playing as if it were in your hands. It's been almost five years since John returned to the band, but his appearance captured in this amazing shot highlights his presence as the key to the sound the band produces. As you can see at a glance from this wonderful video, John and Flea always face each other and start playing, or encourage a jam. Furthermore, Anthony also joins in to discuss the progress, and then gives a wink to Chad, capturing the show in an intimate atmosphere between the members, which is hard to believe for a band that was formed 40 years ago, from the best angle. And when the lid was opened, the astonishing set list was changed by 10 songs from the first day. The most shocking thing was the opening. I thought it would start with \"Can't Stop\" as usual from the jam centered on John and Flea at the beginning, but it was surprising that it started with \"Around The World\" instead. In fact, fans were so surprised that \"Around The World\" became a trend on X (= Twitter), but from there, the changes continued. Because of that, there were a lot of comments like \"It's the first day,\" \"The second day was the best,\" and even \"Those who saw both win,\" but all of this was because of the huge changes in the setlist. The overwhelming beauty of this video is that it captures John's appearance of frequently changing guitars to respond to such a repertoire at the best angle. In this day and age, YouTube is full of various videos from the second day of the Red Hot Chili Peppers' Tokyo Dome concert, but the excellent angles and outstanding stability are unmatched. The best video, which never gets old, records in detail John's use of guitar, from Telecaster to Stratocaster, and even bringing out the White Falcon for \"Californication.\" The final touch is the classic \"Under the Bridge,\" the first encore song that was not played on the first day. The scene where John starts playing the Red Hot Chili Peppers' anthem is also captured at the best angle and sound quality. As a result, the position is shifted to the right compared to the first day, making it a spectacular video that captures the overwhelming presence of John Frusciante, one of the current guitar heroes. During the encore, the audience was projected onto the screen, and the excitement was perfectly recorded, recreating the excitement. This will be a great memory for those who attended the concert on the day, and an amazing documentary for those who were only able to attend the first day. Tokyo Dome, Tokyo, Japan 20th May 2024 AMAZING SHOT!!! 1. Introduction 2. Intro Jam 3. Around The World 4. Dani California 5. The Zephyr Song 6. Here Ever After 7. Snow ((Hey Oh)) 8. Eddie 9. Hard To Concentrate 10. I Like Dirt 11. Parallel Universe 12. O Tokyo Dome 13. Reach Out 14. Suck My Kiss 15. Flea \u0026amp; John Intro　 16. Californication 17. Black Summer 18. By The Way 19. Under The Bridge 20. Give It Away Anthony Kiedis - vocals Flea - bass Chad Smith - drums John Frusciante - guitar Chris Warren - keyboards, percussion COLOUR NTSC Approx.99min.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":50010821067055,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/DVD-03985-1.jpg?v=1718095821"},{"product_id":"red-hot-chili-peppers-tokyo-japan-5-20-2024-complete-another-angle-edition-jewel-version","title":"Red Hot Chili Peppers\/Tokyo,Japan 5.20.2024 Complete Another Angle Edition Jewel Version","description":"\u003cp\u003eRED HOT CHILI PEPPERS, who came back to Japan one year and three months after their last visit, once again heated up the dome. A powerful shot that allows you to experience the scene up close has been decided to be released. This work contains the \"May 20, 2024: Tokyo Dome\" performance. This visit to Japan was only for 2 days at Tokyo Dome, but it is a superb audience shot taken on the second day. The biggest point of this work is the fierce closeness that can be said to be \"directly under the stage\". It is a super close shot looking up from about the second row on the right side of the stage (closer to John Frusciante). The audience shot \"TOKYO DOME 2024 2ND NIGHT: THE VIDEO\" on John's side will also be released normally, but this work is a completely different video. In fact, the shooting position itself is very similar to the label version, but a slight difference in position makes a decisive difference in the impression. It was shot from the \"front row\", and other customers are not visible. Therefore, it looks like a rehearsal without an audience. On the other hand, even though this work is at the front, it is \"the second row (maybe the third row?)\". The sense of closeness to the members is the same as the Uxbridge version, but in this work, you can see the shadows of the customers in front and the arms of the customers next to you. Is it inferior? Not so. It is so close to the stage that you can't see the members in the shadows of the customers, while the groove of such an audience also enhances the live feeling. The arms raised on the beat move, and the cheers that sense the song and the shadows trembling with joy are synchronized. And the heat feeds back to the stage, raising the heat of the performance. You can even feel the temperature of the site with your skin. What you can experience from such a super close seat is the full show on the second day, which was a hot topic with a completely different set from the first day. Let's organize it by comparing it here. Songs played on the first day (6 songs): Dani California\/Eddie\/Californication\/Black Summer\/By the Way\/Give It AwaySongs played only on the second day (10 songs + α): Blood Sugar Sex Magic: Suck My Kiss\/Under The BridgeCalifornication: Around The World\/I Like Dirt (★)\/Parallel Universe (★)Stadiam Arcadium: Snow ((Hey Oh))\/Hard To Concentrate (★)Other: The Zephyr Song\/Here Ever After\/O Tokyo Dome (★)\/Reach OutNote: Songs marked with \"★\" were not played on the previous visit to Japan in 2023... and so on. As has been talked about in various places, this is a bold set that replaces 10 songs (plus α) from the first day. There is also an unfamiliar song title, \"O Tokyo Dome,\" which is a fun song sung by Free a cappella. This is a parody of the Christmas carol \"O Tannenbaum\" that includes the Tokyo Dome. The set is basically a shuffle of the two performances from the previous visit to Japan (February 2023) and rearranged into two days, but on this day they also performed three songs that they did not play on their previous visit to Japan. In particular, \"Hard To Concentrate\" is valuable, and many people may have experienced it live for the first time. The two-part series \"TOKYO DOME 2024 1ST NIGHT: THE VIDEO\" and \"2ND NIGHT: THE VIDEO\" are miraculous sister videos with \"the same cameraman \/ front row \/ no audience\". This work is a powerful video that is close to the two-part series, but also contains the live feeling and heat of the scene. This is a piece that allows you to experience the front of the dream, especially the super-special seat \"in front of John\". A powerful video release that allows you to fully experience the latest visit to Japan. I was in the second or third row on the John Frusciante side, right under the stage. Tokyo Dome, Tokyo, Japan 20th May 2024 AMAZING SHOT!!!! 1. Opening SE 2. Intro Jam 3. Around The World 4. Dani California 5. The Zephyr Song 6. Here Ever After 7. Snow ((Hey Oh)) 8. Eddie 9. Hard To Concentrate 10. I Like Dirt 11. Parallel Universe 12. O Tokyo Dome 13. Reach Out 14. Suck My Kiss 15. Flea \u0026amp; John Intro 16. Californication 17. Black Summer 18. By The Way 19. Under The Bridge 20. Give It Away Anthony Kiedis - vocals Flea - bass Chad Smith - drums John Frusciante - guitar Chris Warren - keyboards, percussion COLOUR NTSC Approx.100min.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":50010835190063,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/DVD-03984-1.jpg?v=1718096272"},{"product_id":"beatles-get-back-complete-album-collection-vol-2","title":"Beatles Get Back Complete Album Collection Vol.2","description":"\u003cp\u003eThe definitive complete collection of The Beatles' 1969 unreleased album \"Get Back\"! = Original edited special set that adds acetate sound source collection to the 1969 and 1970 compilations = The phantom album \"Get Back\" was produced as a new album by The Beatles in 1969, but was unreleased at the time. It is well known that the album was completed twice in May 1969 and January 1970 by engineer Glyn Johns, who was entrusted with the production of the album from the Get Back session in January 1969, including the legendary rooftop concert that was the last live performance, but both were rejected and it was finally released by Phil Spector as the album \"Let It Be\". After such twists and turns, \"Get Back\" became an unreleased album, and has produced many bootlegs since the 1970s, and was finally released officially in 2021, but it was a legendary album that attracted attention because it was not a faithful reproduction of the original master recording. This \"Complete Album Collection\" is a special set of the original 1969 compilation, the revised 1970 compilation, and the acetate recordings that were the source of those compilations, all of which are reproduced in their original edits. Each compilation is recorded exactly as it was on the original master recordings, and later edited related recordings are also included, making this the definitive latest collector's item that captures the entirety of the elusive album \"Get Back\". THE ORIGINAL ACETATES \/\/ \"KUM BACK\" THE FIRST GLYN JOHNS ACETATE + \"BEATLES SUNDAY\" THE OLDIES ACETATE + EXTRA TRACKS The \"Original Acetate\", which is separate from the main album \"Get Back\", literally contains all the recordings from the acetate discs that were released before the album was made. \"KUM BACK\", which was cut immediately after recording in January 1969, was released on radio broadcasts immediately afterwards, and became a familiar bootleg masterpiece from the analog era, and is the original recording that produced many collector's items. This is a prototype with different editing and takes from the one included in the album \"Get Back\". There have been many variations, such as recordings from discs and radio broadcasts, but this time, the original master recordings are recorded in the best quality, including the acetate \"BEATLES SUNDAY\" produced at the same time. \"BEATLES SUNDAY\", which was previously a mono recording, is now recorded in stereo, and acetate cuttings of \"Let It Be\" and \"The Long and Winding Road\" are also included as extra tracks. THE ORIGINAL ACETATES \"KUM BACK\" THE FIRST GLYN JOHNS ACETATE 1. GET BACK 2. TEDDY BOY 3. TWO OF US 4. DIG A PONY 5. I'VE GOT A FEELING 6. THE LONG AND WINDING ROAD 7. LET IT BE 8. DON'T LET ME DOWN 9. FOR YOU BLUE 10. GET BACK 11. THE WALK Glyn Johns mixed and compiled 24, 25, 27th January 1969 \/ acetates cut 30th January 1969 \"BEATLES SUNDAY\" THE OLDIES ACETATE 12. I'VE GOT A FEELING 13. DIG IT 14. RIP IT UP \/ SHAKE RATTLE AND ROLL 15. KANSAS CITY \/ MISS ANN \/ LAWDY MISS CLAWDY 16. BLUE SUEDE SHOES 17. YOU REALLY GOT A HOLD ON ME 18. MAGGIE MAE 19. DIG IT (Early Version) Glyn Johns mixed compiled and acetates cut 30th January 1969 EXTRA TRACKS 20. LET IT BE 21. THE LONG AND WINDING ROAD Olympic Studios - stereo mixing acetate 12th March 1969\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":50010877559087,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/CDN-12881-1.jpg?v=1718096874"},{"product_id":"beatles-get-back-complete-album-collection-vol-1","title":"Beatles Get Back Complete Album Collection Vol.1","description":"\u003cp\u003eThe definitive complete collection of The Beatles' 1969 unreleased album \"Get Back\"! = Original edited special set that adds acetate sound source collection to the 1969 and 1970 compilations = The phantom album \"Get Back\" was produced as a new album by The Beatles in 1969, but was unreleased at the time. It is well known that the album was completed twice in May 1969 and January 1970 by engineer Glyn Johns, who was entrusted with the production of the album from the Get Back session in January 1969, including the legendary rooftop concert that was the last live performance, but both were rejected and it was finally released by Phil Spector as the album \"Let It Be\". After such twists and turns, \"Get Back\" became an unreleased album, and has produced many bootlegs since the 1970s, and was finally released officially in 2021, but it was a legendary album that attracted attention because it was not a faithful reproduction of the original master recording. This \"Complete Album Collection\" is a special set that includes the original 1969 compilation, the revised 1970 compilation, and the acetate recordings that were the source of both, all in their original edits. Each album is recorded exactly as it was on the original recordings, and later edited related recordings are also included, making this the definitive collector's item that captures the entirety of the legendary album \"Get Back.\" DISC 1: \"GET BACK\" THE ORIGINAL 1969 COMPILATION + JOHN BARRETT TAPES The 1969 compilation, first compiled by Glyn Johns in May 1969, is included in its entirety as it was on the original recordings. Not only does it include the songs \"I'm Ready (Rocker) - Save the Last Dance for Me,\" \"Don't Let Me Down,\" and \"Teddy Boy,\" which were not included in the album \"Let It Be,\" but it is a \"prototype\" with different edits and mixes for all the songs. The official release in 2021 included a mixture of the 1969 and 1970 versions, and the 1969 version was used only in Japan, which attracted attention, but some edits were made and the sound quality was also a problem. This recording reproduces the original sound source as it is, and there is no howling edit of \"Teddy Boy,\" and the sound quality is clearer in the entire version. As an additional recording, related sound sources by John Barrett, who edited the master sound sources of the Beatles in the 1980s, are included. Songs not included in the album and remix sound sources are compiled. DISC2: \"GET BACK\" to \"LET IT BE\" THE ORIGINAL 1970 COMPILATION + \"LET IT BE\" SOUNDTRACK FROM THE MOVIE The 1970 compilation, which was changed by Glyn Johns in January 1970, is included in its entirety as it was in the original master recordings. In order to match the contents of the movie \"Let It Be\", \"Across the Universe\" and \"I Me Mine\" have been added and \"Teddy Boy\" has been removed. The sound source itself is different from the 1969 version, and the difference in sound quality can be heard by comparing the overlapping songs. As an additional recording, a stereo remix created for the movie \"Let It Be\" by Ron Furmanek, who worked on the restoration of the Beatles archives, which was scheduled for a video release in 1992 but was canceled, is included. It is a unique stereo remix sound source. DISC 1 \"GET BACK\" THE ORIGINAL 1969 COMPILATION 1. ONE AFTER 909 2. I'M READY (ROCKER) \/ SAVE THE LAST DANCE FOR ME \/ DON'T LET ME DOWN 3. DON'T LET ME DOWN 4. DIG A PONY 5. I'VE GOT A FEELING 6. GET BACK 7. FOR YOU BLUE 8. TEDDY BOY 9. TWO OF US 10. MAGGIE MAE 11. DIG IT 12. LET IT BE 13. THE LONG AND WINDING ROAD 14. GET BACK (REPRISE) Glyn Johns edited from mixed 3,4,7th April - 2nd May 1969 on 15th May 1969 \/ compiled and acetates cut 28th May 1969 15. GET BACK (Alternate) Glyn Johns mixed 3,4,7th April - 2nd May 1969 \/ compiled and acetates cut 7-9th May 1969 JOHN BARRETT TAPES 16. TEDDY BOY (Glyn Johns Version) 17. SHAKE, RATTLE AND ROLL 18. KANSAS CITY \/ MISS ANN \/ LAWDY MISS CLAWDY 19. BLUE SUEDE SHOES 20. CANNONBALL \/ NOT FADE AWAY \/ HEY LITTLE GIRL \/ BO DIDDLEY 21. MAILMAN, BRING ME NO MORE BLUES 22. TEDDY BOY (Phil Spector Version) 23. OLD BROWN SHOE 24. ALL THINGS MUST PASS John Barrett remixes DISC 2 \"GET BACK\" to \"LET IT BE\" THE ORIGINAL 1970 COMPILATION 1. ONE AFTER 909 2. I'M READY (ROCKER) \/ SAVE THE LAST DANCE FOR ME \/ DON'T LET ME DOWN 3. DON'T LET ME DOWN 4. DIG A PONY 5. I'VE GOT A FEELING 6. GET BACK 7. LET IT BE 8. FOR YOU BLUE 9. TWO OF US 10. MAGGIE MAE 11. DIG IT 12. THE LONG AND WINDING ROAD 13. I ME MINE 14. ACROSS THE UNIVERSE 15. GET BACK (REPRISE) Glyn Johns edited mixed and compiled 15,21st December 1969 and 5th January 1970 \"LET IT BE\" SOUNDTRACK FROM THE MOVIE 16. FOR YOU BLUE 17. YOU REALLY GOT A HOLD ON ME 18. RIP IT UP \/ SHAKE, RATTLE AND ROLL 19. KANSAS CITY \/ MISS ANN \/ LAWDY MISS CLAWDY 20. DIG IT 21. TWO OF US 22. LET IT BE 23. THE LONG AND WINDING ROAD\\ Ron Furmanek stereo remixes soundtrack from the Movie\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":50010937819439,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/CDN-12880-1.jpg?v=1718097608"},{"product_id":"beatles-let-it-be-alternate-album-collection-vol-2","title":"Beatles Let it Be Alternate Album Collection Vol.2","description":"\u003cp\u003eThe last original album released after the breakup of The Beatles in May 1970, and the soundtrack for the movie of the same name. It reached number one in the UK, the US, and other countries around the world. In addition to re-editing the album, we have carefully selected unreleased songs and rare sections from the Get Back sessions recorded in 1969! = The latest edited reference collection that carefully selects album-related sound sources from the latest multi-track remixes to unreleased studio sessions and various versions THE ALTERNATE ALBUM COLLECTION The \"Alternate Album Collection\" series is a new overseas original new edit that thoroughly pursues the original album-related sound sources of The Beatles based on the latest updates. A new reference collection that carefully selects a wide variety of interesting Beatles sound sources, from newly discovered first-time sound sources to unique sound sources. From the latest multi-track remixes to unreleased studio sessions and various versions, many unreleased and excavated sound sources that have been repeatedly updated so far have been reconstructed by carefully examining their sound quality and editing contents. This is a collector's edition series that thoroughly pursues \"other\" sound sources that cannot be heard only in the limited public sound sources. \"Let It Be\" was released as the last original album of The Beatles, who were practically disbanded in April 1970. It was released in the UK on May 8, 1970 and in the US on May 18, and won the first place in the UK album chart, the US Billboard, and many other album charts around the world. The previous album \"Abbey Road\" released in September 1969 was the actual last album, but the recording session began in January 1969 and was originally scheduled to be released as the album \"Get Back\" produced by Glyn Johns, who was entrusted with producing, but it was not released. Later, in time for the release of the movie, overdubs and an orchestra were added under the new production of Phil Spector, and the content was changed to \"Let It Be\", which ended up being the last album. Paul McCartney had long expressed dissatisfaction with Phil Spector's production, and in 2003, \"Let It Be... Naked\" was released, which was revised and re-edited to the original form, removing the editing and dubbing by Phil Spector. Also, the film \"Let It Be,\" which includes the Beatles' last live performance on the roof of the Apple Building, was originally planned as a concert and record, but due to differences of opinion and inability to adjust the schedule, the concert and TV show plan was scrapped and it eventually became a documentary film of the studio rehearsals and rooftop. Currently, the footage of the \"Get Back Sessions,\" a record of the extensive recording sessions, has also been officially released. DISC 1: THE TWICKENHAM STUDIO SESSIONS A selection of the sessions at Twickenham Studios, the first half of the Get Back sessions, from January 2 to 16, 1969, in roughly chronological order. From warm-up performances to fragmented oldies covers, to long rehearsals that repeated unfinished new songs, George left the Twickenham Studios session at the end, and the recording mainly includes unedited rare sections such as unreleased songs that have not been released in movies or officially released. Interesting sound sources are selected, including songs from the White Album, early versions of \"All Things Must Pass\" and \"Back Seat of My Car\" that were later released solo, unreleased songs \"Watching Rainbow\" and \"Mad Man\" that became famous on analog bootlegs, and unreleased songs such as \"You Wear Your Women Out\", \"My Imagination\", and \"Don't Start Running\" that were born from jam sessions. Recorded in stereo remix by AI restoration remastering from the mono sound source of the Nagra tape originally used for filming. The sound quality itself is also clearer than previous sound sources. Selected and recorded in almost chronological order from the sessions at Apple Studios, which were the second half of the Get Back sessions held from January 21st to 31st, 1969. The location was moved from the spacious Twickenham Studios used for filming to the basement studio in the Apple headquarters building, and George also invited Billy Preston to return, and tensions between the members eased and progressed smoothly at Apple Studios. This album mainly includes unedited rare sections from films and unreleased songs that have not been officially released. Early versions of \"Octopus' Garden,\" \"Something,\" and \"I Want You (She's So Heavy)\" from the album \"Abbey Road,\" \"Another Day\" and \"Child of Nature \u0026gt; Jealous Guy,\" which were later released solo, as well as Billy Preston's \"Without a Song,\" \"Sticks and Stones,\" and a bluesy version of \"Love Me Do,\" as well as studio versions of \"One After 909\" and \"I've Got a Feeling,\" which have a different heat and perfection from Rooftop. This is also a stereo remix from the mono sound source of the Nagra tape used for filming, remastered with AI restoration. The sound quality itself is also a clearer upgraded sound source compared to previous sound sources. All of these tracks have been uniquely edited as new session highlights that emphasize audio sources that cannot be heard on Rooftop or the finished album. THE TWICKENHAM STUDIO SESSIONS 1. EVERYBODY'S GOT SOUL 2. TAKING A TRIP TO CAROLINA 3. NEGRO IN RESERVE 4. YOUR NAME IS TED 5. I'M SO TIRED 6. OB-LA-DI, OB-LA-DA 7. THE CASTLE OF THE KING OF THE BIRDS 8. YOU WEAR YOUR WOMEN OUT 9. MY IMAGINATION 10. I'M GONNA PAY FOR HIS RIDE 11. BECAUSE I KNOW YOU LOVE ME SO 12. LET'S DANCE 13. ACROSS THE UNIVERSE 14. STAND BY ME 15. JUST FUN \/ SHE SAID, SHE SAID 16. ALL THINGS MUST PASS 17. MAXWELL'S SILVER HAMMER 18. GET BACK (NO PAKISTANIS) 19. MOVE IT \/ GOOD ROCKIN' TONIGHT 20. COMMONWEALTH \/ ENOCH POWELL 21. RAMBLING WOMAN 22. IT'S ONLY MAKE BELIEVE 23. THROUGH A LONDON WINDOW 24. MARTHA MY DEAR 25. LADY JANE 26. I BOUGHT A PIANO THE OTHER DAY 27. THE BACK SEAT OF MY CAR 28. MADMAN 29. WATCHING RAINBOWS 30. TAKE THIS HAMMER 31. DON'T START RUNNING 32. GET BACK (JOHN)THE APPLE STUDIO SESSIONS 1. ALL I WANT IS YOU 2. FORTY DAYS 3. TOO BAD ABOUT SORROWS 4. ANOTHER DAY 5. WILLIAM SMITH BOOGIE 6. I LOST MY LITTLE GIRL 7. BYE BYE LOVE 8. WINDOW WINDOW 9. OCTPUS'S GARDEN 10. JAMMING WITH YOKO 11. I TOLD YOU BEFORE 12. STRAWBERRY FIELDS FOREVER 13. THE RIVER RHINE 14. ON THE ROAD TO MARRAKESH (CHILD OF NATURE) 15. LOVE ME DO 16. I WANT YOU (SHE'S SO HEAVY) 17. WITHOUT A SONG 18. STICKS AND STONES 19. HOW DO YOU TELL SOMEONE 20. HALF A POUND OF GREASEPAINT 21. POSITIVELY 4TH STREET 22. SOMETHING 23. SEXY SADIE 24. BESAME MUCHO 25. ONE AFTER 909 26. I'VE GOT A FEELING 27. WILD AND PRETTY MAID \/ HEY GOOD LOOKING 28. FRIENDSHIP \/ TALES OF FRANKIE RABBIT 29. LET'S HAVE A PARTY 30. GET BACK (WATER WATER)\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":50010976354607,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/CDN-12879-1.jpg?v=1718098043"},{"product_id":"beatles-let-it-be-alternate-album-collection-vol-1","title":"Beatles Let it Be Alternate Album Collection Vol.1","description":"\u003cp\u003eThe last original album released after the breakup of The Beatles in May 1970, and the soundtrack for the movie of the same name. It reached number one in the UK, the US, and other countries around the world. In addition to re-editing the album, we have carefully selected unreleased songs and rare sections from the Get Back sessions recorded in 1969! = The latest edited reference collection that carefully selects album-related sound sources from the latest multi-track remixes to unreleased studio sessions and various versions THE ALTERNATE ALBUM COLLECTION The \"Alternate Album Collection\" series is a new overseas original new edit that thoroughly pursues the original album-related sound sources of The Beatles based on the latest updates. A new reference collection that carefully selects a wide variety of interesting Beatles sound sources, from newly discovered first-time sound sources to unique sound sources. From the latest multi-track remixes to unreleased studio sessions and various versions, many unreleased and excavated sound sources that have been repeatedly updated so far have been reconstructed by carefully examining their sound quality and editing contents. This is a collector's edition series that thoroughly pursues \"other\" sound sources that cannot be heard only in the limited public sound sources. \"Let It Be\" was released as the last original album of The Beatles, who were practically disbanded in April 1970. It was released in the UK on May 8, 1970 and in the US on May 18, and won the first place in the UK album chart, the US Billboard, and many other album charts around the world. The previous album \"Abbey Road\" released in September 1969 was the actual last album, but the recording session began in January 1969 and was originally scheduled to be released as the album \"Get Back\" produced by Glyn Johns, who was entrusted with producing, but it was not released. Later, in time for the release of the movie, overdubs and an orchestra were added under the new production of Phil Spector, and the content was changed to \"Let It Be\", which ended up being the last album. Paul McCartney had long expressed dissatisfaction with Phil Spector's production, and in 2003, \"Let It Be... Naked\" was released, which was revised and re-edited to the original form, removing the editing and dubbing by Phil Spector. The film \"Let It Be,\" which includes the Beatles' last live performance on the roof of the Apple Building, was also initially planned as a concert and record, but due to differences of opinion and inability to adjust the schedule, the concert and TV show plan was scrapped, and it eventually became a documentary film of the studio rehearsals and the rooftop. Currently, the footage of the \"Get Back Sessions,\" a record of the extensive recording sessions, has also been officially released. This \"Let It Be\/Alternate Album Collection\" includes the \"Complete Reproduction\" with the latest remixes that newly reconstruct all the songs on the album, and the \"Original Naked Mix\" which sticks to the mix of the original sound source as it is. CD2 contains the first half of the Get Back Sessions, \"Twickenham Studio Sessions,\" and CD3 contains the second half of the sessions, \"Apple Studio Sessions.\" The Get Back Sessions have been released in various forms in the past, but this time it is a newly edited and unique compilation that mainly includes unreleased songs and unedited rare sections that have not been officially released in movies or released officially. \"LET IT BE\" THE COMPLETE REPRODUCTION \/ \"LET IT BE\" THE ORIGINAL NAKED MIX Includes the \"Complete Reproduction\" with the latest remix of the entire album, which has been newly reconstructed, and the \"Original Naked Mix\" which is a mix of the original sound source as it is. The first half, \"Complete Reproduction,\" is a new stereo remix that reconstructs the vocals and chorus separated by the popular AI technology, as well as the multi-tracks of each instrument, of the entire original album, and is a multi-channel remix that is different from the special edition released in 2021. The vocals, instruments and orchestration are all more clearly separated. The second half, the \"Original Naked Mix,\" is the polar opposite of the first half, sticking to the original sound source. The 2003 \"Let It Be... Naked\" was a remix album that removed the editing and dubbing by Phil Spector, but was revised and re-edited in many ways to recreate the original sound. Here, the album is reproduced with the real naked sound source, exactly as it was in the session. \"LET IT BE\" THE COMPLETE REPRODUCTION 1. TWO OF US 2. DIG A PONY 3. ACROSS THE UNIVERSE 4. I ME MINE 5. DIG IT 6. LET IT BE 7. MAGGIE MAE 8. I'VE GOT A FEELING 9. ONE AFTER 909 10. THE LONG AND WINDING ROAD 11. FOR YOU BLUE 12. GET BACK \"LET IT BE\" THE ORIGINAL NAKED MIX13. TWO OF US 14. DIG A PONY 15. ACROSS THE UNIVERSE 16. I ME MINE 17. DIG IT 18. LET IT BE 19. MAGGIE MAE 20. I'VE GOT A FEELING 21. ONE AFTER 909 22. THE LONG AND WINDING ROAD 23. FOR YOU BLUE 24. GET BACK 25. DON'T LET ME DOWN\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":50011009515823,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/CDN-12878-1.jpg?v=1718098370"},{"product_id":"iron-maiden-france-1990-2days-complete","title":"Iron Maiden \/France 1990 2Days Complete","description":"\u003cp\u003e\"NO PRAYER ON THE ROAD\" is a new excavation master set that will make you groan with its mountain of rare songs and aggressive performances. Introducing a new excavation master set that will allow you to experience the scene at its finest. This work contains two shows at one venue. It is a four-disc set that couples the best audience recording of the \"October 29 + 30, 1990 Paris performance\". Speaking of \"NO PRAYER ON THE ROAD\", it is a hidden spot in the record even in Maiden, where the official archive has progressed. Along with \"WORLD PIECE TOUR\", it is also a tour that does not have a full sound board (\"Somewhere On Tour\" has a Paris performance pro shot, so there is a sound board). For that reason, the full experience has to rely on the audience recording, and many superb live albums have been excavated. This work is a new masterpiece that has entered such a \"champion race\". First of all, let's explore the position of this work while mixing the masterpieces that have been candidates for the king so far. 1990 (Europe, September 19th - October 27th (26 shows) *October 29th: Paris performance ←★DIUSC 1-2 *October 30th: Paris performance ←★DIUSC 3-4 *November 1st + 2nd (2 shows) *November 3rd \"LEIDEN 1990 2ND NIGHT\" November 5th - December 15th (21 shows) *December 17th\/18th \"NO PRAYER OVER WEMBLEY (SBD)\" December 20th: Genk performance *December 21st \"DORTMUND 1990\" December 22nd: Frankfurt performance 1991 January 13th - March 19th: North America (43 shows) March 26th - April 5th: Japan (6 shows) June 29th: ROSKILDE FESTIVAL appearances: September 5-21: Europe (3 performances) This is the overall picture of \"NO PRAYER ON THE ROAD\". Only the 1990 European tour, which is full of representative press masterpieces, is written in detail. Some of you may already know the answer, but the Paris performance has been reported on the masterpieces \"DEFINITIVE PARIS 1990 2ND NIGHT\" and \"PARIS 1990 1ST NIGHT\". In fact, what was unearthed this time was the original! It is an upgrade master of the masterpiece that was once called \"NO PRAYER ON THE ROAD's masterpiece\". Although the order is different, let's start from the original \"Day 2 (October 30th)\". DISC 3-4 (Day 2) The newly excavated legendary recording original master The second half of this work \"October 30th (DISC 3-4)\" is the original master of that masterpiece. \"DEFINITIVE PARIS 1990 2ND It is clear that it is the original because it starts with a pre-show SE that was not included in \"1993 NIGHT\", but what's more, it is a sound that has been upgraded to a different class! The previous release had a direct feeling like a sound board enhanced by mastering, but this work is super natural. The slightly harsh hiss is quickly wiped away, the air is refreshing and clear, and the performance sound is fresh. Above all, the details that were lost in dubbing and equalization are beautifully revived, and even the subtleties of the subtleties are clear. This legendary recording was also the work of a famous master. As revealed by this new excavation, the person who recorded it is \"Stephane\", who is shaking HR \/ HM collectors around the world. He has released a large number of masterpieces by various bands, but IRON MAIDEN in particular has a masterpiece collection, including the masterpiece \"DEFINITIVE PARIS 1993\", \"SAARBRUCKEN 1993\" and \"PARIS 1988 1ST NIGHT\". This work is also the \"NO PRAYER ON THE ROAD\" edition of such a master collection. Another highlight of the day was the rare trouble. Apparently, some of the audience members were drunk and making noise during \"Die With Your Boots On,\" and Bruce found out and stopped singing and called security. Bruce was still yelling after the guitar solo. There was an air of \"Are we going to stop now!?\", but after the song ended, he called attention in French. I'm sorry I don't understand French, but the content seemed extremely professional, and the whole venue gave a huge round of applause. DISC 1-2 (first day) Overwhelming original sound More shocking than the \"October 30th (DISC 3-4)\" recording is \"October 29th (DISC 1-2)\". This is also from Mr. Stephane's collection, and is a complete sister work by the same recorder, the same equipment, and the same venue. And the sound quality is also very similar. This is the already released \"PARIS 1990 1ST NIGHT\", but it's hard to believe it's the same recording. Unlike the distant cloudy sky, the air is full of transparency, and (naturally) there are no dubbing marks. The contours of each sound are crisp and vivid, and the long notes stretch straight. Since it is at the same level as the \"2nd Day (DISC 3-4)\" which exceeded the masterpiece, the dimensions are two or three different. Moreover, this work further brushes up such a master master. I did not add anything to the super natural sound (it would be ruined if I added it), but in fact, in the original sound released online, there was about a minute of sound drop in one channel in the middle of \"Tailgunner\". In this work, the imbalance of the balance is corrected. It is a complete album that can be enjoyed seamlessly and beautifully. The highest peak sound is drawn in the complete form of \"NO PRAYER ON THE ROAD\" which could not be expected even in the apex sound board album \"NO PRAYER OVER WEMBLEY\". A lot of masterpieces that were not on the sound board are recorded, and \"22 Acacia Avenue\" by Yannick \/ Murray is especially valuable. And what's even more important is the experience of the full show. After all, this tour is a rush of rare songs, and the highlights of the first half (DISC 1 and 3), where the limited songs \"Public Enema Number One\", \"Holy Smoke\", \"The Assassin\", \"No Prayer For The Dying\" and \"Hooks In You\" are played in rapid succession, are something you can't experience on any other tour. The famous recording that was once praised as the \"best masterpiece of the tour\" was actually the work of the much talked about master \"Stephane\". The original DISC 3-4 and the sister recording DISC 1-2 of the same quality. Not only has the legendary recording achieved the ultimate evolution, but it is a 4-disc set that has been greatly expanded to two performances, the \"October 29 + 30, 1990 Paris performance\". A newly discovered master by the much-talked-about master \"Stephane\", this is the original of \"DEFINITIVE PARIS 1990 2ND NIGHT\" and \"PARIS 1990 1ST NIGHT\". \"Day 2 (DISC 3-4)\" boasts overwhelming beauty as it is the original sound of the masterpiece, and \"Day 1 (DISC 1-2)\" is also at the same level as the same venue \/ recorder \/ equipment. Not only has the legendary recording been upgraded to the original, but it is a miraculous 4-disc set that has been greatly increased by two performances. Le Zenith, Paris, France 29th \u0026amp; 30th October 1990 TRULY PERFECT SOUND UPGRADE Le Zenith, Paris, France 29th October 1990 Disc 1 (50:54) 1. Theme From “633 Squadron” 2. Tailgunner 3. Public Enema Number One 4. Wrathchild 5. Die With Your Boots On 6. Hallowed Be Thy Name 7. 22 Acacia Avenue 8. Holy Smoke 9. The Assassin 10. No Prayer For The Dying 11. Hooks In You　Disc 2 (55:16) 1. The Clairvoyant　 2. 2 Minutes To Midnight 3. The Trooper 4. Heaven Can Wait 5. Iron Maiden 6. The Number Of The Beast 7. Bring Your Daughter... To The Slaughter 8. Band Introductions 9. Run To The Hills 10. Sanctuary Le Zenith, Paris, France 30th October 1990 Disc 3 (51:40) 1. Theme From “633 Squadron” 2. Tailgunner 3. Public Enema Number One 4. Wrathchild 5. Die With Your Boots On 6. Hallowed Be Thy Name 7. 22 Acacia Avenue 8. Holy Smoke 9. The Assassin 10. No Prayer For The Dying 11. Hooks In You Disc 4 (53:20) 1. The Clairvoyant　 2. 2 Minutes To Midnight 3. The Trooper 4. Heaven Can Wait 5. Iron Maiden 6. The Number Of The Beast 7. Bring Your Daughter... To The Slaughter 8. Band Introductions 9. Run To The Hills 10. Sanctuary Bruce Dickinson - Vocals Steve Harris - Bass Dave Murray - Guitarist Janick Gers - Guitarist Nicko McBrain - Drums\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":50011032420655,"sku":"","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/CDN-12877-1.jpg?v=1718098699"},{"product_id":"black-sabbath-paranoid-master-of-reality-studio-outtakes-1970-1971","title":"Black Sabbath Paranoid Master of Reality Studio Outtakes 1970-1971","description":"\u003cp\u003eA new super important studio recording of the heavyweight BLACK SABBATH has been unearthed! The shock has been released in two titles at the same time! This is the second of a series of shocking works. It is a collection of studio outtakes from \"PARANOID\" and \"MASTER OF REALITY\". Like the sister work \"STUDIO OUTTAKES 1969\" released at the same time, it is a two-disc expanded version filled with a huge amount of outtakes that are incomparable to the official version, and is a sound source unearthed for the official deluxe edition. This work contains a total of 37 takes, about 1 hour and 51 minutes of studio takes. The contents are divided into three parts according to the recording date, so let's first review the activity history at that time and check the position of each one. 1970 (January 9th, single \"Evil Woman\" released) January 13th - June 15th: Europe #1 (75 shows *June 16th - 19th: 2nd album production ←★DISC 1★ June 21st - December 19th (Europe #2 \/ North America #1 1971 *January 1st: 3rd album production ←★DISC 1★ January 7th - 31st (Europe #3 \/ Australia) February 7th - 15th: 3rd album production February 17th - April 26th (North America #2 \/ Europe #4) *May: 3rd album production ←★DISC 2★ July 1st - 31st (North America #3) September 4th - October 28th (Europe #5 \/ North America #4) First half of DISC 1: PARANOID sessions (7 takes + 1) As mentioned above, \"PARANOID\" and \"MASTER OF REALITY was produced in between intense touring activities. The opening of this work is the \"PARANOID\" session that took place at \"Island Studios\" on June 19, 1970. This two-part series was leaked from the eight master CDs for the official Dela Eddie, and this session is the fifth volume (the first, second and third volumes are the sister work \"STUDIO OUTTAKES 1969\", and the fourth volume is the bonus disc of \"PARANOID\" Dela Eddie itself. This work is the next one). Some sources say that the \"PARANOID\" session was \"June 16-18\", but the master for this work seems to say \"June 19\". The contents are three takes of \"Paranoid\" and four takes of \"Rat Salad\". All of them are different from the \"PARANOID\" Dela Eddie, especially \"Paranoid\" is a different version with vocals. In addition, this work includes \"Paranoid (Clean Also included is \"Master of Reality Sessions (January: 7 takes + 2)\". This is a different mix with the same performance as the official final take, but with a more raw vocal sound. Second half of DISC 1: MASTER OF REALITY Sessions (January: 7 takes + 2) The only outtakes from \"PARANOID\" are the above 8 takes, and the rest of this work is the outtakes from \"MASTER OF REALITY\". Of the 8 master CDs excavated for Dela Eddy, these are the 7th and 8th volumes. *Side note: Volume 6 was not released in this excavation. However, according to Martin Popoff's famous book \"BLACK SABBATH FAQ\", only Volume 6 is a live recording, and it is said that the track list and recording time may refer to \"MONTREUX 1970\". The \"MASTER OF REALITY\" sessions for this work are \"January 1, 1971 \/ May 25, 1971 \/ May 26, 1971\", and the second half of DISC 1 is the recording from \"January 1\". It is generally believed that \"MASTER OF REALITY\" was produced from February to May 1971, but that was the actual recording for the album. It seems that the songwriting session that took place in January was before the actual recording. Here, \"Into The Void\" and its original song \"Spanish Sid\", as well as \"Weevil Woman\" and \"After Forever\" were produced. \"Weevil Woman\" is an unalbum song that saw the light of day in \"MASTER OF REALITY\" Dela Eddie. The two tracks \"Into The Void (Unprocessed Vocals)\" and \"After Forever (Alt. Mix)\" are different from the leaked master. It is a different mix that utilizes the official final version. DISC 2: MASTER OF REALITY session (May: 20 takes) DISC 2 is also an outtake from \"MASTER OF REALITY\". The first 15 takes are from the \"May 25\" session, and include plenty of different versions of the five songs \"Sweet Leaf\", \"Orchid\", \"Lord Of This World\", \"Embryo\", and \"Children Of The Grave\". The last 5 takes are from the \"May 26\" session the following day, \"Live In The Graveyard\" and \"Solitude\". \"Live In The Graveyard\" is an unfamiliar song title, but it is the SE at the end of \"Children Of The Grave\". It is a long version of the part credited as \"The Haunting\" on the North American version of \"MASTER OF REALITY\". Incidentally, the leaked masters (volumes 7 and 8) of the \"MASTER OF REALITY\" sessions released online also included a sound effect track titled \"The Sea That Never Came\". However, it turned out that this was a performance by another band that was left on tape. It was determined that it was not BLACK SABBATH, so it is not included in this work (by the way, its true identity is a variable-speed playback of TRAPEZE's \"Medusa\". It remains a mystery why \"Medusa\", which has a different studio and producer, was recorded on the session tape of \"MASTER OF REALITY\"...). This is a studio treasure collection of 37 takes and about 1 hour and 51 minutes. Not only can you enjoy a mountain of different versions of the masterpieces with completely official quality, but you can also clearly see how they grow as they are accumulated one take at a time. This is a super-excellent shock studio album in terms of both materials and entertainment. This is a super cultural heritage album that you should definitely experience at all costs. A collection of studio outtakes of \"PARANOID\" and \"MASTER OF REALITY\". The original master of the leaked official deluxe edition, completely official quality. This is a super cultural heritage studio album of 37 takes and about 1 hour and 51 minutes that far surpasses the official version. Island Studios 19th June 1970 STEREO SBD Island Studios 1st January \u0026amp; 25th\/26th May 1971 STEREO SBD (59:28) 'PARANOID' Sessions Island Studios 19th June 1970 01. Paranoid (Take 1) 02. Paranoid (Take 2) 03. Paranoid (Take 3) 04. Paranoid (Clean Vocals) 05. Rat Salad (Take 1) 06. Rat Salad (Take 2) 07. Rat Salad (Take 3) 08. Rat Salad (Take 4) 'MASTER OF REALITY' Sessions Island Studios 1st January 1971 09. Spanish Sid (Take 1) 10. Spanish Sid (Take 2) 11. Spanish Sid (Take 3) 12. Into The Void (Take 1) 13. Into The Void (Unprocessed Vocals) 14. Weevil Woman '71 15. After Forever (Effects\/Loops) 16. After Forever (Take 1) 17. After Forever (Alt. Mix) Disc:2 (51:33) Island Studios 25th May 1971 01. Sweet Leaf (Take 1) 02. Sweet Leaf (Take 2) 03. Sweet Leaf (Take 3) 04. Sweet Leaf (Take 4) 05. Sweet Leaf (Take 5) 06. Tony Coughing 07. Orchid 08. Lord Of This World (Take 1) 09. Embryo (Take 1) 10. Embryo (Take 2) 11. Embryo (Take 3) 12. Embryo (Take 4) 13. Children Of The Grave (Take 1) 14. Children Of The Grave (Take 2) 15. Children Of The Grave (Take 3) Island Studios 26th May 1971 16. Live In The Graveyard (Take 1) 17. Live In The Graveyard (Take 2) 18. Live In The Graveyard (Take 3) 19. Solitude (Take 1) 20. Solitude (Take 2) STEREO SOUNDBOARD RECORDING\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":50011053556015,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/CDN-12876-1.jpg?v=1718099142"},{"product_id":"asia-germany-1982-complete","title":"Asia\/Germany 1982 Complete","description":"\u003cp\u003eThis is amazing! It's rare to have a new sound source from the European tour in the second half of 1982, but this is the first must-have album for fans, recorded completely with an ultra-high quality audience recording comparable to a soundboard recording, for about 1 hour and 30 minutes! The 1982 world tour accompanying the commercially successful first album was first held in North America from April to July, followed by two performances in Europe and London in October, which was the final performance of the tour. This album is a complete recording of the performance in Würzburg, Germany on October 23, which was the live performance just before the London performance, with unprecedented superb sound. If \"DRAGON MASTER\", which recorded the Boston performance on April 29, 1982, is a representative album of the North American tour, this album will be a representative album of the European tour in the fall of 1982. The speedy and rock performance is developed throughout the album, and the band performance full of drive is exquisite. The sticky and meaty keyboard sounds and choruses are perfectly captured, and not only is the performance amazing, but the sound quality is sure to make fans swoon. Where has such a great master been until now? After a long tour, he has achieved the ultimate sound aesthetic! The charm and perfection of the intense band ensemble, full of consistency, exceeds that of Yes. The high-quality performance of each song is excellent, and there is no unnecessary sound, making this the best sample of Asia's European tour, which has reached an artistic level. This is probably the first time that the new song Midnight Sun, which experimentally introduced a rhythm machine to the stage, can be heard with such excellent sound. Only Time Will Tell, which has an emotional climax, One Step Closer, which has the best groovy performance, The Smile Has Left Your Eyes, which is played with Howe's introduction (Wetton's vocals and the band performance in the second half are amazing), Cutting It Fine, which has Jeff's long solo part in the second half, Here Comes The Feeling with a drum solo, Sole Survivor, which has a huge chorus in the venue, and Heat Of The Moment, which are solid and dynamic performances can be enjoyed with the best sound quality. Asia's popularity in Germany is tremendous, and you can see that the band, inspired by the enthusiastic mood of the venue, is playing a hotter performance than usual. In particular, the concert in the second half of the show, which was integrated with the audience, was moving, and especially in the 1982 first album tour, this is probably the first time that a take was recorded with such a wonderful balance. After all, Asia's music suits European audiences. Anyway, this sound, this performance! A must-have for Asia \u0026amp; John Wetton fans: the long-awaited \"Perfect Title\" Live at Carl-Diem-Halle, Wurzburg, Germany 23rd October 1982 TRULY PERFECT SOUND Disc 1 (39:04) 1. Fanfare Intro. 2. Time Again 3. Wildest Dreams 4. Without You 5. The Valley Of Rocks 6. Clap 7. Midnight Sun 8. Only Time Will Tell Disc 2 (49:48) 1. One Step Closer 2. The Smile Has Left Your Eyes 3. Cutting It Fine 4. Keyboard Solo 5. Here Comes The Feeling 6. Drum Solo\/Here Comes The Feeling(reprise) 7. Sole Survivor 8. Heat Of The Moment John Wetton - Bass, Lead Vocal Steve Howe - Guitar, Vocal Carl Palmer - Drums, Percussion Geoffrey Downes - Keyboards, Vocal\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":50014007263535,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/CDN-12875-1.jpg?v=1718155908"},{"product_id":"yes-ct-usa-2015-complete","title":"Yes\/CT,USA 2015 Complete","description":"\u003cp\u003eChris Squire passed away on June 27, 2015. His last stage was at the NHK Hall in November last year. About eight months after that, \"YES without Chris\" started the tour. This work is a real live album that contains the first day, \"August 7, 2015 Mashantucket performance\" with amazing quality. There are various sound sources of this memorable YES show on the Internet, but this work combines two top sound source masters to realize the \"best sound \u0026amp; complete version\". Among many rock bands, YES has had a particularly intense member change, and Chris was the only original member, and since the formation of the band in 1968, there has never been a concert without him. That has finally become a reality. Originally, this day was scheduled to be \"YES without Chris\". In May of this year, when the summer 2015 dates had already been announced, Chris was diagnosed with acute lymphoblastic leukemia. It was announced that Chris would leave the band for treatment and that former YES man Billy Sherwood would take his place. But who would have thought that Chris would suddenly pass away? This work, which contains the first concert in the 47-year history of YES, starts with the biggest highlight. It is \"Onward,\" a tribute to Chris. This song was written by Chris alone, and was a ballad that expressed his love for his wife at the time, Nicky Squire. It was not a live performance, but a studio version of \"TORMATO,\" but at the venue, a Rickenbacker was placed in the position where Chris would normally stand, and a spotlight was shone on it. The image of Chris in his old days was projected on the screen, and words of love written in the voice of John Anderson, as if falling from the heavens, were given to Chris himself, speaking for the feelings of everyone in the venue. It was a moment when a prayer-like feeling that went beyond even emotion welled up. Although we live in the Internet age, where information is transmitted quickly, the audience at the venue had no idea about this production because it was a premiere, and the atmosphere of the venue, which was facing a completely new experience, leaked out from the speakers. Celebrating Chris' life, \"Firebird Suite\" rang out, and the new YES show finally began solemnly. The first song, which became the biggest turning point in YES history, was \"Don't Kill The Whale\". Chris' last stage in Japan was a perfect reproduction of \"Fragile\" and \"Crisis\" with new songs and encores, but this tour was a greatest hits show with songs selected evenly from his representative works. It was as if the whole show was celebrating Chris' life itself. The notable substitute Billy Sherwood also gave a solid performance, as expected of a former YES man who supported YES in the 90s. Although I thought that \"something was a little different,\" he did a wonderful job without giving any sense of the true identity of that \"something.\" Rather, Geoff Downes and John Davison are clearly different from the golden age, but they are also the current YES. Davison's vocals in particular are superb. His vocalization is different from Anderson's, with a solid core, but it is still the YES world that falls from the heavens. It is his singing voice that minimizes the absence of Chris' chorus, which should be a big blow. The sound of this work is also what allows you to understand the subtleties of such performances in detail. At the beginning, I wrote \"combining two masters,\" but both are recordings of a tremendous level of each seat, and boast a wonderful sound and balance that makes you think \"is it an official board?\" rather than a sound board. In fact, it was only combined to complement the incomplete recording master, and the original sound is frighteningly similar. The two masters are switched in the middle of \"Don't Kill The Whale,\" but probably no one knows the switching point. To be honest, I'm not sure whether I should recommend this work. \"YES without Chris,\" which I didn't really want to realize. It jumps in with an extremely, extremely wonderful sound. I have witnessed many \"YES new chapters\" before, but I have never faced them with such complicated feelings. Even though in my heart I think \"YES without Chris is not YES\", and I feel this more than anything, what I hear from this album is definitely \"YES music\". \"Time and a Word\" has been revived after more than 10 years. Even though Chris is not there and none of the recording members remain, it stirs my heart in a hopeless way. What will happen to YES from now on? At least, there are dates until June next year, which were announced while Chris was alive, but what happens after that? How should we face \"YES without Chris\"? Not only us, but the members themselves may not know. However, if Chris himself wanted YES to continue, we have no choice but to find out. I can't help but think that \"blocking my ears\" is the only right answer, even though I have loved it for my whole life. YES has reached the biggest turning point in history. We are living witnesses to this. This is the best album to take the \"first step that no one wanted\" with them. Live at Grand Theater At Foxwoods, Mashantucket, CT. USA 7th August 2015 TRULY PERFECT SOUND Disc 1(53:49) 1. Onward (video tribute to Chris Squire) 2. Firebird Suite 3. Don't Kill The Whale 4. Tempus Fugit 5. America 6. Going For The One 7. Time And A Word 8. Clap 9. I've Seen All Good People Disc 2(39:53) 1. Siberian Khatru 2. Owner of a Lonely Heart 3. Roundabout 4. Starship Trooper Steve Howe - Guitars, Vocal Alan White - Drums Geoffrey Downes - Keyboards, Vocal Jon Davison - Lead Vocal, Acoustic Guitar, Percussion Billy Sherwood - Bass, Vocal\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":50014036459823,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/CDN-12874-1.jpg?v=1718156496"},{"product_id":"yes-ca-usa-1991-mike-millard-master-tapes","title":"Yes\/CA,USA 1991 Mike Millard Master Tapes","description":"\u003cp\u003eYES, the symphonic rock band that Mike Millard loved dearly. The last one in the recording collection is now available as a master recording. The recording in this work is from the \"Costa Mesa performance on August 6, 1991\". It is a superb audience recording. Millard is said to never record the same band twice, while some bands, such as the Stones, ZEP, and GENESIS, continue to record as their life work. He was also a very extreme person. And one of his life works is YES. Starting in 1974, he continued to record every tour, and our shop has counted 10 works. This is the last one in Millard's YES collection. At that time, YES was the eight-person \"UNION Tour\" of the century, and its symbol is the official work \"UNION LIVE\", and Millard's masterpiece \"L.A. FORUM 1991\" is also a classic. First of all, let's look back on the schedule at that time and check the positional relationship of each. 1991, April 9-29: North America #1a (16 performances) {\"Crystal\" released on April 30} May 3-21: North America #1b (15 performances) ←※ L.A. FORUM 1991, May 29-June 30: Europe (20 performances) July 5-August 8: North America #2 (28 performances) ←★Here★ 1992, February 29-March 5: Japan (5 performances) {8-person YES dismantled} This is the journey of 8-person YES. Millard's previous work \"L.A. FORUM 1991\" was released just after \"Crystal\" was released, but this work's Costa Mesa performance was the 26th performance of \"North America #2\", about three months later. In fact, the official work \"UNION LIVE\" was the last day of \"North America #2\", so this work was two days before that (two performances before). Mirrored Master Overwhelms the Table-Connected Soundboard Some of you may already know this, but the soundboard was left behind in 1991 at Costa Mesa, and our complete version \"COSTA MESA 1991 SOUNDBOARD (Amity 682)\" is still fresh in my memory. This work is also a real album vacuum-packed by Miller at the same site as that soundboard album. The sound is the splendor of a barefoot soundboard. Even in the mirrored recording, which is always called \"like a soundboard,\" the live performance with the genuine line recording \"COSTA MESA 1991 SOUNDBOARD\" is not good... but it is overwhelmingly winning! As soon as the riff of \"Yours Is No Disgrace\" sounds, led by the tape \"Firebird Suite,\" the powerful dynamism is intense. Certainly, the soundboard version has a tremendous thickness and detail, but the sound is inorganic and too exposed. In contrast, this work boasts the same vividness, while the deep bass vibe roars and the high-pitched melody dances wildly. The dynamism is very moving, the beat stirs the soul, and the pouring harmony melts the heart. The soundboard version allowed me to calmly analyze the live performance, but no matter how calmly I try to listen to this work, it just shakes my heart. Perhaps the soundboard version is better in terms of the reproduction and amount of information of the live performance. However, this work is incredibly colorful and expressive, and beautiful as music, even though it is the same performance. Moreover, this work is also the highest peak update of such a famous recording. In the mirrored master, there was a recording error (about 20 seconds) in the second half of \"Awaken\" that seemed to be a tape change, but this work also compensates for that part with the soundboard version. It is a complete album with a seamless recording of the full show. A great masterpiece showdown that lets you realize the charm of the audience recording When you are in contact with many records, you may want to use the audience recording as a substitute for a soundboard. However, that is not the case. Audience recordings have advantages and merits that official and soundboard recordings do not have, and they are by no means substitutes. What is \"AUD that is better than SBD\" and \"beauty of the audience recording only\"? If you want to experience it, please compare \"COSTA MESA 1991 SOUNDBOARD\" and this work. It seems as if \"COSTA MESA 1991 SOUNDBOARD\" is a bad board, but that is not the case at all. If you actually experience both, you will understand that the direct-connected soundboard version is a masterpiece that is not just a thing, and you will be trembling at the awesomeness of the Millerd work that surpasses it. It reminds you of the obvious fact that \"music is not just a collection of sounds.\" It seems that beautiful phrases such as \"Millard is superb and natural\" and \"Beyond the soundboard\" have become standardized, but it was true after all. I have handled countless records of many bands, but the opportunity to enjoy a \"table-direct soundboard\" and a \"master audience\" in a direct confrontation between top works is a rare luxury. A superb bootleg and a pleasure allowed only to enthusiasts who know it. A superb audience recording of the \"Costa Mesa performance on August 6, 1991\". A masterpiece created by the original master of absolute master Millard, the vividness and the thick feeling are comparable to the table-direct soundboard masterpiece \"COSTA MESA 1991 SOUNDBOARD\" of the same day, while this work is overwhelming in its powerful dynamism. What is \"beauty of only the customer record\" and \"AUD beyond the soundboard\"? It is a shocking new masterpiece that makes you realize its awesomeness. Pacific Amphitheatre, Costa Mesa, CA, USA 6th August 1991 ULTIMATE SOUND Disc:1 (71:38) 1. Firebird Suite 2. Yours Is No Disgrace 3. Rhythm Of Love 4. Shock To The System 5. Heart Of The Sunrise 6. Leaves Of Green 7. Mood For A Day 8. Make it Easy 9. Owner Of A Lonely Heart 10. And You And I Disc:2 (55:08) 1. Drum Duet 2. Changes 3. I've Seen All Good People 4. Solly's Beard 5. Saving My Heart 6. Whitefish 7. Amazing Grace 8. Lift Me Up Disc:3 (34:54) 1. Rick Wakeman Solo 2. Awaken ★13:20 - 13:41 SBD Left and right reversed to fill in 3. Roundabout Jon Anderson - Vocals Steve Howe - Guitars Trevor Rabin - Guitars Chris Squire - Bass Rick Wakeman - Keyboards Tony Kaye - Keyboards Alan White - Drums Bill Bruford - Drums\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":50014055924015,"sku":"","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/CDN-12873-1.jpg?v=1718157019"},{"product_id":"david-bowie-collection-of-bowie-pre-deram-singles-acetates-and-interviews","title":"David Bowie\/Collection of Bowie Pre-Deram Singles \u0026 Acetates and Interviews","description":"\u003cp\u003eFrom 17-year-old Davy Jones to David Bowie. A definitive compilation of the very early recordings of the unrivaled charisma when he was still in his teens has been born. The first release from a new label that archives Bowie's precious recordings is here. This commemorative first release is a collection of recordings that will be the first step for Bowie. When we talk about \"THE EARLY DAYS\" in the Bowie collection, it generally refers to the period before \"SPACE ODDITY\" and mainly focuses on the first album \"DAVID BOWIE\" released by Deram in 1967. However, the theme of this work is much earlier. From the phantom recordings of the first band that Davy formed, THE KONRADS, to the 1966 single when he had just renamed himself \"DAVID BOWIE\". This compilation covers all the singles, acetates, interviews, etc. before he signed with the Deram label. It was supervised by a world-renowned Bowie researcher who has worked on many masterpieces in our store. There have been various compilation albums of early recordings up until now, but none have been as thorough in terms of quality or collection. This is truly the best album ever. This work is divided into four major sections. Let's introduce each one individually. Very early singles (12 songs) First up are the very early singles from 1964 to 1966, when he was just 17 years old. To summarize... 1964: DAVIE JONES AND THE KING BEES name \"Liza Jane\" 1965: THE MANISH BOYS name \"I Pity The Fool\" 1965: DAVY JONES (with THE LOWER THIRD) name \"You've Got A Habit Of Leaving\" \"Can't Help Thinking About Me\" 1966: DAVID BOWIE (with THE BUZZ) name \"Do Anything You Say\" \"I Dig Everything ... These are the six albums. Each album includes a coupling song, for a total of 12 songs. Most of the songs are based on the official early compilation CD \"EARLY ON 1964-66\", but some of the official versions were replaced with different takes\/mixes. This work is unified with the original single versions and recorded with the best master. Also, a young Jimmy Page participated in the single of THE MANISH BOYS. He played lead guitar on \"I Pity The Fool\" and rhythm guitar on \"Take My Tip\". Alternative versions of the very early singles (5 songs) The next section is a collection of alternative versions of the singles mentioned above. There are three songs related to \"EARLY ON 1964-66\", including the normal version of the debut song \"Liza Jane\" which was out of tune, and \"Take My Tip\" and \"I Pity The Fool\" with different vocal takes. \"You've Got A Habit Of Leaving\" is the version included in the compilation \"MAKING TIME\" by producer Shel Talmy at the time, and the guitar take is different from the official single. The last song, \"Do Anything You Say,\" is a different mix version. None of the tracks are from discs, but from out-of-print and extremely rare official CDs. You can enjoy the highest quality without having to worry about needle cracks. Demo\/acetate takes (7 songs) From here on, the takes are excavated from even more maniac demo\/acetate records. To summarize this as well... 1965: Solo (3 songs) \"That's Where My Heart Is,\" \"I Want My Baby Back,\" \"Bars of the County Jail\" 1965: DAVY JONES (with THE LOWER THIRD) (4 songs) \"I'll Follow You,\" \"Glad I've Got Nobody,\" \"Baby That's A Promise,\" \"Silly Boy Blue\" All but the last two songs, \"Baby That's A Promise\" and \"Silly Boy Blue,\" were recorded by Shel Talmy and carefully selected from the CD version of \"EARLY ON 1964-66\" and the even better sounding cassette version. \"Baby That's A Promise\" and \"Silly Boy Blue\" are selected from the best takes. The last section of the interview \u0026amp; bonus (3 tracks) is historical recordings. It includes interviews from 1964 and 1966, and \"I Never Dreamed\" by THE KONRADS, Bowie's oldest recording, from 1963. THE KONRADS was Bowie's first band, formed in early 1962 by Dave Crook (drums) and Neville Wills (guitar). Later, when George Underwood (vocals) joined, George's best friend, Divie, who also played tenor saxophone, was invited to join. After that, they recorded a rehearsal in 1963, with some member changes. The full story is still unclear, but it was used for only 12 seconds on a BBC news program. This work includes those 12 seconds as a bonus track. This is a collection of 20 songs and 27 tracks. The beat and blues-infused songs have a mid-60s feel, and his singing voice exudes the honest admiration of his predecessors that is typical of a teenager. This is the origin of the rare charisma of David Bowie. It's interesting because he's different from his later appearance, and it's nice to see the brilliance of a diamond already in his youthful voice. This is the definitive album that is an expanded and complete version of \"EARLY ON 1964-66\" in terms of both sound and volume.\u003cspan\u003eThe collection of Bowie's pre-Deram singles, plus acetates and interviews (67:45) THE SINGLES Davie Jones and The King Bees Decca Studios. Broadhurst Gardens, West Hampstead. London. May 1964 Producer: Leslie Conn \/ Engineer: Glyn Johns Released: June 5, 1964. Vocalion Pop\/Decca Records - V.9221 01. Liza Jane 02. Louie, Louie Go Home The Manish Boys IBC Studios, Portland Place, London. January 15, 1965 Producer: Shel Talmy \/ Engineer: Glyn Johns Released March 5, 1965. Parlophone \/ EMI - R5250 03. I Pity The Fool 04. Take My Tip Davy Jones (with The Lower Third) IBC Studios, Portland Place, London. July 1965 Producer: Shel Talmy \/ Engineer: Glyn Johns Released: August 20, 1965. Parlophone \/ EMI - R5315 05. You've Got A Habit of Leaving 06. Baby Loves That Way David Bowie (with The Lower Third) Pye Studios, ATV House, Marble Arch, London. November 25, 1965 Producer: Tony Hatch Released: January 14, 1966. Pye Records - 7N 17020 07. Can't Help Thinking About Me 08. And I Say To Myself David Bowie (with The Buzz) Pye Studios, ATV House, Marble Arch, London. March 7, 1966 Producer: Tony Hatch Released: April 1, 1966. Pye Records - 7N 17079 09. Do Anything You Say 10. Good Morning Girl David Bowie (with The Buzz\/Session Musicians) Pye Studios, ATV House, Marble Arch, London. July 5, 1966 Producer: Tony Hatch Released: August 19, 1966. Pye Records - 7N 17157 11. I Dig Everything 12. I'm Not Losing Sleep ALTERNATE TAKES \/ MIXES Davie Jones and The King Bees Decca Studios. Broadhurst Gardens, West Hampstead. London. May 1964 Producer: Leslie Conn \/ Engineer: Glyn Johns 13. Liza Jane [Pitch Corrected] The Manish Boys IBC Studios, Portland Place, London. January 15, 1965 Producer: Shel Talmy \/ Engineer: Glyn Johns 14. I Pity The Fool [Alternate Vocal Take] 15. Take My Tip [Alternate Vocal Take] Davy Jones (with The Lower Third) IBC Studios, Portland Place, London. July 1965 Producer: Shel Talmy \/ Engineer: Glyn Johns 16. You致e Got A Habit of Leaving [Alternate Lead Guitar Take] David Bowie (with The Buzz) Pye Studios, ATV House, Marble Arch, London. March 7, 1966 Producer: Tony Hatch 17. Do Anything You Say [Alternate Mix] ACETATES Davy Jones \/ Solo Demos Location Unconfirmed. May\/June 1965 Producer: Shel Talmy 18. That's Where My Heart Is 19. I Want My Baby Back 20. Bars of the County Jail Davy Jones (with The Lower Third) IBC Studios, Portland Place, London. Mid 1965 Producer: Shel Talmy \/ Engineer: Glyn Johns 21. I'll Follow You 22. Glad I've Got Nobody Davy Jones (with The Lower Third) R.G. Jones Studios, Morden, Surrey. August 31, 1965 23. Baby That's A Promise 24. Silly Boy Blue INTERVIEWS 'The Society for the Prevention of Cruelty to Long-Haired Men' Tonight. BBC Studios, Lime Grove. London. Recorded\/Broadcast: November 12, 1964. BBC2 Television. 25. Interviewed Guest: Davy Jones \/ Interviewer: Cliff Michelmore [Complete] The Marquee, Soho. London. Broadcast: The Elida Show. Radio London 266 MW. September 24, 1966 26. Interviewed Guest: David Bowie \/ Interviewer: Johnny Moran BONUS: The Konrads R.G. Jones Studios, Morden, Surrey. June\/July 1963 27. I Never Dreamed [BBC News Online \/ 12 Second Fragment]\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":50014078402863,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/CDN-12872-1.jpg?v=1718157504"},{"product_id":"the-jam-il-usa-1980-soundboard-edition","title":"The Jam\/IL.USA 1980 Soundboard Edition","description":"\u003cp\u003eTHE JAM in 1980, which was running through the new 80s scene. The highest peak master that will further enrich the soundboard collection is here. This work was recorded at the \"Chicago performance on March 6, 1980\". It is a stereo soundboard recording. Our shop introduces the finest master provided by an overseas Paul Weller researcher, and this is the latest work. The number of works has been greatly enhanced, so let's first check the position of this work while organizing the collection by date. 1979, February 16th - March 8th: Europe #1 (10 shows) ←※Official READING 1979, April 10th - 24th: North America #1 (8 shows) ・May 4th - June 9th: UK #1 (16 shows) 《October 10th \"Setting Sands\" Production》 ・November 2nd - December 29th: UK #2 (30 shows) ←※Official BRIGHTON \/ RAINBOW 1980, February 11th - 15th: UK #3 (4 shows) ・February 27th - March 25th: North America #2 (13 shows) ←★Here★ ・April 7th - June 21st: Europe #2 (11 shows) ←※PINKPOP 1980, July 4th - 8th: First visit to Japan (3 shows) ←※NIPPON SEINENKAN 1980 July 2-August 9: Europe #3 (4 performances) October 18: Bromley performance (October 22 \"Sound Affects\" completed) October 26-December 12: Europe #4 (37 performances) ←※ Official NEW CASTLE 1980 This is THE JAM in 1979\/1980. Speaking of the 1980 soundboard, the first visit to Japan, the famous \"NIPPON SEINENKAN 1980 SOUNDBOARD\", is still fresh in my memory, but this Chicago performance was four months before that. It was the sixth performance of \"North America #2\". Speaking of \"North America #2\", the best audience recording \"THE PALLADIUM 1980\" is also a standard, but this work is six days later (three performances later). Such a show is also famous for being broadcast on FM, but this work is the highest peak master. This is not an air check from that time, but a digital rebroadcast version from 2011 by Chicago radio station \"WXRT-FM\". In fact, the sound is completely official. The broadcast mix is ​​not very strong, and the sound that was sealed in the station master only for digital broadcasting has been transferred to CD as it is. To be honest, it is even more beautiful than the famous \"NIPPON SEINENKAN 1980\". It is \"All Mod Cons\" at the end. There is a momentary skip or warp at around 50 seconds. This is not a scratch on the master, nor is it an error. In fact, at this moment Weller shouted \"Shit!!\" and the broadcasting station cut it by censorship. The broadcast itself is just like this. It is the truth of the broadcast, and there is nothing to be done about it, but a momentary chip is a chip. Such a super regrettable !! The best sound board depicts a show that is similar to the press masterpiece \"NIPPON SEINENKAN 1980 SOUNDBOARD\". Let's check the set while comparing. All Mod Cons (8 songs) It's Too Bad (★) \/ Mr. Clean \/ The Butterfly Collector (★) \/ To Be Someone (Didn't We Have A Nice Time) \/ Down In The Tube Station At Midnight \/ All Mod Cons \/ David Watts \/ \"A\" Bomb On Wardour Street Setting Sons (8 songs) Saturday's Kids \/ Burning Sky \/ Thick As Thieves \/ Private Hell \/ Little Boy Soldiers \/ Smithers-Jones \/ The Eton Rifles \/ Girl On the Phone (★) Singles (4 songs) Going Underground \/ The Dreams Of Children \/ Strange Town \/ When You're Young *Note: \"★\" marks songs that could not be heard on the classic album \"NIPPON SEINENKAN 1980\". ...And so it is. As with their first visit to Japan, \"ALL MOD CONS\" and \"SETTING SONS\" is the two-axis, with single songs sprinkled in between. However, there are some changes in the song selection, and in particular \"Girl On the Phone\" is a song that cannot be heard in the recent \"THE PALLADIUM 1980\" or the classic soundboard \"PINKPOP 1980\". This is a soundboard album that allows you to enjoy the \"SETTING SONS Tour\" in fully official quality due to digital rebroadcast. It's a pity that \"All Mod Cons\" was censored for a moment, but other than that, it is a masterpiece of a live album that cannot be complained about. Stereo soundboard recording of the \"Chicago performance on March 6, 1980\". The highest peak digital broadcast version master provided by an overseas Weller researcher. With completely official quality with zero degradation, you can also enjoy \"It's Too Bad\", \"The Butterfly Collector\" and \"Girl On the Phone\" that could not be heard on \"NIPPON SEINENKAN 1980 SOUNDBOARD\". This is a new masterpiece that only a researcher could know. Park West, Chicago, IL, USA 6th March 1980 STEREO SBD (61:48) 01. Introduction by John Weller 02. Saturday's Kids 03. Burning Sky 04. Thick As Thieves 05. It's Too Bad 06. Going Underground 07. Mr. Clean 08. The Butterfly Collector 09. Private Hell 10. Little Boy Soldiers 11. Smithers-Jones 12. The Dreams Of Children 13. To Be Someone (Didn't We Have A Nice Time) 14. The Eton Rifles 15. Strange Town 16. When You're Young 17. Down In The Tube Station At Midnight 18. Girl On the Phone 19. All Mod Cons 20. David Watts 21. 'A' Bomb In Wardour Street STEREO SOUNDBOARD RECORDING\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":50014122279215,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/CDN-12871-1.jpg?v=1718158132"},{"product_id":"roxy-music-ny-usa-1976-soundboard-edition","title":"Roxy Music\/NY,USA 1976 Soundboard Edition","description":"\u003cp\u003eROXY MUSIC in 1976 was on the brink of disbanding, having made a breakthrough with the single \"Love Is the Drug\". Here is a soundboard album that will let you hear the live performance in your brain. This work was recorded at the \"March 8, 1976 Hempstead Performance\". This is a stereo soundboard recording. Speaking of live performances just before disbanding, our masterpiece pro shot \"STOCKHOLM 1976: JAPANESE BROADCAST\" is also well known, but of course this work is a different performance. In order to confirm the situation around that, let's first take a bird's-eye view of the activities at that time. 1975, February 8-March 7: North America #1 (19 performances) {John Wetton leaves → John Gustafson joins}, April 15-30: Oceania (8 performances) {June-September \"SIREN\" production}, October 2-23: UK (17 performances), November 14-December 1: North America #2 (12 performances) {Gustafson leaves → Rick Wills joins}, January 23-27, 1976: Sweden (5 performances) ←※STOCKHOLM, February 13-March 20, 1976: North America #3 (25 performances) ←★Here★ {July: ROXY MUSIC disbands} This is ROXY MUSIC in 1975\/1976. They disbanded after \"North America #3\", but this Hempstead performance is the 15th performance. It was the final stage with less than two weeks until the last performance. Such a show was broadcast on the New York radio station \"WLIR-FM\" and has produced many existing groups. This work is the highest peak. It is a master provided by an overseas researcher, and is the broadcast version of 1984 when they disbanded again. It is a bit rough to call it official class, and it is a live type that is typical of radio broadcasting. There is almost no concert experience-like production, and the extremely thick performance sound and vocals are exposed. This may seem like a direct connection to the mix table, but it is a little different. Eddie Jobson's violin is strong, but the ensemble is well balanced, and the whole band is a strong sound that approaches as a wall of sound. Such a power sound board depicts a stage with a delicious number that is rare only at that time. Let's check the contents here. Siren (4 songs) Sentimental Fool \/ Love Is The Drug \/ Whirlwind (★★) \/ Both Ends Burning Others (8 songs) Country Life: The Thrill Of It All \/ Bitter-Sweet \/ Out Of The Blue Others: Mother Of Pearl \/ Sea Breezes (★) \/ For Your Pleasure \/ Diamond Head (★★) \/ Wild Weekend (★★) *Note: The \"★\" mark indicates songs that have not been played since the reunion. In particular, \"★★\" is a limited edition song only for the \"SIREN Tour\". ... and so on. \"Diamond Head\" is a selection from Phil Manzanera's solo album, and \"Wild Weekend\" is a selection from Andy Mackay's solo album. It is inevitable that it will be very different from the official \"VIVA!\", which was put together from various eras, but in fact it is also quite different from the direct pro shot \"STOCKHOLM 1976\". Only five songs are overlapping, \"The Thrill Of It All\", \"Mother Of Pearl\", \"Out Of The Blue\", \"Diamond Head\" and \"Wild Weekend\", making it a live album that doesn't seem like it was from the same tour. 12 days after this work, ROXY MUSIC finished their world tour and collapsed. This is a soundboard album that allows you to fully enjoy the subtleties of such a live performance in the final days. It is a vivid album with a group of masterpieces that you can't expect after the reunion and the tension that comes with the collapse. Stereo soundboard recording of \"March 8, 1976 Hempstead performance\". The best master provided by an overseas researcher on the FM soundboard broadcast on WLIR in 1984. The extremely thick performance sound and vocals are exposed, and the liveliness that is typical of broadcasting is also vivid. Eddie Jobson's violin is strong, but the ensemble is well balanced, and the entire band approaches as a wall of sound. You can enjoy the final stage of the golden age less than two weeks before the disbandment concert. Calderone Theater, Hempstead, NY, USA 8th March 1976 STEREO SBD (63:14) 1. Sentimental Fool 2. The Thrill Of It All 3. Love Is The Drug 4. Mother Of Pearl 5. Bitter Sweet 6. Out Of The Blue 7. Eddie Jobson Solo 8. Whirlwind 9. Sea Breezes 10. Both Ends Burning 11. For Your Pleasure 12. Diamond Head 13. Wild Weekend 14. Band Introductions STEREO SOUNDBOARD RECORDING Bryan Ferry - vocals, keyboards, harmonica Andy Mackay - oboe, saxophone Paul Thompson - drums Phil Manzanera - guitars Eddie Jobson - synthesizers, keyboards, violin Rick Wills - bass\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":50014151115055,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/CDN-12870-1.jpg?v=1718158554"},{"product_id":"paul-mccartney-italy-1991-complete","title":"Paul McCartney\/Italy 1991 Complete","description":"\u003cp\u003eAmong the precious live shows held as surprise gigs in the UK and Europe around the time of the release of the 1991 album \"Unplugged,\" the club gig in Naples, Italy on June 5th was recorded in full in the best quality with a good audience master for that time and the latest digital remastering in 2024. First of all, for three months from May to July of this year, in between large-scale world tours, they performed two concerts a month with minimal advance notice. The secret gigs, which consisted of only six performances, had very distinctive set lists and arrangements, and are very popular among fans. The show was divided into two parts, the first half acoustic and the second half band arrangement, and in addition to his favorite rockabilly covers and Beatles numbers, as well as numbers from his first solo, which were fresh at the time, there were also \"Down To The River,\" which was not included in \"Unplugged,\" and a slow blues-like arrangement of \"Coming Up.\" There were many highlights to listen to. Live at Teatro Palapartenope, Naples, Italy June 5th 1991 : New Remaster Edition 2024 DISC 1 : (ACOUSTIC SET) 01. MEAN WOMAN BLUES\/02. BE BOP A LULA\/03. WE CAN WORK IT OUT\/04. SAN FRANCISCO BAY BLUES\/05. EVERY NIGHT\/06. HERE, THERE AND EVERYWHERE\/07. THAT WOULD BE SOMETHING\/08. SINGING THE BLUES\/09. AND I LOVE HER\/10. SHE'S A WOMAN\/11. I LOST MY LITTLE GIRL\/12. AIN'T NO SUNSHINE\/13. HI HEEL SNEAKERS\/14. I'VE JUST SEEN A FACE\/15. DOWN TO THE RIVER\/16. GOOD ROCKIN' TONIGHT DISC 2: (ELECTRIC SET) 01. MY BRAVE FACE\/02. BAND ON THE RUN\/03. EBONY AND IVORY\/04. I SAW HER STANDING THERE\/05. GET BACK\/06. COMING UP\/07. THE LONG AND WINDING ROAD\/08. AIN'T THAT A SHAME\/09. LET IT BE\/10. CAN'T BUY ME LOVE\/11. SGT. PEPPER'S LONELY HEARTS CLUB BAND\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":50014186799407,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/CDN-12869-1.jpg?v=1718158872"},{"product_id":"eric-clapton-il-usa-1985-soundboard-edition-upgrade","title":"Eric Clapton\/IL,USA 1985 Soundboard Edition Upgrade","description":"\u003cp\u003eThe representative SBD sound source of the 1985 BEHIND THE SUN US tour is now available as a 1st GEN. master! This time, the treasured master delivered by the heavyweight Taper, who lives in the UK and is familiar with Eric Clapton's sound source, is a first generation stereo soundboard master that completely recorded the performance in Hoffman Estates, Illinois (Chicago) from the second leg of the 1985 \"Behind the Sun American Tour\" with a superb stereo soundboard recording. Speaking of the 1985 tour, it was a memorable tour in which Clapton had almost overcome alcoholism and played in a fearless manner. This sound source is a famous sound source that has been released by multiple labels in the past, and was recorded at the PA desk of the venue, so-called \"PA out\", because the level of the audience's cheers was small. Although the previously released version was a low-generation master, it was a master that had gone through several generations, but this time, the first-generation master that the heavyweight taper obtained after a lot of hard work using his connections is a major upgrade, and the quality is worthy of being called \"perfect\" in terms of clarity, tone grain, sound balance, stereo separation (mix), etc. While the PA out is often recorded appropriately in mono, this master has Jamie Oldaker's drums, especially the snare, tom, and floor tom, and the voices of the two female choruses are separated to the left and right, and the cleverness of the stereo mix further enhances the value of this stage. Taking Clapton's guitar play as an example, it is as if he is playing 50 centimeters in front of you. This \"liveliness\" is a quality that can be recommended to everyone, exceeding the official live version, in other words, it is no exaggeration to say that it cannot be achieved on the official live version. The appeal of the second leg with a changed set list Let’s clarify the position of this performance in this year in chronological order.・February 28th to March 15th, 1985: European tour including the UK During this period, \u0026lt;March 1st, 1985: Release of the album \"Behind the Sun\"\u0026gt; ・April 9th ​​to May 3rd, 1985: First leg of US tour ・May 8th, 1985: Appearance on the US live music program Late Night With David Letterman ・June 21st to July 27th, 1985: Second leg of US tour ←★Here★ ・October 5th to October 11th, 1985: Sixth Japan tour ・October 14th to November 6th, 1985: Short European tour after touring Alaska and London ・December 3rd to 23rd, 1985: A break, but during this time, he made surprise appearances on stage at concerts by Buddy Guy \u0026amp; Junior Wells, Sting, Gary Brooker, Dire Straits, and others. Following the release of the album \"BEHIND THE SUN\" which was recorded the previous year, it was a year spent promoting this album, but this performance was the final leg of the tour around the United States, the largest market. You can see that Clapton had made two tours, especially in the United States, to make his ambitious work a hit. The half-official release \"RICHMOND 1985\" was the first leg, so this work will allow you to listen to a performance with different legs and full of highlights. By visiting the United States twice, each leg was full of charm. The set list was changed. The second leg was characterized by the fact that Cream's famous song White Room was featured for the first time in 17 years, and that Badge and Let It Rain were played in a medley. The former was triggered by an appearance on the American TV program \"David Letterman Show\" on May 8th. In response to the desire of Paul Shaffer, who was the musical director of this program, he played White Room with the program's house band for the first time in 17 years (Steve Jordan, who would later support Clapton, was a member of this house band on drums). Clapton was satisfied with the result and included this song in the set from the second leg of the tour. Four new songs from the album were performed (Same Old Blues, Tangled In Love, She's Waiting, Forever Man). They are not inferior to the representative songs, and all of them are performed wonderfully. These are numbers that you can no longer expect to be set in the set, so you can feel Clapton's enthusiasm at the time when he was burning with the desire to perform new songs. In particular, the solo on Same Old Blues has reached a raging realm that can be said to be beyond words, and combined with the mix of this work, anyone who listens to it is sure to be knocked out. Anyway, Clapton plays the whole thing. It's amazing. As for the second leg, this is also a recording source where you can listen to Marcie Levy's featured number She Loves You (a Beatles cover) on the schedule. Marcie's song was replaced from Something Is Wrong With My Baby at this time. Although you can't hear Clapton's playing in this song, this Beatles number arranged in a slow tempo is an excellent arrangement that highlights Marcie's skill in singing earnestly with only Chris Stinton's piano and Tim Renwick's chord-breaking arpeggio playing in the background. Meanwhile, in the featured number Steppin' Out by Sean Murphy (who later joined Little Feat as the lead vocalist), Clapton stays on stage and plays a sharp solo. The scene at the end where she shouts \"Chicago, No bad blues!\" and the audience gets excited is also a highlight of the local recording. Even in such a varied set, the minor blues song Double Trouble is a part of Clapton's style, and it can be said that the set list was well-balanced, with representative songs, new songs, and blues, and fully conveyed Clapton's charm. Clapton's singing and aggressive guitar solos are a wave attack. It seems that Clapton's singing has improved dramatically on this tour. His confident and imposing singing style also exudes a manly sexiness. Please listen carefully. Furthermore, the guitar solos are more aggressive than ever, and there are many patterns of fast passages. This is very thrilling! Following the two songs with sharp slide play in the opening, he shows off his true form early on with the solo in the backstory of I Shot The Sheriff, and the tension rises all at once with the following Same Old Blues. Clapton's solo in White Room is a wonderful phrase composition with wah-wah stomping, which is as good as the Cream era, as it is played by the same person who made the original Cream version a masterpiece. After Cream broke up, Jack Bruce, the composer, had many guitarists play this song in his own band, but Clapton's playing in this work seems to be better than any of them. After the performance, the excited audience cheers and applause does not stop, and Clapton can be seen stopping it by saying \"Stop it.\" That's how amazing his playing is. Tangled In Love, Badge, and Let It Rain also feature high-speed slow-hand playing. In the midst of all this, Blackie is crying as much as he can in the de Blues' Double Trouble. Listening to this play, you can really feel that Clapton is a blues guitarist. Layla's solo in the afterword is also at an incredible level, and you will be left speechless here as well. This is a great take that makes you realize how much effort Layla put into playing her solos at this time. There were two encores. From Forever Man, which can only be described as cool, to Further On Up The Road, where all the members had solos, you will feel refreshed by Clapton's appearance as he ran at full throttle. Blackie's last tour! Blackie, the Stratocaster that debuted at the Rainbow Concert in 1973 and has been with Clapton ever since his comeback as his favorite instrument. Since it had been used as his main guitar for many years, the neck had worn out, to the point where it would come off the neck when the first string was choked down, so Clapton retired Blackie at the end of this tour and began using a newly developed custom Strat the following year. In other words, this tour was the last time we heard that withered \"half tone\". After I Shot The Sheriff on this album, Blackie roars and cries (he uses another Strat made by Roger Giffin as an open-tuned slide for the first two songs and Tulsa Time). This tone is truly unique to Blackie. It can be said that Clapton's playing had a mature flavor because of this guitar. Please enjoy the raw Blackie sound of the amp direct in this work. Top-class backing men only for this period The backing men were the famous Stax bassist Donald Duck Dunn and Jamie Oldaker of the Tulsa Tops, who could be said to be the strongest rhythm section in Clapton's history, from the flow of the 1983 tour. Please enjoy the bouncy bass playing of the late Donald Duck Dunn, who supported Clapton only during this period, and the dynamic drumming of the late Jamie Oldaker, who has many hands, as well as Duck Dunn's unique comments introducing Clapton in the member introduction (Clapton seemed to get along really well with Duck Dunn, so much so that when he started his own label in 1983, he named it \"Duck Records\"). It is also the only tour where you can hear the playing of Tim Renwick, a veteran British guitarist who would later support \"Gilmore Pink Floyd\". His solid playing without any mistakes is also a highlight. His unique playing can be heard in the obbligatos in I Shot The Sheriff and White Room, Badge, the second solo in Cocaine, the obbligato and the seven-phrase in Layla, and the closing solo in Forever Man. And we must not forget Chris Stinton, who still supports Clapton. From the opening piano prologue, he is active not only on piano, but also on organ and synthesizer. The bond between the two was strong 39 years ago. This is a wonderful stage where you should listen to their support along with the resounding tone of Blackie Strat. This work boasts the highest sound quality ever, and is the first to record the soundboard sound source representing the \"Behind the Sun American Tour\" from the first generation master. \u003cspan\u003ePoplar Creek Music Theater, Hoffman Estates, IL, USA 5th July 1985 STEREO SBD(from Original Masters) UPGRADE Disc:1 (53:24) 1. Intro. 2. Tulsa Time 3. Motherless Children 4. I Shot the Sheriff 5. Same Old Blues 6. Tangled In Love 7. White Room 8. Steppin Out 9. Wonderful Tonight 10. She's Waiting Disc 2 (52:12) 1. She Loves You 2. Badge 3. Let it Rain 4. Double Trouble 5. Cocaine 6. Layla 7. Forever Man 8. Band Introductions 9. Further On Up the Road STEREO SOUNDBOARD RECORDING Eric Clapton - guitar \/ vocals Tim Renwick - guitar Chris Stainton - keyboards Donald 'Duck' Dunn - bass Jamie Oldaker - drums Marcy Levy - backing vocals Shaun Murphy - backing vocals\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sakura Discount","offers":[{"title":"Default Title","offer_id":50014209507631,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0870\/7617\/6175\/files\/CDN-12868-1.jpg?v=1718159332"}],"url":"https:\/\/sakura-discount.myshopify.com\/collections\/frontpage.oembed?page=117","provider":"Sakura Discount","version":"1.0","type":"link"}